Monday, August 30, 2010

501 Must-See Movies: 'Apollo 13' to 'Ballad of a Solider'

Not a bad group this week as we roll on. I find it more interesting at times, not what was included or excluded from this book, but how the author choses to endorse some movies way more than others. I guess it is hard to same wonderful things about all these movies, but each should at least sound like you think it is a good movie or that you like it. I would think.


Apollo 13:
1995, USA (Drama)

This film was destined for greatness even if the mission it depicted was doomed. The blockbuster combo of Ron Howard and Tom Hanks never seems to go wrong. Throw in Kevin Bacon and Bill Paxton and man you got yourself one hell of a movie. The film really focuses on the human story of the mission and more serves as a celebration of the American will and drive to achieve our dreams. Still Ed Harris is the man!

As Good As It Gets: 1997, USA (Romance)

I guess I never thought of this movie as a romance. I remember my mother taking me and Red to go see this movie. Chalk full of one liners from Jack and this lovable gay charm from Greg Kinnaer. The movie has heart but is full of laughs along the way. I guess that is how two teenage boys enjoyed this 'romance' movie so much.


The Asphalt Jungle: 1950, USA (Mystery & Thriller)

This film is credited as inspiring many later 'heist' movies such as the original "Ocean's Eleven" and "Reservoir Dogs". But unlike those, this film has little action and is instead focused on the flaws of the character. Some of the scenes are well described in the book and make me want to see it. Marilyn Monroe got her break co-starring as the bimbo niece. Seemed fitting.


Attack!: 1956, USA (War)

Jack Palance & Lee Marvin star in this WWII picture. The overall theme is man's efforts to prevail against all odds, yet there is a ton of anti-war. Or at least of exposure of poor behavior by certain officers. Seems to me like they made a TV series out of this because I have seen this title before. But I could be wrong.


Audition: 2000, Japan (Horror)

This is a romantic horror film, something that doesn't sound quite right. But there is one thing I know, Japanese filmmakers can make some twisted crap. It sounds good though.


Austin Powers: International Man of Mystery: 1997, USA (Comedy)

This is our generation's 'Airplane'. Although the way the book reads about it, you would think the author didn't like it at all. This film propelled Mike Myers out of the shadow of SNL and into the comedy powerhouse he has become.


Back to the Future: 1985, USA (Science Fiction & Fantasy)

This is The 80's Movie in my opinion. The style of the 'present' scenes and the use of the Delorien (sp?) forever cement it in the memorable time period. The sequel was very good as well, but the 3rd just went too far.


Bad Company: 1972, USA (Western)

The book claims this is an unjustly neglected masterpiece of the 70's. I've never heard of it before, which means I got some Westerns to catch up on. It stars a young Jeff Bridges as a group of young men desert from the Union Army.


Ballad of Cable Hogue: 1970, USA (Western)

This western follows the story of Cable Hogue who is left to die by two double-crossing partners and reclaims a life for himself eventually set on revenge. The book points to a comedic edge and a clear affection for the Old West.


Ballad of a Solider (Ballada o soldate): 1959, USSR (War)

Set during WWII, a young Russian solider refuses a medal and sets off on leave to see his mother. This is noted as a change in Russian cinema and was the first film from the USSR to enter an American film festival that it even won.

Friday, August 20, 2010

501 Must-See Movies: 'All The President's Men' to 'Apocalypse Now'

The list picks up with a solid group this week, including at least 2 of my all time favorites.


All The President's Men:
1976, USA (Drama)

This classical replays the events of reporters from the Washington Post trying to uncover the Watergate scandal. Robert Redford & Dustin Hoffman are said to be at the top of their games in this one playing well off each other.


Amelie: 2001, France/Germany (Comedy)

This one gets alot of praise in the book. I remember seeing it on the racks of local movie stores for some reason. "A flawless film graced by flawless performances." That seems impossible to live up to.


American Beauty: 1999, USA (Drama)

I would rank this as one of my all time favorites. Kevin Spacey has never been better. I've noticed though through many discussions this seems to be more of a guy movie. It is because of the naked covered with rose pedals Mena Suvari, but that the sense of this so call happy life turned to crap seems to fit more into the male psyche. It is well pointed out in the book that while the 'point' of the movie is to find out who killed Lester, but the importance is in the road to his death and the people caught in this world.


An American in Paris: 1951, USA (Musical)

This musical is known for Gene Kelly's dancing including a closing 13 minute ballet sequence unlike anything seen before. It is noted that the ballet was the main reason the movie won six Oscars.


An American Werewolf in London: 1981, Great Britain (Horror)

This movie always confused me. It seemed like a scary movie, but they played it on Comedy Central. John Landis stepped out of his element a little bit with this movie but made something 'as scary as any horror and as satirical as any comedy'. I tend to agree with that statement. The special effects still look decent today, not as cheesy as most others.


Angel Heart: 1987, USA (Horror)

I was surprised to find that I had never heard of this movie. Mickey Rourke & Robert De Niro star in this psychological thriller. It sounds very interesting as it is set like a detective story and turns into something different. The book points to how the director, Alan Parker, peppers the story with obvious clues so you think you know what it happening until being caught off guard by a new gruesome revelation.


Animal House: 1978, USA (Comedy)

The book doesn't really have much to say about this comedy classic. The problem is I really don't either. I dunno what is left to be said about this one that hasn't already been said. A classic good time that made John Belushi an even bigger star. I just remember hearing once in an interview that John Landis wanted to challenge Belushi in the movie so he restricted his line and told him he had to act out mostly with his face. Thus we got some excellent expressions of comedic genius.


Annie Hall: 1977, USA (Romance)

All you ever hear about this movie was Diane Keaton's clothes and how they sparked a fashion movement. I've never been one for Woody Allen. This movie did invent the sub-genre of 'nervous romance'. Then again Woody Allen seems nervous in every movie he is in.


The Apartment: 1960, USA (Romance)

Jack Lemmon stars as a man who lends his apartment to his bosses for some extra activities. It turns into a tangled love web along the way. The book points to the skillful display of the movie's funny side before peeling the humor away layer by layer till all that is left is the bleakness underneath. This movie definitely sounds interesting and I have always been a fan of old school Jack Lemmon, so I will have to find this one someday.


Apocalypse Now: 1979, USA (War)

I could write several posts on this movie. There are so many classic scenes, lines and music. There is the opening sequence of Martin Sheen wasting away in his apartment to The End, the bombing raid on the village, the bridge battle and of course the climactic scene of the natives slaughtering the cow. I read that the crew was actually able to film a real native ritual, so that cow is really getting chopped in half at that time. If I need to complain about one thing, it is Brando's voice at the end. I had to turn on the subtitles the first couple times I watched it in order to understand what the heck he was saying. Again it wasn't so much the mission to 'remove Col Kurtz of his command' but the journey to get there. We see first hand the absurdity of war and the variety of characters it produces. Robert Duvall steals the show as Lt. Colonel Kilgore dealing the movie's most famous line, along with my favorite "Charlie don't surf!"

Thursday, August 19, 2010

The Dark Tower V: The missing key

Note: I didn’t have this book, so it took a little while to get, by then I had started in on some other books and some stupid house-building project. Check out the other installments to refresh you mind.

THE WOLVES OF THE CALLA

There’s a few main plot lines driving this book, which all add up to this becoming the transition to conclusion.

1. The battle for a little town of Calla Bryn Sturgis against the “Wolves” sent from Thunderclap to steal every other child only to return them “roont” or basically useless. Roland and his gang stumble upon the town on their journey to the tower, and like all good gunslingers, offer their “hard calibers” for the fight.

2. The protection of the rose (the embodiment of what is good, what is true in all worlds) that currently resides in a empty lot in New York circa 1977 (I think that’s the year, we have 4 characters from 4 different times in New York, easy to get them messed up.

3. The development of a new personality for Susannah, due to ill-fated pregnancy by a demon. Mia, daughter of none, is born within her head and determined to see the pregnancy through.

4. The introduction of Father Don Callahan, a character from King’s book Salem Lot, who has traveled through alcoholism and the “lost highways” to the Calla. His story introduces us more closely to some of the evil we will encounter in the final two books.

That’s the gist of it.

That being said, King slips something in here, something that slipped right past me the first time I read this book. The second time, admittedly I was looking for signs of things that come at the end of the last book, I was stunned when I read the passage below. In a dream that Roland has from his past, King alludes to a key to the entire journey. Then he moves on. The best readers probably caught this section and wondered why it was here. Like I said, I didn’t remember this at all. Anyways, here is a small sampling from Roland’s dream.

Cuthbert Allgood, who had once ridden into the Barony of Mejis with a rook’s skull mounted on the pommel of his saddle. “The lookout,” he had called it, and talked to it just as though it were alive, for such was his fancy and sometimes he drove Roland half-mad with his foolishness, and here he is under the burning sun, staggering toward him with a smoking revolver in one hand and Eld’s Horn in the other, blood-bolted and half-blinded and dying … but still laughing. Ah, dear gods, laughing and laughing.

“Roland!” he cries. “We’ve been betrayed! We’re outnumbered! Our backs are to the sea! We’ve got them right where we want em! Shall we carge?”

And Roland understands he is right. If their quest for the Dark Tower is really to end here on Jericho Hill – betrayed by one of their own and then overwhelmed by this barbaric remnant of John Farson’s army – then let it end splendidly.

“Aye!” he shouts. “Aye, very well. Ye of the castle, to me! Gunslingers, to me! To me, I say!”

“As for the gunslingers, Roland,” Cuthbert says, “I am here. And we are the last.”

Roland first looks at him, then embraces him under that hideous sky. He can feel Cuthbert’s burning body, its suicidal trembling thinness. And yet he’s laughing. Bert is still laughing.

“All right,” Roland says hoarsely, looking around at his few remaining men. “We’re going into them. And will accept no quarter.”

“Nope, no quarter, absolutely none,” Cuthbert says.

“We will not accept their surrender if offered.”

“Under no circumstances,” Cuthbert agrees, laughing harder than ever. “Not even should all two thousand lay down their arms.”

“Then blow that fucking horn.”

Cuthbert raises the horn to his bloody lips and blows a great blast – the final blast, for when it drops from his fingers a minute later (or perhaps it’s five, or ten; time has no meaning in that final battle), Roland will let it lie in the dust. In his grief and bloodlust he will forget all about Eld’s Horn.



Next up: The Song of Susannah. This one’s a little shorter and once I find it wherever it’s packed away, I get to reading through it.

Saturday, August 14, 2010

Sam & Alice

Note: I wrote this probably 6-8 months ago with a vague vision of where it might go. I justf left it as it appears below because I could feel flaws in my plot and idea. Thought I'd post it since I am a little stuck on what's next with the CD project. Enjoy.

Sam & Alice

Sam intertwined his fingers, which were cemented with dirt in the dry cracks, above the red-and-white checkered metal plate with a small pile of scrambled eggs with specks of brown interrupting the gold. Next to the eggs was a piece of wheat bread toasted nearly black. He had not got a hang of toasting bread on the oven burner yet. The fingernail on his thumb was a brilliant purple and throbbed anytime he bumped it. Alice had grown fond the last day or two of swatting at it and watching him fight back the pain. This whole ordeal had made Alice terribly sick.

“Our father, who art in heaven,” Sam began.

“Why the hell are you doing that?” Alice’s voice cackled.

“Please don’t interrupt me.”

Alice pushed her chair away from the table, the rubber stoppers at the bottom of the legs thudded against the linoleum.

“Hallowed be thy name. Thy kingdom come…”

“Yeah, we’ll see about that.”

“Alice.”

Standing, Alice picked up her plate of untouched food and flung it across the kitchen, hitting the bare wall on the opposite side and leaving a wide gouge in the blue paint. The plate crashed to the floor, eggs scattered in all directions. The toast landed as hard as the plate and seemed equally unharmed.

“I can’t stand this any more,” Alice said rubbing at the thickly wrapped gauze on her right wrist. He didn’t think she had any more tears inside her, but one found its way out of her bloodshot right eye and streaked down her dirty, pale face.

“I know. It won’t be long.”

“Hmmm.” She turned away, looking out the square window above the sink. Alice had a constant shake these days, a fidget that never stopped. Where was the strong woman he loved, Sam wondered?

Alice fumbled with the wood drawer next to the sink, the metal contents inside rattled. Opening the drawer was a fight due to the humidity swelling everything. She swore words that a month ago he would have thought she didn’t know. Finally it opened, and she pulled out a pack of cigarettes and a lighter.

“Please don’t smoke in here.”

Alice gave a throaty sound before walking out of the kitchen. Sam waited before starting again.

“Thy will be done on earth as it is in heaven…”

“Yeah, we’ll see about that too.” Alice mumbled from the front door. Her voice didn’t even sound the same anymore. All the joy, all the spring of it was replaced with a cold, raspy edge that bordered between cruel and desperate.

He heard Alice open the door allowing the sound of rain splattering on the porch to come in. It had been raining too long for him to tell if it had picked up or slowed down.

Friday, August 13, 2010

501 Must-See Movies: 'Alexander Nevsky' to 'All That Jazz'

Alexander Nevsky: 1938, USSR (Action/Adventure & Epic)

This epic was made at the wishes of the Soviet regime to sort of inspire the masses as they grew leery of the threat Nazi Germany posed to them. Alexander Nevsky was a Russian prince who calls the people to arms to repel an invasion by German Knights in the 13th century. The interesting fact about this film was the score was created off of the director's sketches and shot plans. Then after it was recorded, the director shot and cut the film to match screen movements with the sound, essentially doing the normal process in reverse.


Alexander's Ragtime Band: 1938, USA (Musical)

This was a love story and a showcase for 28 Irving Berlin songs. The only name I recognized among the cast list was Ethel Merman.


Alien: 1979, Great Britain (Science Fiction & Fantasy)

Here is where I am forced to admit that I was too scared growing up to watch 'Scary Movies'. Although reading about Alien now makes me feel like I need to make an effort to watch it. The biggest thing I get out of reading what the book says is that this movie gave creditability to the Sci-Fi genre as more than just a children's fantasy adventure. Ridley Scott created suspense and used strong characterization to drive this story. This is probably Sigourny Weaver's not recognizable role as Ripley. It is probably time to grow up and submit myself to these other great movies.


Aliens: 1986, Great Britain (Science Fiction & Fantasy)

James Cameron took over the franchise and went it what seems to be his usually direction, full out action and visual splendor. Ripley returns to Earth after 57 years in suspended animation to find the planet with the alien eggs has been colonized, and hilarity ensues. What a minute, that's not right. This basically sounds like the formula for many failed sequels, go bigger and crazier, but they say Cameron pulled it off like he always seems to. Probably because Bill Paxton was in it, that guy is movie gold!


All About Eve: 1950, USA (Drama)

This classic once held a record for Oscar wins. Better Davis stars as an aging actress who takes a younger actress under her wing, only to end up learning more herself in the process. The film is an upfront look at the world behind the camera.


All About My Mother (Todo Sobre mi Madre): 1999, Spain/France (Drama)

This movie sounds strangely interesting. The director, Pedro Almodovar, is known for characterization and comes out swinging plotting a transvestite prostitute, pregnant nun and lesbian acting couple together on an adventure to find the father of the main character's deceased son.


All of Me: 1984, USA (Comedy)

This movie instantly makes me think of my mother. She watched his movie alot and got me to enjoy it as well. Lily Tomlin plays the a woman whose soul becomes entrapped in a man's (Steve Martin) body. This movie propelled Martin back into top comedy stardom after some recent bad movie choices. His style of physical comedy fit perfectly into the issues faced by a man with a woman's soul controlling half of his body. I would recommend it for anyone who like Steve Martin.


All Quiet on the Western Front: 1930, USA (War)

This was a landmark anti-war movie based off the novel of the same name. It follows seven German boys as they lose their enthusiasms and fall prey to the harsh realities of trench warfare. One of the final scenes is an often celebrated war statement. When the young solider finds a piece of beauty amidst the carnage of war, he tries to reach for the butterfly only to be killed by a sniper's bullet. The film was noted for having so realistic battle sequences that they were often used in documentaries about the war.


All That Heaven Allows: 1955, USA (Romance)

Rock Hudson stars in this tale of social status and forbidden love. A wealthy widow in the New York suburbs falls in love with a younger gardener bringing about scandals even with her children who like her to marry and older man looking for companionship. The movie comments heavily on social norms despite being more of a melodrama.


All That Jazz: 1979, USA (Musical)

The book claims this love song to theatre and show business is far more brilliant than over the over. I seriously doubt that.


Thursday, August 12, 2010

The Legacy Project: Section 8 - Love Story

“I swear it hurt me more than it hurted her.” New Pony by The Dead Weather

The green strands of grass danced in tight groups across the lowlands from the sweet caress of the westward wind. The breeze swooped through the lines of crops causing the corn to squeak as the stalks rubbed against each other. Small dust clouds, no bigger than a pony, swirled up the bare patches of ground around the homestead until losing their momentum against the cabin.

Red reached up with his right hand to remove his hat and wipe the sweat from his brow with his shirt sleeve. He stared at the sky for a moment. Not a single cloud came into sight across the horizon. The sun continued to beat down upon him, burning the last bits of moisture from his crops. The breeze offered marginal relief as he could feel the heat upon his harden face that it carried through the land. There had been no rain for a week. Red could already hear the other farmers that would venture into town with their sad stories of burned out crops and dying cattle.

These were the times Red swelled with pride at his fortune to stake out a piece of land with a stream. It ran out of the mountain range down across his homestead and several others before meeting up with the large river that cut through the rest of the valley. It had been the reason for his success in growing his crops over the last few years; although it brought plenty of ire upon him from other homesteads in the area, especially from Taw Hilbrand just down the stream. Hilbrand’s plot kept expanding across the land fueled by his growing influence in the region substantiated by his general store in town and the ruthless band of farm hands he employed. Red had a few run-ins with Taw while he was in town, but so far had kept magnate off his land.

There was another secret that the stream recently brought down from the mountains, one that would surely bring more attention upon Red than he wished. He had been fetching a pale of water for the garden one day during planting season when a glitter in the bottom caught his eye. Red had figured it to be pure coincidence, a nugget someone had lost in a trek through the mountain side; but when he went back the next day and found several more golden rocks while wading through the stream, Red knew what it meant. He started a collection in a bag he kept in his tool shed next to the house. He didn’t want anyone to find out, so much so that he hadn’t even told Delilah. It wasn’t that he didn’t trust his wife and sole companion of several years; Red felt that it would only endanger her to know such a coveted piece of information. If word got out, Red knew Hilbrand, if not many others, would be after his quiet piece of land.

“Red,” Delilah called out from the porch of the cabin waving her arm in the air, “dinner’s ready!”

Red flipped his hat back onto his head. His worries quickly melted away at the sound of her voice. He smiled and waved back at her. Red moseyed back up to the cabin with the thoughts of Delilah’s delicious cooking running through his head. She had gone back inside after he had returned her wave. Red made it to door to see Delilah feverously setting the table. The aroma of chicken and potatoes hit Red’s nose as he stepped into the cabin. He swiftly moved up behind his wife and with one powerful twist of her hips swung her around into his embrace. Her arms instantly wrapped around his neck as he stared into his eyes. He leaned in for a passionate kiss. Her lips were warm and soft. Her hand felt smooth as it swept across the growing bristles of his cheek.

After a moment that felt like ages, she gently pushed him back. “Why Red Travers, I didn’t know my cooking put you in such fervor.”

It still sounded funny to hear his name as such. Red knew his father’s name, but vowed long ago to forget it. The dirty bastard didn’t deserve such credit. He always told Delilah he didn’t know his real name. So when it came time to marry, they decided he should take her surname. Part of him wished he would have thought up a good sounding Christian name, too. He could have left his past behind altogether. If only that old preacher, Van Mussen, had found his inspiration to give Red one before it was too late.

“You know I love everything you do, Delilah Travers. I could never give you enough to repay all that you have given me.” Tears began to well in Red’s eyes, not for the joy of this love, but from the memories of his past life, the good and the bad he had left behind.

“You’re always too sweet.” She reached up and caressed his cheek again. “Let’s eat ‘fore it gets cold.”

The happy couple had just finished dinner when Red heard the noise coming up in the distance. His past was not long gone enough to recognize the sound of a group of riders coming up hard to their cabin.

“What’s that?” Delilah’s innocence had always been the endearing factor in his love for her.

“Trouble.” Red ran back to the bedroom. He adeptly slipped on his gun belt that he always left hanging on a nail beside the bed, instantly checking the chamber of his colt. He holstered the pistol with his right hand as his left picked up the Henry rifle leaning up against the wall. Red moved over to the drawer in the dresser that he kept the cartridges in. He swiftly slid them into the rifle counting in his head so he didn’t try to overload his weapon.

“What’s going on Red?” Delilah rushed to the bedroom doorway.

“’Member how I taught ya to shoot that scatter gun?” Delilah nodded her head with a look of growing concern as the gravity of the question hit her. “Go get it, make sure it’s loaded and stay outta sight!”

Red could hear the group slow as the crossed the field up to the homestead. He heard Delilah find the scattergun and snap the break back together after check the twin barrels.

“Travers! We know you’re in there. Come on out and talk to us!” Red recognized Jack Reed’s voice. He was Hilbrand’s lead hand, although enforcer was probably a more suitable title.

“Travers! We bought Sheriff Robinson along. We’ve got some business to talk about.” Red ventured a peak through the window. Reed was leaning forward both hands on the horn of his saddle. There was Sheriff Robinson on the horse to Reed’s right. Red had heard he was the new Sheriff in the area about two years ago. He had tried hard to avoid any interaction with the man of his past. He had faith the Sheriff wouldn’t know his name, but he was sure that same as that face brought back rebellious glimpses of his past, the Sheriff would remember his. Red was almost ten years removed from that life. He was happy and married now. This trouble, or any for that matter, was the last thing he wanted.

“I ain’t got no business with you Reed!” Red yelled out the window making sure he didn’t show through it giving away his exact position.

“Oh I beg to differ, Travers.” Reed held up a hand to anxious group of four men behind him. “My employer has a generous offer that he wanted me to present to you.”

“That so. Well, where is he so I can hear it?” Red glanced back for a second as Delilah caught his eye as she moved over to the kitchen area near another window.

“Now Travers, you know Mr. Hilbrand is a busy man. That’s why I’m here. Mr. Hilbrand is offering to buy your land for two cents an acre.” Red could hear the chuckles of the other four ‘hands’ in the background.

“And that’s what Taw considers generous?” The itchy, sinking feeling began to fill Red’s chest just as it used to right before a fight. He knew where this was heading.

“Well Travers, it is compared to option number two. That’s the one where we kill both of ya right now and claim it on behalf of Mr. Hilbrand.” Red could hear the horses start to stir as the men that rode atop them got antsy with their trigger fingers.

“And Sheriff Robinson is okay with option number two?” Red wondered for a moment how Sheriff Robinson kept such a good reputation with the general public when it was common knowledge amongst other circles that he was as crooked as any outlaw west of the Mississippi. All the men outside began to openly laugh at his question.

“He’s here to observe and certify either the sale or the claim. The choice is your Travers. Either way, Mr. Hilbrand knows what you got running through that stream of yours and he plans to have it.” Reed motioned with his hand and the other four men began to fan out from behind him. Red could easily see the head of one off to the side of the group.

“Ya’ll want my answer?” Red lifted the rifle up to his shoulder. As soon as the sites came up to his eye the shot was off. He caught the man right at the top ridge of his nose, square between his eyes.

The men weren’t ready for such a response. There was a moment of confusion as their horses jostled at the sudden noise their riders had not prepared them for. That moment was all Red needed to cock the rifle and get another shot off at one of the other hands, hitting him in the shoulder and knocking him off his horse.

Bullets began to rip apart the side of the cabin. Red could see the Sheriff had circled behind the men and even Reed had jumped off his horse to cover behind the water trough in front of the house.

“Option number two then Travers?” Reed fired through the window breaking the mirror that hung on the far wall. Red empty the rifle into the water trough hoping one would find a weak spot in the wood and make it to Reed’s head.

Two bullets whizzed by Red’s ear forcing his body to instantly spurt back down against the wall. He tossed the rifle away and pulled out his revolver. He quickly shot down one of the men that was trying to move to a better position.

The boom of the scattergun unleashed a fierce ringing in his ears. He saw another man fall backwards in an explosion of blood and buck shot. Red felt a sense of pride that was quickly sunk with regret in putting his lovely wife into the horrible position of having to take a man’s life. The thought finally occurred to Red that no matter how this turned out, their peaceful life was over, even if they managed to repel Hilbrand’s, he would come back with more next time. Red was ripped out of his thoughts as through the buzzing and bangs Delilah’s scream cut straight into his ears. He looked in time to see her slump to the floor as a red stain grew out of her stomach across her bleached white apron. Red lost his mind and stood up as he moved towards here. He never heard the shot, but immediately felt the sting in his left shoulder that instantly brought him to his knees.

“Enough, let’s light ‘em up.” Sheriff Robinson’s voice instantly took Red back to that night he and Snake broke Chief out of the jail. For a moment, he was lost even further back in his memory. That voice had haunted him for years before then. He could smell the smoke and taste the tears. Red snapped out of his stupid at the sound made by the bottles of booze busting against the side of the cabin followed by that distinct whoosh of flames engulfing the walls.

The horses whinnied as dead weight was slung over there backs. Their hooves began to thunder off into the distance as the men rode off. Red made it back to his feet using his right arm for balance as the left one hung lifeless. He reached Delilah as the smoke began to fill the cabin. Summing all the courage and power he had left in his body, he picked her up carrying her across the kitchen area. He managed to kick the front door open gasping for breath has he reached the clean air outside. Carefully, he set his wife of three years down on the hard, brown dirt. She began to cough as her hands instinctively covered the wound in her stomach. Red gently moved them, confirming with his eyes what his brain already knew. He’d shot enough men, seen enough people get gut shot, to know the grim truth. Cradling Delilah in his arms, he lifted her head up to his shoulder and held her there. His tears ran down his cheek soaking into her long curly brown hair. He rocked gently as if a mother trying to soothe a crying baby.

Delilah’s head moved as her eyes opened to look at him. They looked so calm and peaceful. “Don’t worry Red, it doesn’t even hurt.”

He began to brush her wet hair away from her face with his hand. “That’s good Delilah. I’m here for you.”

“I know Red.” Her voice still sounded sweet. There was no pain in it, no agony, nothing close to what Red felt staring into her fading brown eyes.

“Delilah, I love you.” He choked it out. He wasn’t sure if she would understand him.

“I know Red.” Her words were followed with a sigh. She blinked slow causing Red’s heart to jump for fear they would not reopen.

“I’m so sorry for..”

She cut him off lifting a finger to his lips. “I know Red. I knew what kind of man I feel in love with.” Her eyes seemed darker, her finger felt cold. “I knew some day this might happen. It’s ok, Red. It doesn’t even h…” Her eyes closed again as she slumped against Red. He clutched her to his body with every last bit of strength in his bruised body.

For the second time in his life, he sat on the ground with his tears in his eyes watching his home burn to the ground, both the doing of one man. It was all gone now. His wife, the home they built together, and the new life he had made for himself. ‘I knew some day this might happen.’ Delilah’s words reverberated in his head because they echoed the dread he had long forced out of his mind. He had tricked himself in to believing that is was possible to run away from a past life. Red ventured another glance at her now lifeless body. The blood had soaked down into his shirt. Red laid the body gently onto the ground. He unbuttoned his shirt and laid it across her chest as if it would keep her warm. He walked over to tool shed and fetched his shovel. Red wiped the tears from his eyes one last time before slamming the shovel into the hard ground. His left arm and shoulder screamed at him, but he didn’t care. Something inside of him drove his desire to bury Delilah right here, where their home and life once was. She belonged here, forever a remembrance of their love.

With each thrust of the shovel into the ground, his sadness dissipated and angry replaced it. Thoughts, ideas, plots and plans raced across his mind. The hatred swelled up in his chest as his teeth gritted fiercely with each stab into the hard ground. He wasn’t just burying his love, but this whole alter ego he had created. Red Travers died with his wife. Big Red had to get to the bottom of this treachery that has continued to ruin his life.

Friday, August 6, 2010

Red's CD Project Story 2: Part 31 – A message from Stra

Note: There may be a lot typos here, I haven't had the chance to really read through it well. All the same, I think the point will come across. I was eliminated from the contest yesterday for not garnering enough interest. I'll probably regroup and repost using another part to start. I am going to wait and see how the other does first. It still sitting at 41 percent with like 114 votes, so I think it has a good chance of making it through.

Disc 2
Track 9: Satin in a Coffin by Modest Mouse

“God I sure hope you are dead”


The worst of the wind and lightning had subsided in the night, but the rain kept falling hard when the call came out of a rider ahead. Ewam had fallen into a sort of trance from the splatter of rain in the deep puddles and the plop of horse hooves sinking into soggy turf. They road on the side of the road in the grass ditches because the cobblestone was too slippery for the horses and the ooccasional sinkhole could break a valued steed’s leg. The rout was not much better as water stood openly above thick mud upturned by the passage of the huge army.

“He comes from Stra,” Banik leaned in. “Word from the city, at last.”

Ewam squinted through the raindrops and could barely make out a figure well ahead on the road. The fool! He risked his and his beast’s life on the stones. Ewam had sent two messengers ahead to Stra for word to meet them, and neither had returned. Could this rider be one of them? Ewam’s army was nearing Al-Zehar’s pass, a westbound trail that led directly to Noce. If Cortobrane and his men did not meet them at the pass then Ewam was left to decide whether or not to continue to Noce or take the army the two days ride north to Stra to find out what was going on. News from the city would be welcomed, but a sudden sense of dread filled Ewam’s heart watching the slow approach of the figure off in the distance.

“We shall ride out ahead and meet him,” Ewam said. He did not need to specify that he meant for he, Banik and Commander Lews. Lews ordered four more riders to stay close behind. It was only one man; they would not need any more protection. Kicking into his mare, he and Banik moved out ahead. Leaning in close to the man from the Sorna, Ewam whispered. “Keep the sword hidden.”

Finding out that Cortobrane had the Civil Guard Guild waiting for him at Zehar’s pass would be welcomed news. Aside from the guard’s of Omet, Stra’s guild was the most welltrained soldiers in the kingdom. Those from the other cities and the outlying farms and villages were no more than men armed with old swords and knotted shafts with little idea how to use them and even less of an idea of how to handle a battle both physically and mentally. Satar was a peaceful kingdom. It had well over a hundred years since battle had waged openly on its fields. Even Ewam, who was a natural at soldiering and generaling, was not battle-tested.

Along their journey, Ewam had prodded Banik for information and experience. Banik was a man from the wild desert. The Sorna Watch was reputed to have fought battles daily with Dinar and other vagrant tribes that hunted the desert for Salama’s lost tomb. Banik carried scars. A long curved one down his right arms and another on his back.

“Don’t believe all that nonsense,” Banik had said while they smoked leaf in the tent the night before the rider had shown up on their path. “Most days it’s nothing but hot air and sand. Skirmishes are rare, open battle never happens.”

“Still you are the only that has truly danced with blades,” Ewam said, throwing his hands out in a gesture of help.

Banik blew a puff of white smoke into the air. His dark eyes watched it float away.

“You should not worry about swordplay with men so much,” Banik started to roll another leaf. “These are not men we seek out.”

“The Dinar?” Ewam crushed his leaf out.

“The Dinar were men, but most of the young ones are so weakened by the poison they drink to convert, they are not much in a fight,” Banik struck a match. “I’ve heard the truly old Dinar are fierce and the dark magic maintains them. Those are able to do things an average man cannot. They do not die so easy either. Those sort are rare, I think. But it’s not the Dinar that we’ll battle, at least not at first. We’ll meet the others. Those that were never men. All they desire is too feed. They’ll break upon us like waves on a beach, not stopping until we’ve hacked away the heads from their bodies and the tongues from between their pointed teeth.”

“Gods of heavens.”

“I don’t believe they will aid us in this fight,” Banik finished and puffed long on the leaf.

As they neared the rider, Ewam thought of those words again and knew that there were no Gods or angels or grace alive in this world. The man wore the tattered remains of a Satarian uniform and he sat upon a battered gray and white steed. The man was fifty feet away now and stopped on the stone road. From here, Ewam made out that it was Dami Narro, one of the messengers and the son Eps Narro, who owned a large manor south of Omet and rode further back in the army.

The steed’s legs caught Ewam’s attention first. They were skinned to the bone from the knee joints down the hooves. A gaping sore the size of a human head was gouged out on its neck. No blood was spilling out, only some kind of thick black ooze. As they neared, Ewam noticed its ears were cruelly torn away from the skull and left dangling by a thread and its eyeballs were gone.

They came to a halt ten feet away, giving them the first good view of the man, or what was once a man. Like the horse, Dami Narro was skinned from his kneecaps down to his toes and from his elbows to fingers, rainwater dripped from his bare bones. His hair was scalped clean away from his skull, the cavity below looked empty. His lower jaw was sawed away, exposing his top row of yellow teeth and his eyes were also gone, his replaced with two green marbles.

“Gods, I pray he is dead.” Ewam gasped.

Dami’s head stayed slumped till the words reached his ears, then he jerked and twitched in the saddle. The two marbles took on an eerie glow. From his throat came a raspy, feminine voice along with a long black tongue.

“I deliver a message for the King of Satar,” the voice wheezed and ceased.

The moisture had left Ewam’s mouth, but he forced out his response.

“I am Ewam Perde, King of Satar, commander of this force. To whom do I speak?”

A man without a bottom jaw could not possibly smile, but if Ewam did not know better, he would swear that Dami Narro was smiling then.

“Hatala Del Aram, Queen of Stra.”

Ewam snarled at the title. The filth had seeped into Satar.

“Stra has no Queen. What is your message, lying ghoul?” Ewam’s fingers touched his sword.

The thing that was Dami Narro twitched and jerked and maintained that false look of glee.

“Stra is mine!” It hissed. “Come claim if if you dare, the time of man draws to an end.”

“I shall you witch!” Ewam shouted. “I shall send you and all your like to the darkest depths of the undeworld!”

The words had barely left his lips when the thing hissed, the tongue spraying out the black ooze. It flew from the saddle with black daggers in each hand. Ewam was able to get his hands up in time to block the daggers, but he could not stop from falling backward out of his saddle. He landed on the back of his neck and shoulders and in the fog of shock he feared that he was paralyzed. Dami Narro was there then, straddling him, daggers pointed down. Ewam heard a sickening whinny of the messenger’s horse as it tried its own attack on Ewam’s companions.

Once again, Ewam was able to catch Dami’s wrists before he could strike. The sharp exposed bone cut into Ewam’s palms. The possessed body of Dami Narro was still strong despite being gnarled.

“Die King of the Doomed,” the raspy voice sounded.

Ewam’s arms were quickly tiring as the blades neared his throat. Well behind him, he heard the army react, but they were to far back to be any help for him. He guessed it would take only a prick from those daggers to do him in. They, like the man now carrying them, were cursed. As hope was slipping from Ewam’s heart, he heard a blade cutting through the air and a few notes from a distant song. He knew that tune.

Duna sliced through Dami Narro like a knife through butter turning the corpse to dust and sand before it fell to the wet turf below. The curved blade’s song echoed in his ears and, for a moment, he felt jealousy touch his heart. He wanted to make the kill. Above him, Banik stood with a pair of eyes that peered deep into Ewam’s soul.

“I believe it’s time for you to carry this,” Banik sounded winded. “It is too much for me. It will consume me before we even reach Stra.”

Banik held the sword’s hilt to Ewam. The terrible shriek came out from the damned horse as the others ran it through.

Ewam reached up, bent his fingers around the cold hilt and his muscles tensed before completely relaxing. The steady hum of battle tuned its beat with his heart.

“Take saddle, Banik,” Ewam barked and handed him the sword from his own scabbard. “We ride hard to Stra. We ride to war!”

501 Must-See Movies: 'Aboutde A bout de souffle' to 'Airplane!'

I recently found this book on my shelf last week. It is basically the same premise as Red's 1001 Albums book, except it is also broken out by genre. I thought this would give me something to help contribute with and maybe help free my mind as I am stuck on my writing. We will go in alphabetical order to help break up the time periods and genres.

A bout de souffle: France, 1960 (Romance) Breathless (US Title)

This film is noted as ushering in the French New Wave as it began depicting relationships in a very 60's manner. The director spent 25 minutes on the bedroom scene. I guess the main point is the angst being blotted out by drugs. "When we talked, I talked about me, you talked about you, when we should have talked about each other." That sounds like a good romance movie line.

Ace in the Hole: USA, 1951 (Drama)

Reading the plot of this movie and seeing that it was made in 1951 gives me a strange feeling of relief that crap like this has been happening all along. Kirk Douglas stars as a reporter looking to boost his career by basically exploiting a man trapped in a cave collapse. The movie is touted as being a blatant attack on the media and thus was panned.

Adam's Rib: USA, 1949 (Romance)

Spencer Tracy & Katharine Hepburn team up for the 6th of 9 times. The couple are opposing attorneys on a civil case dealing with a cheating husband. It says the point of this battle of the sexes movie is that there is very little difference between the sexes.

The Adventures of Robin Hood: USA, 1938 (Action/Adventure & Epic)

Errol Flynn in his legendary role as Robin Hood. This movie set the action standard for future swashbucklers. I believe I have seen parts of this movie. The climactic swordfight between Robin Hood and Sir Guy of Gisbourne is iconic and often imitated as the action cuts between the men and their shadows.

An Affair to Remember: USA, 1957 (Romance)

Cary Grant & Deborah Kerr meet and fall instantly in love on a cruise to New York in which both are to meet up with their fiances. The decide to meet at the top of the Empire State Building in six months if they are still in love. This script was redone in 1994 with Warren Beatty & Annette Bening. I won't spoil the ending for you though.

The African Queen: USA, 1951 (Action/Adventure & Epic)

Humphrey Bogart stars as a river trader in East Africa and Katharine Hepburn is a British missionary as WWI begins. They confront German gun boats and fall in love. This is one of those classic movies that most people has heard of before, although I don't believe I have ever seen it.

Age of Innocence: USA, 1993 (Romance)

A Martin Scorsese romance film set in the late 19th Century. Sounds like an odd choice for him. It says his interest was in how the high society structure of the time was very mafia-like it was with restrictive rules and codes that are set in stone.

Aguirre: The Wrath of God: Germany/Peru/Mexico, 1972 (Action/Adventure & Epic)

16th Century conquistadors travel up the Amazon river in search of El Dorado, but instead fall into a spin of despair and self destruction. This movie actually sounds very interesting even if it is probably sub titled. It is described as 'one of the greatest river films', whatever that means exactly.

A.I. Artificial Intelligence: USA, 2001 (Science Fiction & Fantasy)

I never watched this film, it seems like Spielberg crap that he started to shell out in the last ten years. I find it funny that they were contemplating CGI, robots or Midgets to play the 11 year old robot boy until they saw Haley Joel Osment in The Sixth Sense. It is interesting though to read that Stanley Kubrick originally wanted to make this movie but felt he lacked the sentimentality to pull it off so he gave it to Spielberg.

Airplane!: USA, 1980 (Comedy)

This is probably the greatest spoof movie of all time. The laughs are endless and the deadpan B movie feel is perfect. Having grown up when Unsolved Mysteries was on prime time TV, it is a great relief to hear Robert Stack's creepy voice used for humor. Leslie Nielsen was at his best. Everyone has their favorite line or two or ten.

Well we made it through the first installment. Finally broke out of the Romance funk towards the end of this group. I am now very interested in trying to locate a copy of Ace in the Hole to watch. Plus committing myself to coherently watching Robin Hood may be necessary too.