Tuesday, February 26, 2013

Red's Kip Winger Review - Part 4


Cornelius Count Five or Six

I won't say this is my favorite song on the albums. There is some funky music in the background, but you definitely have to want to listen for it because the repetition in the counting does start to get it a little old by halfway through. That's sort of the risk of making a track like this. It can turn some listeners off with the repetition causing them to miss the rest. 

Scars on Broadway 3005; Universe

On the other side of coin, 3005 provides a hook and groove that's make it hard not to sing with. Universe is similar, but it does have a little bit of a System of a Down sound to it. Overall, I like both these tunes. 

David BowieLife on Mars?; Kooks

There are points of Life on Mars where I have no idea what the hell he is talking about. That being said, it's hard not to like the song. It's out there, but the tune and his voice keep it interesting and fun. Kooks is a fine song, not as strong overall as Life on Mars, but it is silly little song that is uplifting. It sort starts that theme on the second CD of this collection. 

The Rolling Stones Sister Morphine; Shine a Light

It's always cool to hear album cuts from the Stones. While the Beatles sometimes would get silly with some of their album songs, the Stones would embrace their blues and soul side. You hear that in Sister Morphine. The one thing I'll say about this tune, is that I do wish at times for less Jagger. The instrumentation is better than him here. Shine a Light is a bit peppier, and has that sound of redemption which is the theme of the second CD. Perfect way to end it. 

Deer Tick - Easy 

I almost skipped over this because we had mentioned it earlier. I like this song, and I know that I have a few more Deer Tick tunes on my Spotify list. They seem like a rock band that understands what it does well and makes sure that they don't stray to far from that formula. There's nothing wrong with that. Too many bands lose their sound by trying to become more commercial and/or more experimental. Hopefully. this group allow fans to come to them and their sound. 

Friday, February 15, 2013

Red's Review of Kip Winger: Part 3


Greenskeepers - Lotion

So it wasn't until I looked this song up on YouTube that I realized that this song was inspired by Silence of the Lambs. The chorus are a seen from the movie. I hadn't seen the movie in so long that I never made that connection. There is that serial killer type feel to the song. Before coming to this realization, I couldn't really figure out exactly what the hell was going with the tune. I think it'll find its way into my rotation more often. 

Kelly Clarkson - Don't Let Me Stop You; Cry

There's nothing really anything wrong or repulsive about "Don't Let Me Stop You," but I also don't find anything spectacular about it. I do like it more than "Cry" because it has more pep. Both songs have that breakup song feel to them that sort of I get tired of with female artists. I suppose male artists have the same amount of breakup songs, but I just notice them with females. Unless it's "You Oughta Know," I just usually don't stay real interested. 

The Raconteurs – You Don't Understand Me; Hold up

I think this is the second collection that Snake has provided with the Raconteurs on it. In fact, he may have burned a whole CD of them at some point. I love the piano in "You Don't Understand Me." That song is another one that reminds of some other band or song that I can't quite place who. Great guitar to start "Hold Up." It's a completely different sound from the first selection. This is quick paced and hard hitting. I like both these songs, and don't think I can say that I like one more than another. I think it would just depend on my mood at certain time.

Wolfmother - Caroline; In The Castle

"Caroline" is an old-fashioned rock ballad that would have thrived in the 80s hair band days. Since I have a soft spot in my heart for that sound, this caught my ear right away. Love it.  "In the Castle" is closer to a classic jam hard rock song and even has that medieval, fantasy story backdrop that harkens back to bands like Led Zeppelin, Iron Maiden, and Jethro Tull. You can hear a little bit of all of them here.

Ace Frehley - Ozone

If this is indicative of Frehley's talent than he should probably have had more control over Kiss. You can hear the regular Kiss formula of song writing in there, but there seems to be a little more edge, a little more substance than some of the outlandish stuff Kiss would throw out there sometimes.  

Saturday, February 9, 2013

Red's Kip Winger Review: Part 2


The Answer - Evil Man

There's something about the chorus of this song that reminds of some other song, but I can never put my finger on what that other song is. Maybe it's because this sort of feels like a late 70s early 80s hard rock song. I'd have to say that lyrics of this song would had fit well with the theme to my first CD Project. This is just a good old rock song.

Carrie Underwood - Songs Like This; Undo It

It's quite the narrative paring putting "Songs Like This" right after "Evil Man." Sort of a point-counterpoint argument. Both these songs are fine. I probably would never have actively went out to get them, but they'd be ones that I'd tap my foot to when they came on the radio. The repetitive "Uh-Uh-Uh," is one of those things that get in the head in an annoying way. 

The Dead Weather - New Pony; No Hassle Night

It wouldn't be a Snake produced CD without a Jack White appearance in some shape or form. "New Pony" is an interesting take on a Bob Dylan song. The evolution from the original to the cover is cool. I've grown to really like band's doing cover songs. Really good artists can take an old song and make it something new. The Dead Weather did that by adding an edge and funk to the track. For some reason "No Hassle Night" got lost on these CDs for me. I don't know if it just got buried around other tracks or what, but it either didn't stand out, or my mind happened to be occupied when it came on. I guess, "New Pony" just was more distinctive and memorable. 

The Yeah, Yeah, Yeahs - Dull Life, Soft Shock

It's funny, I am using YouTube to play songs as I write about them since our CD drive is broken, and one of the related suggestions is Joan Jett. Her name was running through my head as I listened to the Yeah, Yeahs, Yeahs. There's that raw, angry female voice theme akin to some of Jett's tunes. "Dull Life" leads the listener through quite a journey, changing tempos, sounds, instruments throughout. "We see the nightmare of the lives..." Is a great lyric. "Soft Shock" has that little 80s sound to it. It's solid, but I think I like "Dull Life" better as an example of what the band is capable of. 

Them Crooked Vultures - Scumbag Blues; New Fang

"Scumbag Blues"  has the best opening of any songs on this CD. It grabs by the throat right away. It reminds me of Cream with the strong guitar and high, soft voice.  Can't help but like this one. "New Fang" opens with drums before hitting the guitar. It's sort of a faster driving song.  It's a good contrast to the first offering, showing that they'll skin the cat more than one way. Good music entrenched in rock and blues roots. 

Wednesday, January 30, 2013

Red's Kip Winger Review: Part 1

Note: I am going to break this down by band. It looks like that’s how we’ve done this in the past, and it will probably keep from there being too much repetition. I am just going down the list in order starting with first CD and then grabbing the other songs from each artist in that order.


Tubronegro – Do You Dig Destruction

The only offering from this group in the collection, there’s not much else that needs to be said other than this is a straight forward hard rock anthem with all the motifs of wild, violent fun. It’s kicks off the album well, and it never disappoints when one needs a good pick-me-up song to supply some energy. I believe this band made it into the 1,001 albums list at some point, if my memory serves right.

My Chemical RomanceTeenagers; Cancer

I can’t decide if My Chemical Romance is a great band with a catalog of great songs, or if they are just a good band with a couple great songs. I’ve sort gone both ways with the songs I’ve heard from these. These two in particular show a nice range. Teenagers is rock with a strong riff and a catchy hook. Cancer with the melodic piano and whiny voice is tender with that threat of a sharp edge. I like both tunes. Part of me wants to say this band is Green Day a generation later. Not sure though.

The ZutonsIt’s the Little Things We Do; You’ve Got a Friend in Me

The Zutons are smooth. I love the lead singer’s voice. It has a rawness that doesn’t sound forced. It’s the Little Things We Do is a toe-tapper, and I can certainly relate to the lyrics (unfortunately). You’ve Got a Friend… has the nice mixture of male and female voice, and builds nicely into middle with a groovy guitar solo.

The Jimi Hendrix Experience – Day Tripper

Obviously, I know the Beatles version of this song. I believe I talked about this one earlier. There’s no reason to dislike this one, and it makes you wonder if he had live longer if Hendrix would have done covers of other songs. I think that would have been a very strong avenue for him. Sort of the guitar version of what Johnny Cash did late in his career.

Lady GagaMonster; Speechless

I just noticed that I only put Speechless on my MP3 player for some reason. I don’t recall having any reason for that. I do like the hook a bit more in Speechless than Monster. I suppose this shows how much of a music rock I live under, but I am not sure I had ever heard a Gaga song before this. I suppose I had and didn’t realize it. I always wonder when an artist dresses up and creates a whole persona if they are covering for a lack of actual talent. I don’t think that’s the case with Gaga, but I don’t know if she does all of her own writing. It’ll be interesting if she ever abandons some of the extra stuff if her overall output and success is the same.

Monday, January 28, 2013

Spirit in the Night: Second installment


Note: Here's the next couple sections of this tale. I got bogged down a while there and wasn't going through this as quickly as I originally hoped. As Snake knows now, I ended up putting song on CDs I made him. I have a thought with what I want to do with collection where I turned each song into a long form story like this. That will be time consuming, but I'll post things as I do. My thought is to have all stories be from Lincoln. Maybe we'll even meet some nice folks. :) This particular story has a ways to go before it's finished. Hopefully it holds attention. 


KILLER JOE

Sometime after Billy had been put away, Joe lost his nerve. Joe chewed on a toothpick thinking about this while listening to Billy wretch in the ditch. The man had no stomach for cars. Billy could kill a man – likely was planning to kill the fag at the gas station – but put him in a car for an hour and his face turned green like a sissy at the sight of blood.

Joe couldn’t kill no one. Not even a nigger, if he was being honest with himself. Maybe when he was younger, he could have stabbed a darkie, but probably not. His nerve had always been more talk than action.

When Billy left, the quiet life had suited Joe just fine. He liked working a steady job. He liked going out with Davy and G-Man at night. He even liked the cold, shithole shack that he and G-Man shared. Getting real wild just wasn’t in him anymore. Now, that ain’t saying that his mouth still didn’t get him in a brawl or two, but hell, G-Man scared most guys in Lincoln away. Joe knew G-Man was all right as long as you kept an eye on the matches. Joe learned that pretty quick when the two started to live together about nine months earlier. The big man had started a fire in his own room, setting his mattress ablaze. If Joe hadn’t come home to douse the flames with a fire extinguisher, the whole damn shack would have went up.

Since then, Joe doled out matches and liters sparingly, and he made sure that G-Man got to set big fires every now and then in the woods away from the shack. That usually suited the big man enough. All the same, the last year in Lincoln had been good. Joe wanted it to stay that way. He and G-Man were putting money away to fix up the homestead a bit, maybe even get a dog or two. G-Man loved a good dog. Things were good.

The puking in the ditch turned to spitting. A clear dark sky with just a hint of purple at the edges set the scene around the car, and Joe considered firing up the engine and leaving Billy behind.

“Coward,” Joe snickered. “I ain’t no coward.”

The car door opened and Billy dropped into the seat.  Billy’s dark bangs littered his forehead, covering his eyes. His purple lips that covered two rows of perfect teeth save one gap from a tooth the queer had knocked out the night Billy got sent away were pursed tight shut. Joe wondered how a man with such boyish looks fared in the pokey for a year. He didn’t think he should ask.

“Are you ready?” Joe asked instead. Billy’s eyes were closed, contemplating the question like it was the big teaser on one of those quiz shows on the tube.

“Just sit here a minute.”

Joe turned his attention to the dark, barren fields surrounding the car. The emptiness made him sad. The reap was over this fall, meaning the next few months would be lean for G-Man and him till planting came around. Sometimes they could get jobs hauling feed for farmers, but really only Joe could do that. G-Man didn’t have a license. The big man could drive, but no farmer would take the insurance risk.

Plus, Billy was going to be around now. He’d never kept a job in his life, so that was likely another mouth that Joe would have to find a way to feed, and he didn’t think he was up for the ways Billy came upon money. Those ways usually ended with trouble, sometimes a lot of trouble.

“I can see the hamster wheel turning, Joey boy,” Billy was smiling, the gap at the bottom clear. The worst of his carsickness was past.

“Just thinking about money, Billy.”

“Money?”

“Yeah, me and G-Man have some put away, and…”



“And your worrying that Ole Wild Billy is going to use it up?”

“No, it ain’t that.”

“It ain’t.”

“Well, we could probably get you in some place this spring.”

“Place?”

“A farm, Billy. G-Man and me do farm work for our dough.”



“Hmmph.” Billy lit a cigarette. “Work.”

“A little work ain’t so bad. Do you have a better plan?”

“A plan? Oh yeah, I got a plan. Why don’t you forget about money, and let me worry about planning things. Now, get this bitch going, I got business in Lincoln.”

Joe slipped the gear and turned on the headlamps. I was afraid you got a plan. He pushed down on the accelerator hard, splaying out gravel behind them.


CRAZY JANEY

The fluorescent lights hummed and glowed yellow above Aisle 4 in Oly’s Station. The old man behind the counter had a radio playing the broadcast of Lincoln’s varsity football game. The announcers were loud and overreacted to everything, but all that Janey heard was the hum of the light and the way it bore into her thoughts. In front of her three boxes caught her attention. One was white. One blue. One pink. One guaranteed an answer in 10 minutes, the next 15, the last didn’t give a time, but promised never to fail. The only real difference was the price.

“What ya see, baby!” Davy called from the freezers in the back of the store. “Better grab two big bags of those corn chips for G-Man. That guy loves those.”

“I know, you’ve told me three times already,” Janey yelled back. She put her hand to her belly knowing that wouldn’t tell her anything. Gods, if only it would. The old man behind the desk was staring at her, and she was sure that he shook his head at her. She stuck out her tongue in response. The man’s eyes went wide and looked away.

The freezer doors opened in the back and bottles rattled as Davy made his selections. Janey shifted her attention to the opposite side of aisle and the row of brightly colored chips. She grabbed a few without looking as Davy entered from the other end. He had one case of beer under his armpit and one in each hand.

“Babe?”

“What?”

“The corn chips?”

“Jesus.” Janey looked around, and found the corn chips pulled them off the shelf, holding two of them up for Davy to verify her selection. He put that dumb grin on his face that she loved at first but now hated. He had thinning blonde hair and a flat face. He was no prize, but he had a nice face. Not like her daddy. Her daddy’s face had always scowled, even on those late nights after a good day at the track when the lights were out and the apartment quiet. Janey shuddered.

“Hey, you got enough hands to grab a couple bottles back there? I can’t handle anymore.”

“How you paying for all this?”

“Pay day, babe! Plus, I save more since you don’t let me go out so much anymore!” He kissed her on the cheek on his way to the counter. She walked around to the next aisle, picked up a bottle of whisky, vodka and scotch. She hadn’t drank enough to know much about it, so she just grabbed the cheapest.  At the counter, the man eyed her as she dropped the chips and alcohol on the counter.

“She’s not old enough for some of this.” The man said as he put the bottles into brown bags.

“She’s ain’t buyin,” Davy shot the man a wink. “I won’t let my girl have none. I promise.” Davy winked again.

“Christ.” Jany picked up the chips and bags of booze, as Davy dropped a wad of bills on the counter. She was already in the car by the time Davy was fumbling with the front door. He put the beer in the trunk before sitting down in the passenger’s seat.

“I can’t walk by that last rack without getting the chills,” Davy said as she turned the engine.

“Not this again.”

“I was sitting right here in Joe’s car. I could see it all. It was like a slow motion movie,” he went on as she started to back away. He reached to floor and picked up the bottle of scotch, untwisting the top. “Billy pulled that boy right over the counter, and then boom, the boy hits him in the chin with that bat. Billy goes sprawling backward, knocking over that rack right there. Twinkees and snack cakes went flying everywhere.”



“I’ve heard this all before,” Janey said. Davy took a long swallow from the bottle and then held it toward her. Janey frown as she pulled out onto the interstate.

“I know you have, but it was really something. Here, have a drink of this. It’ll relax you a bit.”

“So tell me the best part,” Janey said.

“What do mean?”

“Come on, you being my knight in shinin’ armor and all. Spill it.”

“You ain’t gotta be like that.”

“What’d you do when you heard the sirens and realized that poor boy had pushed the alarm. Hunh? What you’d do then?”

“I wasn’t about to go away like Billy. Is that what you want?”

“Hey, if you’re going to tell the story, be sure to add that you got out of that car and ran like a school girl from the boogeyman. What a stud I have.”

“Hey, nothing wrong with running when things go south.”



“Yeah,” she snatched the bottle from him. She pulled a long gulp from it before handing it back. Her hand went to her stomach as the scotch burned her throat and kept going all the way down. She brushed a tear away from her left eye, mad that she broke her mascara rule. “Just don’t go making a habit of it.” 

Friday, December 28, 2012

A Look Back at 'The Legacy of Kip Winger'

Well I got off my game a little bit adjusting to a new job and some different working hours.  I finally made it back to finish off this look at 'The Legacy of Kip Winger.'

'Universe' - Scars On Broadway from Scars On Broadway

I think this song just sounds cool.  The jam is heavy, boarding on intense.  I like the vocals as he seems to hang on to the end of every word drawing them out into this sort of whine.  The song is about how we are killing the Earth.  But taken in the context of the story, it feels like Kip suffering and dieing.  "You never want to die like this."  I thought that was a good line for the story.   The whole sound of the song just seems kind of tumultuous.


'Reverend Wrinkle' - Black Stone Cherry from Folklore and Superstition

This is a newer band that rocks in the style of the classic hard rock.  The vocals are great and the wall of sound behind him blows me away.  I am still sort of confused about what they mean with the song.  But it always stuck out to me on the album as a great example of their hard rock chops.  I had trouble figuring out where this fit into my story.  I think the Reverend sounds almost like a last resort faith healer for Kip.  "He is only one who knows the way back home."  I think that is someone in the family saying he is our last chance to save Kip.



'Gimme Sympathy' - Metric from Fantasies

This was another song that was part of a free sampler.  I loved it from the first time I heard it.  There is just something about the whole sound that appeals to me.  It may be the several references to The Beatles and The Rolling Stones.  If you pay attention to the words, I think for the story Kip and Caroline could be saying this. Obviously the fact that the vocalist is a female lends the thoughts to Caroline talking.  Which is probably the best fit to talk about getting sympathy after all of this is gone.  "You're gonna make mistakes, you're young."  There again either Caroline or Kip could be talking to their son.  This part would make more sense for Kip to be telling him that as like parting words especially with what Kip did.  So you could think there are parts for both of them.  I think this may also be where I thought that Kip would be a rock star thinking about being The Beatles or The Rolling Stones.


'Things My Father Said' - Black Stone Cherry from Folklore and Superstition

This is one of the songs that wrenches your heart.  Right from the first note of the piano, I just want to weep.  The vocalist really puts the soul into the words.  It may be nothing more than your typical rock ballad, but it always sticks with me.  I pictured Kip's son giving a eulogy at Kip's funeral.  The song fits well and makes it pretty clear what is happening in the story.  There may have even been a problem where Kip's song wasn't able"Somewhere there is a star shining so brightly that I can see your smile."  That is important as we roll into the next song.


'Shine A Light' - The Rolling Stones from Exile On Main St

This song was a beautiful end to The Rolling Stones epic album Exile on Main St and I thought it would be a good way to end mine.  I've always thought this song a little more special than their other slower songs.  There is this strange sincerity to the song.  I felt like this song was Kip singing down on his family from above.  "Make every song you sing, your favorite tune."  Maybe that would suggest Kip's son would go on to be a musician.  I wanted to end the album sounding a little happier after the last song being a weeper.  This song put a nice with finish to the story to try to make you feel a little happier about the future.


That ends the album.  I hope everyone enjoyed this look through the story I got out of the music and maybe discovering some new songs and artists along the way.  I would like to go back over all the songs and artists to summarize them and make some suggestions for further listening.

Wednesday, December 19, 2012

Spirit in the Night - Part 1

Note: My initial plan was to make this the next CD project, but a few things derailed that idea. One was that the CD I have this song on has a scratch or something on this song only. Two, I think I am going to steer away from Bruce on the CDs I'll make Snake soon after realizing I had a few other groups and songs that I'll try to pitch to him. The last being is that the story isn't going to stretch far enough for an entire CD project, and I don't want have to bend this tale to other songs and lyrics. 

With all that being said, this first part is long as you'll see. I pulled the names for characters out of the song. My inspiration being the way the "Spirits in the Night" can pull people together and what can happen when all these elements are together. The song itself seems to have something nefarious going on underneath or on the edges. ANYWAYS, with no further ado, here it is. 

SPIRIT IN THE NIGHT

PART 1


Lyric – “Stand up right now and let it shoot through you”


G-Man

G-Man stacked the logs in a pyramid and fantasized about how they would burn. First, they’d smoke a lot cause the damn logs were wet. Like the big idiot he was, G-Man had left the logs outside the night before as a late fall storm rumbled through Lincoln. Being a firebug didn’t exempt G-Man from being D-U-M-B, as Killer Joe would spell out for him several times a day.

“No matter anyhow,” G-Man said to no one as he finished with the logs.  “I’ll get this damn thing burnin’ before Joe and Wild Billy get back from da pokey. I’ll do it dammit. It’ll be cracklin’ and sizzlin’ and every one will see it glow.”

G-Man struck a match from between his fingers and lit the cigarette that had been dangling between his thick lips. He cast an imposing figure as the sun set on sleepy little Lincoln. He wore nothing but a pair of bibs over his huge frame. G-Man stood just a few ticks below seven feet and weighed over four hundred pounds. His pale skin glowed in the sunset beneath the denim bibs and his gray eyes were hidden below a yellow and green soybean cap. He and Killer Joe were hired hands on a half dozen farms around Lincoln. G-Man couldn’t think for himself, at least not since his daddy had punted him in the head as a baby, so Joe set up the work. If somebody pointed the job out to him, he could do all right. Most folks just wanted him to lift things anyhow.

“These logs will burn,” he repeated scratching at his stomach below the bibs. “Oh, they’ll glow.”

He loved watching them glow knowing that he’d released the hidden power within the logs. He was the master of that power. Excitement tingled up his legs and settled in his groin. This would be a small blaze. Not like some of the others he’d done. This was just for his friends. Wild Billy. He was getting out of the pokey. Killer Joe. Hazy Davy. He was a guy they drank with. Good fella, and Davy had a girl named Janey. Joe called her Crazy Janey because she thought she’d get Davy to give up the hooch and settle down.

G-Man liked Janey. He’d like to touch her. He’d like to rub on her. He lit a wad of paper and thrust it into the logs, and adjusted his growing erection before squeezing out some liter fluid onto the logs and the paper. The flames shot out, and the logs started to smoke. Soon they would glow. He thought of Janey’s paper white skin and the glow.

“I said that damn thing would burn.” He said, then masturbated before the smoking fire behind his and Joe’s shack north of Lincoln.

CRAZY JANEY

“You promised no fuckin’ drinking!” Janey screamed over her shoulder before slamming the door behind her. She reached behind her and slid the chain into the door to the apartment above Bowers Pharmacy in downtown Lincoln. Inside, her mother sat still wearing her pajamas underneath a pink bathrobe. She had curlers in her hair and a smoke resting between her fingers. Some smut show glowed on the television set.

“Oh, shit,” her mother sat up on the coach. “You two ain’t at it again. I can’t hear my program with all that racket.”

“Jesus Christ, mom,” Janey put her back against the door. She felt the knob turn and Davy’s weight press against the door. The chain kept it from opening all the way.

“Janey let me in.” Davy’s voice rose from the other side. “I didn’t know Billy was getting out before…”

“Will you two shut up, I can’t hear my program.” Her mother stood up flicking her smoke across the room toward Janey’s feet.

Janey rolled her eyes and stamped out the remaining orange glow at the end of the butt. She looked down at her uniform – an ugly orange and cream outfit that she hated. That was fine because she hated the waitress gig at Marty’s, but the job had opened the previous fall after that geeky kid stabbed her predecessor. She unbuttoned the top and slipped out of her white sneakers.

“Take another valium,” Janey said leaving the door. The apartment had two rooms. One was the large living room with an attached kitchen, and the other was her bedroom. There was a bathroom off of the bedroom. The apartment was Janeys. Her mother had moved in a year earlier after leaving her father.

Outside, Davy started knocking and said something that was muffled as Janey shut the bathroom door and dropped on the stool. She wiped at her eyes, hearing the front door open. Her damn mother let him in to hear the stupid TV. On the counter, lipstick and bottles of nail polish were strewn. She pulled the tie from her black hair that had red and purple streaks. His boots thumped on the floor of her room.

“Come on, Janey,” Davy whispered through the door. “It’s just this once. Billy’s coming home.”

“There’s always one more time and one more person coming to town,” Julia couldn’t believe she was sniffling.  Her black skirt from the night before was wadded on the floor below the toilet.  Two blouses were draped from the hook on the back of the door.  One was a leopard print. The other was a blue and purple ditty that Davy said made her look like a peacock. Well, her feathers were up now. She rose from the stool with her fists clenched.

“You wanna drink,” Janey mumbled. “I’ll show you drinkin.” 

She washed her face before applying eyeliner. Her rule – when the eyeliner went on, no more tears.

WILD BILLY

He counted the telephone poles alongside Highway 15 like he had counted days behind bars with his teeth clenched and his knuckles itching. There were more poles than the 445 days he spent behind bars, but they passed much faster even after he warned Joe not to drive too fast. He never handled motion all that well, but it was worse after not being in a car for over a year.

But, now he couldn’t wait to get to Lincoln. Not because he missed that piss hole. No, he wanted to ride in tonight and ride out in the morning. He had quick business in Lincoln. The first was a few drinks. He hadn’t had true hooch since he went away. Just a couple hard ones to take the edge off.

After that, he had business with Bruce Page…

“Shit, it’ll be good to have you back,” Joe said. He had some shitty seed dealer cap on turned backward with a toothpick stuck behind his ear. Underneath was a smooth dome. Killer Joe, as he liked people calling him, was a skinhead with all the prerequisite hates and swastika tattoos to prove membership. Billy didn’t go for all that crap, but got along with Joe all the same. “G-Man will have a fire going. Davy will bring the booze. It’ll be tight.”

“You’re still runnin’ with that giant dumbfuck? I can’t believe he ain’t set himself on fire yet.”

“He’s dumb,” Joe said with one hand on the wheel while using the other to take the toothpick from behind his ear to between his lips. “But he knows fire. And he’s good to have around in a brawl.”

“Hmmph.” Billy didn’t give a shit about G-Man, or Joe for that matter. Joe was just his tool for getting him back to Lincoln and back to Bruce Page.

“Hey, Davy has a broad now,” Joe said. “She’s real fine. Real young too. I think we get her drinkin, she’ll be up for some fun.”

That did make Billy smile. It had been a long time since he had any of that too. Of course, he wasn’t going to share it with those bastards. Maybe he’d slit Davy’s throat and Joe’s too for that matter. He wouldn’t go after G-Man. That’s a fight he wouldn’t win, but he could probably keep the big man away by promising a piece of the action after.

“She’s tasty, huh?”

“Oh, real fine. I don’t think she’d fight at all. Fuck, Davy will probably be passed out early enough for us to work on her by midnight, and she’ll need someone cause I doubt Davy will be able to get it up.”

“Hmmph.” Billy went back to counting the telephone poles thinking about this girl and booze, but before long his mind was back on Bruce Page. That fucker. The girl and the booze didn’t matter, but he did have a date with the guy that put him away.

“Hey, Billy,” Joe said. It must not have been the first time, because Joe was looking hard over at him.

“What?”

“You know, we can have a good time tonight. Just like the old times. We can get fucked and screw around with the girl. We don’t need any other trouble, right?”

Billy smiled.

“Right.”

HAZY DAVY

Davy dropped down on the couch next to Janey’s mother, took out the flask for a swig and offered it to her. Janey was still in her room getting ready for the night. Peg grabbed the flask with one hand and rested the other on his thigh. He brushed it away.

Peg snorted and brought the flask to her mouth. Inside was vodka – no aftertaste, no smell. Janey wanted more than anything for him to stop drinking, and part of him wanted to do just that for her. They had met at Marty’s six months earlier, and he had been sure to stop there every day since either for breakfast before his shift at Lincoln Manufacturing or afterward for supper. The factory was the first job he had kept for more that a few months in his life.

She was the reason. He no longer drank all night, every night. He didn’t drink a beer when he rolled out of bed, and didn’t sneak his first sips until his shift was over in the afternoon. But he still needed the flask, and he emptied it every afternoon before dinner. After that it was a six-pack of beer, twelve if Janey had a late shift at the restaurant.

It was one of the late shifts that had got him into the trouble with Peg. He had drank too much at the bar, got into a brawl and then stumbled to Janey’s apartment instead of heading to his place on Horizon Avenue just off Thunder Lane. He didn’t have a license, and he hated walking down Thunder Lane alone at night. That street was old, and full of old spirits as his drunk of a father used to say. That had stuck with Davy, and maybe it was the booze, but he felt those spirits every time he was on the street.

That night, two months earlier, he was drunk and disappointed that he’d let Janey down by getting into such a state. But mostly he was scared. As stupid as it was for a 30-year old man, he was scared to walk home. Sometimes on dark nights, he thought he heard voices from that street calling him to visit. He didn’t want to, but the call was very strong.

So he stumbled to the apartment above the pharmacy, and she was there. Not Janey. She was working till close at the diner. Peg. Wearing not much more than a bathrobe, smelling of cigarettes and the cheap wine that comes out of boxes. He was weak, and she was lonely. The rest of the story is old and familiar.

“You still think about it,” Peg said. “Was it that good?” Peg smiled taking out another cigarette.

“Shut up woman, “ Davy shot back. “I don’t even remember it much. I hate lying to her. That’s all.”

“Just like you lie to her about this?” Peg picked up the flask again and took another drink to drive home the point.

“I’m trying.” Davy said, taking the flask and draining the last half of it in one gulp. It didn’t even burn anymore going down. He had started drinking hard alcohol with his dad when he was 14. The beer had started years earlier.

“You men are all the same, always trying, never doing,” Peg said. “Janey’s daddy was the same. His was the gambling though, not the drinking so much. Always going to the casinos that Frankie. Lost all our money. Every dime.”

“I’m not Janey’s daddy,” Davy said. “I’m stopping. I just can’t do it all at once.”

“Hmmph,” Peg picked the remote up to turn the TV’s volume up again. “Well I ain’t going to tell her, if that’s what you’re worried about. She’s my angel, and I’d never hurt her like that. She’s all I got.”

Peg clicked the volume button and the characters on the screen were screaming at one another. They sat there silently for a few minutes before Janey came out in her black skirt and the peacock blouse. She had too much makeup on and her hair was teased about to look like she hadn’t spent the last 20 minutes on it. That was her look though. She’s so young, Davy thought. Barely out of high school really.

“What you two been talking about,” She put her hands on her hips, and something in her eyes sparkled, and that sparkle screamed of trouble. Part of Davy wanted to skip the get together with the boys because of it. He felt in that instant the same way he felt about Thunder Lane. Something scared him in the look.

“Nothing, sweetie,” Peg said. “Don’t you look just beautiful?”

BRUCE PAGE
In the dream, the phone rang dozens of times before he picked it up. After about the fifteenth ring, it sounded more like an alarm clock’s high-pitched beep. His hand went to the receiver just as it had two days earlier as he tended the station, and his voice followed.

“Oly’s full service, Bruce speaking.”

“Two days fucker.” The voice at the other end said.

“What’s that?” Bruce asked, knowing full well who was on the other end of the line.

“Two days, and we’ll settle this once and for all.”

“Yeah, well. You just try. This time I’ll be ready. I’m warning you. No surprising me at work with your buddies. I’ll be ready.”

“Two days.” The other end of line went dead, but the dull dial tone was replaced by the sound of an alarm clock. This, of course, was just a dream. He woke.

Above him, the paint was peeling on the ceiling of his trailer. He had sweated through his wife-beater and his drawers were wet. He rolled to the side of the bed and reached for the wood cane propped against the wall. He used the cane to stand and support his right leg. That was all thanks to Wild Billy Hawthorne. Wild Billy had cut a nine-inch ridge with a bowie knife from Bruce’s hip down his thigh the last time the two had met. The wound left Bruce’s right leg nearly useless, making him a 25-year-old, 120-pound cripple.

Growing up, Bruce had been the target of bullies. He was short, skinny and had a nasally voice that other boys love to mimic. It only got worse when he turned 14, and everyone in the class seemed to pick up on the fact that Bruce Page was a homosexual, just like the one’s on TV. Hell, Bruce thought some of his classmates knew he was gay before he even knew he was gay.

Well, that just made the beatings come more often and more vicious from the homophobic population of Lincoln High School. Even the girls got involved a couple times. The worst came from Wild Billy Hawthorne, a boy a few years older than Bruce who had lived but a few houses down for all of Bruce’s young life.

When he graduated, Bruce took the job at Oly’s Station on the west side of Lincoln in hopes of saving enough money to get out Lincoln as soon as possible. The popular notion around town was that he gave blowjobs to truckers in the bathroom for extra cash. The truth was that he wasn’t smart enough for college, and his parents sure weren’t going to help out their queer son when they had the perfect cheerleader daughter to dote on. He’d yet to get on his knees for one trucker, although he wondered if there was an actual market for such talents.

So, he rented a trailer on Grease Lake from the owner of Oly’s and started to put away cash. Of course, that was until Wild Billy and his boys showed up drunk one night last year at the station. After that particular incident, his extra dough was lost on medical and lawyer bills. The only relief being that Wild Billy had gone away.

But, he was coming back, as the phone call two days earlier had confirmed.

Bruce walked out of the trailer and around to the back to take a piss in the lake. The sun was setting on the outskirts of Lincoln, and he knew that meant his time was running low. Sometime tonight Wild Billy was going to come. He shook his cock twice before turning away from the dirty water and limping back up to his lime green trailer. On the backside, someone had spray painted the word “QUEER” in uneven black letters. That was as imaginative as the artists got in Lincoln.

Bruce didn’t care, especially tonight. He went around to the front. His rusted out Lumina was parked in front. He supposed he could drive away. He had enough money to get out of the state and probably stay a night or two at a cheap hotel, but then what.

No, Bruce Page was tired of being bullied, tired of being beat. He opened the door to the trailer and walked inside passing the kitchen counter on his way back to the bed. He needed a little more rest, and he knew it’d be late before they would arrive. They’d drink awhile to get their courage up and then come looking for him. They’d probably try the station first. The manager was working tonight. Bruce sat back down on the bed, propped the cane against the wall, and dropped his head down on his pillow. Soon he was snoring lightly and in his dream the phone was ringing again.

On the kitchen counter next to the sink, an old revolver rested. Next to it were six bronze bullets, a flashlight and a pack of smokes.

Tuesday, December 11, 2012

A Look Back at 'The Legacy of Kip Winger' - Part 7

Kip and Caroline are raising their son up right.  Things have changed between them and Kip is working hard to make amends for his life through teaching his son the lessons he learned the hard way.  This are about to change.

'Testify' - Aranda from Aranda

This is a pretty funky song.  You hear some good singing chops from the fellas of Aranda.  The hook is very catchy and feels like an old blues song played on an acoustic guitar.  Here Kip is fighting to find religion.  This is something that has probably been lacking in his life.  The song makes me think of him fighting some demons within himself and looking for help beyond his family to keep him on the right path.  The way the singer wails testify always made me think of church and someone yelling at the preacher to testify to the lord!


'Soft Shock' - The Yeah Yeah Yeahs from It's Blitz!

The Yeah Yeah Yeahs play this mellow, brooding sound so well.  The fuzz of the guitar hides in the background sounding chaotic, but never interrupting the singer.  Her voice sounds so sweet as she sits in front of the issues behind her.  This one is kind of open to thoughts on the story.  I think Caroline is worried.  She doesn't know about what, but she can feel something is going to happen.  Things have been going well for them.  Maybe it is the past creeping into her mind, she doesn't want Kip to leave her behind again.


'No Hassle Night' - The Dead Weather from Horehound

This song is an assault on the senses.  The distortion kicks you in the teeth without being over powering to the song.  This sound of The Dead Weather is like nothing else I had heard before.  Their ability to hold back at times is what makes it seem extra menacing.  This song really becomes sort of the beginning of the end.  I don't know what it ever points to specifically in the story other than the tone of the music.  It is dark and evil sounding.  I believe it is symbolizing something bad that is happening internally that is made clear in the next song.


'Cancer' - My Chemical Romance from The Black Parade

 The song is pure sadness.  While being part of a concept album, it is pretty easy to figure out what is happening here.  There is something about the piano that makes it have the ability to make you weep with just a few key chords.  The arrangement is beautiful in the way it conveys the message even if there were no lyrics at all.  Life has a way of catching up with you.  Sometimes it doesn't matter how much you've reformed, in the end some things can never be shaken.  Kip is dying. 


'Cry' - Kelly Clarkson from All I Ever Wanted

Kelly's vocal range is on its best display here.  She can belt it out with the best of them.  This is how she can differentiate herself from others out there.  Here Caroline is dealing with the news.  There is a line in the song about this being as hard as it gets.  Even with all the old troubles and heart aches she's had, nothing can compare to this.  "This is as hard as it gets.  This is what it feels like to really cry."  You could say out of all this story, Caroline is hurt more than Kip in every instance.  She's been through so much with him already and now her pain has just begun.


This section is the turning point and turn downer of the second CD.  The next section is the last and will finish up our story.

Monday, December 10, 2012

From the vault: Thunder Lane, Lincoln, U.S.A.


Note: This is one of those ideas I had one night that I never really picked up on. I kind of like it, but never really developed my thoughts on what was going on. I am still working on first part of next CD project so I thought I'd post a few of these type things in the interim. 


Thunder Lane, Lincoln, U.S.A.

“It’s a town full of losers, I’m pulling out of here to win.”
Thunder Road by Bruce Springsteen


Part 1 – Karl checks out

            Rain. Karl couldn’t believe it. Of all days, no of all the friggin’ days, today it had to rain. He slammed the lid on the burn barrel, clutching his thick journal to his chest and jogged back into the red brick ranch on Thunder Lane, only three blocks west of historical Main Street in Lincoln, U.S.A. That’s what folks always say here – Lincoln, U.S.A. – saying each friggin’ letter, every friggin’ time. Well, he wasn’t going to hear it ever again. Today, rain or no, he was checking right friggin’ out of Lincoln, U.S.A.
            He thudded against the back door and then fought to open it. When it rained, the damn frame swelled, and the cheap exterior door became a bugger to use. He shouldered it once, felt it give a bit, then jerked it out, nearly knocking off his thick-framed bifocals that were spotted by raindrops and fogged over.  Inside, his lenses turned ghost white, and he whipped them off, dropping them on the bench where he often sat to remove his muddy boots after fiddling in his garden.
            Without his glasses, the room before him was a haze of colors, shadows and obscene shapes. It didn’t matter. He could navigate his house in the pitch dark. He wouldn’t want to now, not ever again, but he could if he had to. He held out his journal, studying the red leather cover. As a historian, he had hundreds of journals, notebooks, and, even he, the last man to enter the World Wide Web, had a zip drive or ten full of documents. He had one wall in his study dedicated to the Civil War alone. But, none of the books or notes or journals mattered, only this one mattered, and he had to destroy it. He couldn’t burn it, at least not outside. He could burn it in the house, he supposed, but part of him, the part that had grown in strength and conviction the last three years, knew the house, the street, or “they” would stop it.  He could hide it among the other journals, but it could be found. The thought of somebody finding it would eat away at his conscience for the rest of his life. If anyone else read the contents ... well, he wasn’t exactly sure what would happen. The not knowing was the worst of it. All he knew was that “they” would congregate in one of the old basements and stay down there for days, and when they came out, well, the person would be changed, maybe he or she would even be gone, vanished, extinct. Karl was sure of it.
            “God damn rain,” he muttered. Outside, lightning flashed to drive home the point. He could have burned it outside. He felt water streaking off his hairless dome into the tufts of gray hair on the side of his wrinkled skull. One dripped down his brow, between his eyes and off his nose. Not for the first time, he wondered why the hell he had moved to Lincoln to retire. Why couldn’t he have gone to Florida? That’s where Margaret had wanted to go before the cancer ate away her life.
            He ran his hand across the top of the journal, remembering the day he found it for sale at The Book Nook on Main Street. That was the first time he thought about digging up a history on Thunder Lane. All the folks in Lincoln, U.S.A., said it was the oldest street in the country. The two houses at each end  – where it met with Main Street and met a dead end at Horizon Avenue – were thought to be original homes of Lincoln from when the city was first settled in the 1800s. He even heard whispers the homes were older than that, or at least the original foundations where laid well before that. As a historian, he didn’t put much stock in that, but there was surely plenty of actual history from Thunder Lane that he could chronicle during his retirement.
            “Stupid old man,” he said standing soaked to the bone in his kitchen. He shivered, all of a sudden, feeling like he wasn’t alone in his own home. “I could rip it page-by-page into pieces!” He sobbed at the simplicity as the journal fell from his hands and smacked on the linoleum below. His armed jerked out in surprise, knocking his set of knives onto the floor. They scattered in every direction. The biggest cleaver landed next to the journal.
He knelt, feeling both of his arthritic knees pop and opened the cover. Inside, the pages were a thick, yellow stock. It was going to be hell on his fingers to tear up hundreds of pages, but the pain would be worth it. He took the first page, filled with his neat, precise cursive, and nearly started to tear, but something wasn’t right. It was too quiet.
            Bending his neck, he watched the cuckoo clock on the wall above the kitchen counter. He recalled nights in his bed on the other side of the house where he could hear it tick. The clock made not a sound.
            “The batteries out, that’s all,” he said. Across the kitchen, the fridge was quiet. Not a single hum. He dismissed it, but his heart pounded in his eardrums. Even the rain outside made not a sound on the windows or roof. It was like he had entered a sound vacuum in his own kitchen. “Just focus on what you need to do, then get in the car and go.”
            He grasped at the page, but his hands were trembling so much that it only folded and bent. He couldn’t force a single rip. Then a sound came. The tap of wood soles on the linoleum floor. He lifted his eyes enough to see his reflection on the perfectly shined black shoes.
            “Tsk, tsk, Karl.” The voice said. A hand came down and lifted the journal off the floor. “Leaving without even saying goodbye. That’s just not how things are done here in Lincoln, U.S.A.”
            He tried to move, to jump for the journal, but before he could he felt the cleaver at his throat. A sweaty, meaty hand held it. There were others in the room. He sensed their eyes on him. He knew who they all were, anyway. His neighbors. Probably all of them in all the fantastic variety that Thunder Lane offered.  
            “I wouldn’t tell. Not a word of it to another soul. I wouldn’t. That’s why I was going to destroy the journal. I wouldn’t tell!”
            The black shoes turned so that he faced the heels. The shoes stepped away in even strides.
            “Goodbye, Karl,” the voice said, and Karl heard no more thereafter. 

Sunday, December 9, 2012

A Look Back at 'The Legacy of Kip Winger' - Part 6



We left Kip and Caroline sort of finding each other again.  They have rekindled their love and move forward with their relationship from here.
'In The Castle' - Wolfmother from Cosmic Egg

The second part of this song sounds closer to what most Wolfmother tunes sound like.  They are usually fast paced, rocking songs.  They are definitely more of a throwback, but I have never quite been able to figure out who to compare them to.  This is a pivotal song in the story with maybe some time lapse from the previous.  I took the lyrics to mean than Kip and Caroline are getting married.  There is a part in there about walking off into the castle and another about sitting at the table drinking their wine which made me think of a reception party.


'Incomplete' - Sara Schiralli from Bang Bang

This song was a part of a sampler collection.  It has always stuck out to me.  The tune is so beautiful and the singing fits in there perfectly.  I haven't ever really checked out other stuff from her, which I suppose is an injustice on my part since I like this song so much.  This song probably more than any other is my total interpretation of the song for the story.  I could never find the lyrics and with the accent, it was hard for me to understand what she was singing about all the time.  So I took the line, "This picture is incomplete," and fit into where we were in the story.  Things have turned around for our two love birds, now married.  Caroline wants to complete their family.


'Kooks' - David Bowie from Hunky Dory

This songs feels like David Bowie stole a song from Neil Young.  It has that rock/country southern flare that Young specialized in.  I believe I read somewhere that Bowie wrote this song after listening to one of Young's new albums of the day.  I've always like it as an example of those quirky songs that Bowie had the ability to spin and make sound so accessible.  Here Kip is singing to his new baby as he and Caroline have completed their family.  Their is certainly a different feeling of love and happiness around them now.


'It's Okay, Try Again' - The Shins from Yo Gabba Gabba! Music Is Awesome

This song is so beautiful in its simplicity.  I really haven't listened to much from The Shins but this song makes me want to.  I love the banjo interlaced in the song, you don't hear that much.  Yo Gabba Gabba! is a kid's show that features some pretty good music for their 'Super Music Friends Show' in each episode.  Here again as their child grows up, Kip is doing his best to teach him a lesson, perhaps one Kip learned the hard way.  Life will even you out as long as you make it OK and don't go the wrong way.  


'Lovely, Love My Family' - The Roots from Yo Gabba Gabba! Music Is Awesome

The Roots make some pretty cool music and most people might know them now as the band on Late Night With Jimmy Fallon.  This song is so smooth it feels like melted butter.  Where else are you gonna hear a sousaphone solo?  This is Kip and Caroline's child singing now as he grows older.  I really don't think anything had outlined the sex or name of their child.  I don't know if I ever do think of a name, but it is definitely a boy.  He is doing the right thing.  He loves his family and they are making a good home for him.


 While this section may not seem all that exciting, I guess it sort of paints a couple pictures for me.  First, that Kip is trying to finally straighten out his life.  After all he has done wrong and done to hurt Caroline, they find a way to work it out.  Now they are raising a family and we see several instances of Kip trying to set his son on a good path.  This is perhaps some nurturing Kip never got or maybe didn't pay attention to.  This section may make more sense once we get through this CD.  Without saying too much, this becomes the setup for things to come.