Note: Yep, finally got back to this. Once you get through the first five, this turns into an OK group.
Logical Progression (1996) by L.T.J. Bukem
London Calling (1979) by The Clash
Lost Souls (2000) by Doves
Loveless (1991) by My Bloody Valentine
A Love Supreme (1965) by John Coltrane
First Five at a Glance: Logical Progression seems to be more ambient music. This book loves that for some reason. I am not sure I can say much about London Calling that hasn’t already been said. An important album that ushered punk into the next decade while lifting the genre up lyrically and politically. I didn’t see anything in the review of the Doves album that really made me want to check it out. It is, however, the first album from the 2000s listed in the book. Kudos to that. So the book says that My Bloody Valentine was part of the short-lived early Nineties “shoe-gazing” fad. I have no idea what that means or remember nothing of that. For those that like things progressive in nature, Coltrane is a must own. His jazz trips into about every other genre and influence possible.
Low (1977) by David Bowie
Low-Life (1985) by New Order
The Low End Theory (1991) by A Tribe Called Quest
Lust for Life (1977) by Iggy Pop
McCartney (1970) by Paul McCartney
Second Five at a Glance: I know the Snakester loves him some Bowie, but I have a feeling this album makes it on this list because the second half of this album is basically instrumental ambient music created by none other than – you guessed it – Brian Eno. New Order is the offspring of Joy Division. None of which really means much to me. I also have nothing of import to say about A Tribe Called Quest. We return to 1970s Berlin where Iggy Pop and David Bowie spent the better part of a couple years making albums together and doing lots of drugs. Bowie is a heavy influence on “Lust for Life” and gets co-writing credit on almost every song. The McCartney album stands on here more for its importance as the first post-Beatles album than its contribution musically. It’s McCartney – a little poetic, a little silly at times and chalked full of ballads. The books calls “Maybe I’m Amazed” maybe the best song McCartney wrote. It’s a good ballad, but I won’t go that far.
Machine Gun Etiquette (1979) by The Damned
Machine Head (1972) by Deep Purple
The Madcap Laughs (1970) by Syd Barrett
Made in Japan (1972) by Deep Purple
Madman Across the Water (1971) by Elton John
Third Five at a Glance: The Damned seems like a pretty solid British punk band that was not afraid of taking a few risks and make some un-punk decisions. Machine Head belongs here if for not other reason than “Smoke on the Water,” a track inspired by the band’s studio being torched during a Frank Zappa theater gig. “Highway Star,” is pretty awesome also. Great early hard rock. Made in Japan is the live counterpart featuring many of the tracks from Machine Head. Perhaps, the book should have picked a lane – go with the studio or the live album. The Madcap Laughs is touted as being sloppy and incomplete. Yet, I imagine it’d be interesting to see what Barrett had to offer away from Pink Floyd. His mental issues are apparently evident on this album. The Elton John album falls off the first two tracks of “Tiny Dancer” and “Levon.” I don’t know any of the rest. The album title may be a veiled reference to Richard Nixon.
The Goods: The Clash, Paul McCartney, Deep Purple, Elton John, David Bowie (on reputation more than this particular album) and Iggy Pop
Something to check out: The Damned – Not great, but I think pretty good.
Verdict: The last six or seven albums saved this group. I think overall it’s a step up from that last group, but not a very tall step. Maybe now that we are in the “Ms” things will improve.
Showing posts with label 1001 Albums. Show all posts
Showing posts with label 1001 Albums. Show all posts
Tuesday, March 22, 2011
Saturday, February 12, 2011
1001 Albums 491-505: Life's Too Good - Locust Abortion Technician
Note: Well this swings us back in the opposite direction of the last group.
Life’s Too Good (1988) by the Sugarcubes
Life Thru A Lens (1997) by Robbie Williams
Like A Prayer (1989) by Madonna
Like Water For Chocolate (2000) by Common
Liquid Swords (1995) by Genius/GZA
First Five at a Glance: Outside of the title track and Express Yourself, I don’t know much off the Madonna album, but the book calls it the best pop album since Revolver. Some the description almost makes me want to check out some of the non-singles. Like a Prayer probably is the Madonna tune I like the most. I actually remember when Robbie Williams started getting play on MTV2. It’s not terrible music, just not sure its anything I really have to hear before I die. The Sugarcubes were that band that launched Icelandic queen Bjork. My thank you for that must have got lost in the mail. In a coincidence, Common’s lead singer Femi Kuti is the son of Feli Kuti, who appears in the next five songs. Like Water For Chocolate is more rap, hip hop, mixed with African beats and with cameos from Mos Def and others. Liquid Swords is an offshoot of the Wu Tang Clan. Supposed to be really good, but I don’t that much about rap.
An aside rant concerning Robbie Williams critic writer: Why is it every UK artist must come to terms with their success and their, “working class” roots. It’s every freaking one of them. You don’t hear that expression much with American artists. In fact, many embrace their roots (mostly country and rap musicians). But the damn British have to come to terms with it. I think it’s because John Lennon wrote “Working Class Hero,” now every damn one of them pay homage to him with bogus melodrama. In all seriousness, it’s lazy writing. Lazy.
Listen Without Prejudice Vol. 1 (1990) by George Michael
A Little Deeper (2002) by Ms. Dynamite
Little Earthquakes (1992) By Tori Amos
Live 1966 (1998) by Bob Dylan
Live! (1971) by Fela Ransome-Kuti and the Africa ’70 with Ginger Baker
Second Five at a Glance: George Michael came out in 1990, it just took the rest of the world a decade to figure it out. This album tanked as he moved away from the pop sound of Wham! and tried to become a “serious” artist. He did collaborate with Mick Jagger and Keith Richards on the tune “Waiting For That Day.” Ms. Dynamite is a British female rapper. Ok. I’ve never really liked Tori Amos music. I decided to give it another listen and report that my opinion really hasn’t changed. The Bob Dylan album sounds like it would be an interesting listen as it documents the backlash he incurred from plugging in. Might have to check that out. Ginger Baker (of Cream fame) plays on “Live!” an African album. The album has four tracks and is a mix of funk and jazz.
Live and Dangerous (1978) by Thin Lizzy
Live At the Witch Trials (1979) by The Fall
Live/Dead (1969) by The Grateful Dead
Live Through This (1994) by Hole
Locust Abortion Technician (1987) by Butthole Surfers
Third Five at a Glance: The Thin Lizzy album is an interesting case because it boasts being live while admittedly it was almost entirely touched up and rerecorded in a studio. Still, I love Jailbreak, so I have a hard time dumping on this being on here. The Fall seem like a band that I should know, but can’t place. They have the sound of a precursor to Franz Ferdinand. Might be worth checking out. Live/Dead was the first time the Dead were able to translate their live energy into a recording. It set the blueprint for things to come both for them as a band and for other jam bands of the future. There’s some debate as to how much of the Hole album can be credited to Courtney Love and how much can be credited to Kurt Cobain. Either way, I don’t that much from this album although I’ve always tended to like stuff from Hole so long as it doesn’t get too screamy. The name Butthole Surfers always jumped out at album stores for obvious reasons, but I’ve never listened to them, until now. It’s a strange collection of punk music mingled with random sounds. Not sure what to make of it yet.
The Goods: Like a Prayer, Live 1966, Live/Dead
Something to check out: I think the live Dylan album would be cool. Maybe The Fall is worth a try.
Verdict: I am not real wild about this group. I know 9 of the 15 groups, but most those that I know I am not that big a fan of. This group had a tough task following last week and it came up way short.
Life’s Too Good (1988) by the Sugarcubes
Life Thru A Lens (1997) by Robbie Williams
Like A Prayer (1989) by Madonna
Like Water For Chocolate (2000) by Common
Liquid Swords (1995) by Genius/GZA
First Five at a Glance: Outside of the title track and Express Yourself, I don’t know much off the Madonna album, but the book calls it the best pop album since Revolver. Some the description almost makes me want to check out some of the non-singles. Like a Prayer probably is the Madonna tune I like the most. I actually remember when Robbie Williams started getting play on MTV2. It’s not terrible music, just not sure its anything I really have to hear before I die. The Sugarcubes were that band that launched Icelandic queen Bjork. My thank you for that must have got lost in the mail. In a coincidence, Common’s lead singer Femi Kuti is the son of Feli Kuti, who appears in the next five songs. Like Water For Chocolate is more rap, hip hop, mixed with African beats and with cameos from Mos Def and others. Liquid Swords is an offshoot of the Wu Tang Clan. Supposed to be really good, but I don’t that much about rap.
An aside rant concerning Robbie Williams critic writer: Why is it every UK artist must come to terms with their success and their, “working class” roots. It’s every freaking one of them. You don’t hear that expression much with American artists. In fact, many embrace their roots (mostly country and rap musicians). But the damn British have to come to terms with it. I think it’s because John Lennon wrote “Working Class Hero,” now every damn one of them pay homage to him with bogus melodrama. In all seriousness, it’s lazy writing. Lazy.
Listen Without Prejudice Vol. 1 (1990) by George Michael
A Little Deeper (2002) by Ms. Dynamite
Little Earthquakes (1992) By Tori Amos
Live 1966 (1998) by Bob Dylan
Live! (1971) by Fela Ransome-Kuti and the Africa ’70 with Ginger Baker
Second Five at a Glance: George Michael came out in 1990, it just took the rest of the world a decade to figure it out. This album tanked as he moved away from the pop sound of Wham! and tried to become a “serious” artist. He did collaborate with Mick Jagger and Keith Richards on the tune “Waiting For That Day.” Ms. Dynamite is a British female rapper. Ok. I’ve never really liked Tori Amos music. I decided to give it another listen and report that my opinion really hasn’t changed. The Bob Dylan album sounds like it would be an interesting listen as it documents the backlash he incurred from plugging in. Might have to check that out. Ginger Baker (of Cream fame) plays on “Live!” an African album. The album has four tracks and is a mix of funk and jazz.
Live and Dangerous (1978) by Thin Lizzy
Live At the Witch Trials (1979) by The Fall
Live/Dead (1969) by The Grateful Dead
Live Through This (1994) by Hole
Locust Abortion Technician (1987) by Butthole Surfers
Third Five at a Glance: The Thin Lizzy album is an interesting case because it boasts being live while admittedly it was almost entirely touched up and rerecorded in a studio. Still, I love Jailbreak, so I have a hard time dumping on this being on here. The Fall seem like a band that I should know, but can’t place. They have the sound of a precursor to Franz Ferdinand. Might be worth checking out. Live/Dead was the first time the Dead were able to translate their live energy into a recording. It set the blueprint for things to come both for them as a band and for other jam bands of the future. There’s some debate as to how much of the Hole album can be credited to Courtney Love and how much can be credited to Kurt Cobain. Either way, I don’t that much from this album although I’ve always tended to like stuff from Hole so long as it doesn’t get too screamy. The name Butthole Surfers always jumped out at album stores for obvious reasons, but I’ve never listened to them, until now. It’s a strange collection of punk music mingled with random sounds. Not sure what to make of it yet.
The Goods: Like a Prayer, Live 1966, Live/Dead
Something to check out: I think the live Dylan album would be cool. Maybe The Fall is worth a try.
Verdict: I am not real wild about this group. I know 9 of the 15 groups, but most those that I know I am not that big a fan of. This group had a tough task following last week and it came up way short.
Wednesday, January 26, 2011
1001 Albums 476-490: Led Zeppelin II - Liege and Lief
Note: It returns and I am guessing with a much anticipated list. Enjoy.
Led Zeppelin II (1969) by Led Zeppelin
Led Zeppelin III (1970) by Led Zeppelin
Led Zeppelin IV (1971) by Led Zeppelin
Leftism (1995) by Leftfield
Legalize It (1976) by Peter Tosh
First Five at a Glance: Led Zeppelin dominates this group, and I can already see the smile crossing Snake’s lips. Here’s my brief take on these, I am sure the discussion will go further than this. Zep II cements the Zeppelin sound as Page, Jones and Bonham blend into a chorus of havoc. “Whole Lotta Love,” is as important of a song to its genre as any other. Zep III is a melding of hard rock and acoustic folk. “Immigrant Song” stands above as the hit from this album. I know Zep IV the best with eight powerful tracks, only “When the Levee Breaks” took time for me to warm too. The rest are power and beauty clashing. Peter Tosh is a former member of the Wailers, the backing band for Bob Marley. Take a guess on what he wants to legalize. Leftism is a dance album, you know pulsating sounds that repeat over and over and over and over.
Let It Be (1984) by the Replacements
Let It Bleed (1969) by The Rolling Stones
Let Love Rule (1989) by Lenny Kravitz
Let’s Get It On (1973) by Marvin Gaye
Let’s Get Killed (1997) by David Holmes
Second Five at a Glance: The Replacements “Let It Be,” was put there only to confuse me into thinking there was some sort of typo in the book. The Stones “Let It Bleed,” is a sharp contrast to old rivals the Beatles, who released “Let It Be” around the same time. The Stones gave us sex, drugs and violence, the Beatles ballads and breakup. I think the Beatles album should have made it here also, but the Stones may have been more in touch with the times. “Gimme Shelter” opens the album and that is one of the top tunes in the Stones catalog. Marvin Gaye focuses on the sex, but also interestingly enough uses a T.S. Eliot quote in the sleeve of the album. That’s an interesting mix. I’ve always thought Kravitz was a bit pretentious and had a lot of unrealized talent. “Let’s Get Killed,” sounds like an interesting social experiment. It takes real interviews with the underbelly personalities of New York and mixes them with rock, techno, funk and latin-styles.
Let’s Stay Together (1972) by Al Green
The Lexicon of Love (1982) by ABC
The Libertines (2004) by The Libertines
Licensed to Ill (1986) by Beastie Boys
Liege and Lief (1969) by Fairport Convention
Third Five at a Glance: Licensed to Ill may be as important of a rap album as there has ever been. It introduced to the massive, white teenage public to the genre. While songs like “Girls,” and “Fight for Your Right,” catch in the immature, tunes like “Brass Monkey,” and “No Sleep Till Brooklyn,” force brighter folk to keep listening. Let’s Stay Together is a soul classic. The album takes some risks and is the height of Green’s brief career. Fairport Convention was an early folk band that started to use electric instruments. Singer Sandy Denny was a big influence on Robert Plant. They kept calling ABC a punk band, I hear more New Wave. The two frontmen of The Libertines apparently hated each other to the point they had bouncers at the studio to prevent fights, the music reflects this constant tension.
The Goods: Led Zeppelin II, III, IV; Let It Bleed, Let’s Get It On, Let’s Stay Together, Licensed to Ill
Something to check out: I’d put Let’s Get Killed, The Libertines and Fairport Convention all on this list for very different reasons.
Verdict: This is an excellent group filled with hard rock standards and classic soul sounds. From top to bottom, we may not get a better group that this. The top albums are great and the one’s in the middle are good artists and the ones on the bottom are not completely terrible.
Led Zeppelin II (1969) by Led Zeppelin
Led Zeppelin III (1970) by Led Zeppelin
Led Zeppelin IV (1971) by Led Zeppelin
Leftism (1995) by Leftfield
Legalize It (1976) by Peter Tosh
First Five at a Glance: Led Zeppelin dominates this group, and I can already see the smile crossing Snake’s lips. Here’s my brief take on these, I am sure the discussion will go further than this. Zep II cements the Zeppelin sound as Page, Jones and Bonham blend into a chorus of havoc. “Whole Lotta Love,” is as important of a song to its genre as any other. Zep III is a melding of hard rock and acoustic folk. “Immigrant Song” stands above as the hit from this album. I know Zep IV the best with eight powerful tracks, only “When the Levee Breaks” took time for me to warm too. The rest are power and beauty clashing. Peter Tosh is a former member of the Wailers, the backing band for Bob Marley. Take a guess on what he wants to legalize. Leftism is a dance album, you know pulsating sounds that repeat over and over and over and over.
Let It Be (1984) by the Replacements
Let It Bleed (1969) by The Rolling Stones
Let Love Rule (1989) by Lenny Kravitz
Let’s Get It On (1973) by Marvin Gaye
Let’s Get Killed (1997) by David Holmes
Second Five at a Glance: The Replacements “Let It Be,” was put there only to confuse me into thinking there was some sort of typo in the book. The Stones “Let It Bleed,” is a sharp contrast to old rivals the Beatles, who released “Let It Be” around the same time. The Stones gave us sex, drugs and violence, the Beatles ballads and breakup. I think the Beatles album should have made it here also, but the Stones may have been more in touch with the times. “Gimme Shelter” opens the album and that is one of the top tunes in the Stones catalog. Marvin Gaye focuses on the sex, but also interestingly enough uses a T.S. Eliot quote in the sleeve of the album. That’s an interesting mix. I’ve always thought Kravitz was a bit pretentious and had a lot of unrealized talent. “Let’s Get Killed,” sounds like an interesting social experiment. It takes real interviews with the underbelly personalities of New York and mixes them with rock, techno, funk and latin-styles.
Let’s Stay Together (1972) by Al Green
The Lexicon of Love (1982) by ABC
The Libertines (2004) by The Libertines
Licensed to Ill (1986) by Beastie Boys
Liege and Lief (1969) by Fairport Convention
Third Five at a Glance: Licensed to Ill may be as important of a rap album as there has ever been. It introduced to the massive, white teenage public to the genre. While songs like “Girls,” and “Fight for Your Right,” catch in the immature, tunes like “Brass Monkey,” and “No Sleep Till Brooklyn,” force brighter folk to keep listening. Let’s Stay Together is a soul classic. The album takes some risks and is the height of Green’s brief career. Fairport Convention was an early folk band that started to use electric instruments. Singer Sandy Denny was a big influence on Robert Plant. They kept calling ABC a punk band, I hear more New Wave. The two frontmen of The Libertines apparently hated each other to the point they had bouncers at the studio to prevent fights, the music reflects this constant tension.
The Goods: Led Zeppelin II, III, IV; Let It Bleed, Let’s Get It On, Let’s Stay Together, Licensed to Ill
Something to check out: I’d put Let’s Get Killed, The Libertines and Fairport Convention all on this list for very different reasons.
Verdict: This is an excellent group filled with hard rock standards and classic soul sounds. From top to bottom, we may not get a better group that this. The top albums are great and the one’s in the middle are good artists and the ones on the bottom are not completely terrible.
Tuesday, June 15, 2010
1001 albums (461-475): The Kinks are the Village Green Preservation Society - Led Zeppelin
Note: I thought about stopping at 14 this week to avoid breaking up the Zeppelin albums, but I figured this will allow Snake to focus on one this week and the rest next week.
461. The Kinks Are The Village Green Preservation Society (1968) by The Kinks
462. Kollaps (1981) by Einstruzende Neubauten
463. The Koln Concert (1975) by Keith Jarrett
464. The La’s (1990) by The La’s
465. Ladies and Gentleman We Are Floating In Space (1997) by Spiritualized
First five at a glance: The highlights here are The Kinks and The La’s for the same reason. Both albums are pure pop and embrace that label. You may know The La’s from hit song “There She Goes.” Otherwise, this first five is lacking. Spiritualized makes two appearances this week. There music is referred to as drone rock, which seems appropriate.
466. Lady in Satin (1958) by Billie Holiday
467. The Lamb Lies Down On Broardway (1974) by Genesis
468. Lam Toro (1992) by Baaba Maal
469. Lark’s Tongues in Aspic (1973) by King Crimson
470. The Last Broadcast (2002) by Doves
Second five at a glance: Billie Holiday is on the decline as a heroin addict at this point, although this is her most acclaimed album. The Lamb Lies Down… is Peter Gabriel’s swansong with Genesis and along with King Crimson, both at staples of prog rock. Doves may be a decent band to check out.
471. The Last of the True Believers (1986) by Nanci Griffith
472. L.A. Woman (1971) by The Doors
473. Layla and Other Assorted Love Songs (1970) by Derek And the Dominos
474. Lazer Guided Melodies (1992) by Spiritualized
475. Led Zeppelin (1969) by Led Zeppelin
Third five at a glance: Definitely saved the best for last. I may have to check out the Derek and the Dominoes album at some point. Everyone knows Layla, but there’s some other pretty strong stuff on there, on what essentially is Clapton’s first solo album. L.A. Woman, the song is one of my favorite Doors’ tunes, and this album is essentially the end of the band’s run. I won’t spend a long time on Led Zeppelin, because I am guessing that Snake will have a lot to say. “Good Times, Bad Times” is one my fave’s from the band and there is just sound from this whole album that just lets you know that the world was never going to be the same. There’s a lot more from this group coming next week.
The Goods: Led Zeppelin, The Doors, Derek and the Dominoes, Genesis, The Kinks
Something to check out: Doves, Kollaps (which was a big influence on Nine Inch Nails, if you like that sort of music)
Verdict: I’d say that last five is one of the best we’ve had with the Spiritualized really not fitting in. The Nanci Griffith stuff is folk, country that is passable. Overall some really important albums popped up this week.
462. Kollaps (1981) by Einstruzende Neubauten
463. The Koln Concert (1975) by Keith Jarrett
464. The La’s (1990) by The La’s
465. Ladies and Gentleman We Are Floating In Space (1997) by Spiritualized
First five at a glance: The highlights here are The Kinks and The La’s for the same reason. Both albums are pure pop and embrace that label. You may know The La’s from hit song “There She Goes.” Otherwise, this first five is lacking. Spiritualized makes two appearances this week. There music is referred to as drone rock, which seems appropriate.
466. Lady in Satin (1958) by Billie Holiday
467. The Lamb Lies Down On Broardway (1974) by Genesis
468. Lam Toro (1992) by Baaba Maal
469. Lark’s Tongues in Aspic (1973) by King Crimson
470. The Last Broadcast (2002) by Doves
Second five at a glance: Billie Holiday is on the decline as a heroin addict at this point, although this is her most acclaimed album. The Lamb Lies Down… is Peter Gabriel’s swansong with Genesis and along with King Crimson, both at staples of prog rock. Doves may be a decent band to check out.
471. The Last of the True Believers (1986) by Nanci Griffith
472. L.A. Woman (1971) by The Doors
473. Layla and Other Assorted Love Songs (1970) by Derek And the Dominos
474. Lazer Guided Melodies (1992) by Spiritualized
475. Led Zeppelin (1969) by Led Zeppelin
Third five at a glance: Definitely saved the best for last. I may have to check out the Derek and the Dominoes album at some point. Everyone knows Layla, but there’s some other pretty strong stuff on there, on what essentially is Clapton’s first solo album. L.A. Woman, the song is one of my favorite Doors’ tunes, and this album is essentially the end of the band’s run. I won’t spend a long time on Led Zeppelin, because I am guessing that Snake will have a lot to say. “Good Times, Bad Times” is one my fave’s from the band and there is just sound from this whole album that just lets you know that the world was never going to be the same. There’s a lot more from this group coming next week.
The Goods: Led Zeppelin, The Doors, Derek and the Dominoes, Genesis, The Kinks
Something to check out: Doves, Kollaps (which was a big influence on Nine Inch Nails, if you like that sort of music)
Verdict: I’d say that last five is one of the best we’ve had with the Spiritualized really not fitting in. The Nanci Griffith stuff is folk, country that is passable. Overall some really important albums popped up this week.
Wednesday, June 9, 2010
1001 albums (446-460): Johnny Cash at San Quentin - Kings of the Wild Frontier
Note: We're getting very close to a part of the alphabet that Snake has been looking forward too. This isn't a bad group and there may be some stuff to take a look at that may not be well known, at least not to me.
446. Johnny Cash At San Quentin (1969) by Johnny Cash
447. John Prine (1971) by John Prine
448. The Joshua Tree (1987) by U2
449. Juju (1981) by Siouxsie and The Banshees
450. Junkyard (1982) by The Birthday Party
First five at a glance: Joshua Tree gets a ton of credit as one of the top albums of the 80s, and probably is up there for all time. The first three songs are probably one of the clearest statements of a shift in sound in a band. This album blew up when it came out and still sells. Detractors will say this about this album, like many U2 products, that Bono gets a bit preachy at times. At San Quentin is the follow up to Cash’s live album at Folsom Prison. A more somber set following death of guitarist Luther Perkins. A riot did almost start during the first cut of new song San Quentin. Cash liked it so much that he played the song again. John Prine was the next Bob Dylan, but really wasn’t.
451. Justified (2002) by Justin Timberlake
452. Kenya (1957) by Machito
453. Kenza (1999) by Khaled
454. Kick Out The Jams (1969) by MC5
455. Kid A (2000) by Radiohead
Second five at a glance: MC5 was either way before their time, or there was never a time for their music. It’s loud, experimental and Lester Bangs hated it. This may be something to check out at least once. I am not a Radiohead fan and I’ve firmly established that. While not listening to Justin Timberlake, I have to give him credit for surviving the curse of being in a boy band, taking some good advice from producers like Timbaland, and writing songs that may or may not hint toward former girlfriend Brittany Spears to create some buzz.
456. Kilmanjaro (1980) by The Teardrop Explodes
457. Killing Joke (1980) by Killing Joke
458. Kimono My House (1974) by Sparks
459. Kind of Blue (1959) by Miles Davis
460. Kings of the Wild Frontier (1980) by Adam And The Ants
Third five at a glance: We’ve had a pretty healthy serving of Miles Davis in this book. I can’t deny that he belongs, but don’t have a strong enough opinion to really say much more. I think Killing Joke could be something Snake would be really into. Pretty dark with a hard driving pulse provided by thrashing guitars. Adam Ant is eclectic in his musical stylings if nothing else.
The Goods: Johnny Cash, U2
Something to check out: MC5, Killing Joke
Coincidence, I think so: Siouxsie and the Banshees did a cover of Sparks song “This Town Ain’t Big Enough For the Both of Us,” the first track on album 458 – Kimono In My House. Both versions are equally interesting bordering on bizarre.
Verdict: This group is growing on me. There are a couple solid headliners and a few possible diamonds in the rough. I put this ahead of last weeks group.
446. Johnny Cash At San Quentin (1969) by Johnny Cash
447. John Prine (1971) by John Prine
448. The Joshua Tree (1987) by U2
449. Juju (1981) by Siouxsie and The Banshees
450. Junkyard (1982) by The Birthday Party
First five at a glance: Joshua Tree gets a ton of credit as one of the top albums of the 80s, and probably is up there for all time. The first three songs are probably one of the clearest statements of a shift in sound in a band. This album blew up when it came out and still sells. Detractors will say this about this album, like many U2 products, that Bono gets a bit preachy at times. At San Quentin is the follow up to Cash’s live album at Folsom Prison. A more somber set following death of guitarist Luther Perkins. A riot did almost start during the first cut of new song San Quentin. Cash liked it so much that he played the song again. John Prine was the next Bob Dylan, but really wasn’t.
451. Justified (2002) by Justin Timberlake
452. Kenya (1957) by Machito
453. Kenza (1999) by Khaled
454. Kick Out The Jams (1969) by MC5
455. Kid A (2000) by Radiohead
Second five at a glance: MC5 was either way before their time, or there was never a time for their music. It’s loud, experimental and Lester Bangs hated it. This may be something to check out at least once. I am not a Radiohead fan and I’ve firmly established that. While not listening to Justin Timberlake, I have to give him credit for surviving the curse of being in a boy band, taking some good advice from producers like Timbaland, and writing songs that may or may not hint toward former girlfriend Brittany Spears to create some buzz.
456. Kilmanjaro (1980) by The Teardrop Explodes
457. Killing Joke (1980) by Killing Joke
458. Kimono My House (1974) by Sparks
459. Kind of Blue (1959) by Miles Davis
460. Kings of the Wild Frontier (1980) by Adam And The Ants
Third five at a glance: We’ve had a pretty healthy serving of Miles Davis in this book. I can’t deny that he belongs, but don’t have a strong enough opinion to really say much more. I think Killing Joke could be something Snake would be really into. Pretty dark with a hard driving pulse provided by thrashing guitars. Adam Ant is eclectic in his musical stylings if nothing else.
The Goods: Johnny Cash, U2
Something to check out: MC5, Killing Joke
Coincidence, I think so: Siouxsie and the Banshees did a cover of Sparks song “This Town Ain’t Big Enough For the Both of Us,” the first track on album 458 – Kimono In My House. Both versions are equally interesting bordering on bizarre.
Verdict: This group is growing on me. There are a couple solid headliners and a few possible diamonds in the rough. I put this ahead of last weeks group.
Thursday, May 27, 2010
1001 Albums (431-445): It's a Shame About Ray - John Mayhall's Blues Breakers
Note: I've been meaning to sit down and do this for like 2 weeks. It wasn't a group I was that thrilled about, but not that bad to keep me away for so long. Let the debating begin.
431. It’s a Shame About Ray (1992) by the Lemonheads
432. It’s Too Late To Stop Now (1974) by Van Morrison
433. It’s Takes a Nation of Millions to Hold Us Back (1988) by Public Enemy
434. I’ve Got a Tiger By the Tail (1965) by Buck Ownes And His Buckaroos
435. I Want to See The Bright Lights Tonight (1974) by Richard and Linda Thompson
First five at a glance: The Public Enemy album was pretty key in turning rap into a mainstream genre. The Morrison is a live album full of his best. I’ve got more into Morrison lately so that maybe will be something to check out. Buck Owens is old school country from before the school was even built. I call crap on the Lemonheads inclusion here.
436. Jack Takes the Floor (1958) by Jack Elliott
437. Jagged Little Pill (1995) by Alanis Morissette
438. James Brown Live at the Apollo (1963) by James Brown
439. Jazz Samba (1962) by Stan Getz and Charlie Byrd
440. Jerry Lee Lewis Live At the Star Club, Hamburg (1965) by Jerry Lee Lewis
Second five at a glance: Personally, I can’t think of a better, more important album released by a female in my lifetime then Jagged Little Pill. It introduced rock to female bitterness and depth essentially lost since Joplin. The album has big hooks, cameos by Dave Navarro and Flea and lyrics that she essentially made cliché. Brown and Lewis’ live album I am sure highlight the way both performers could work a crowd into a fever.
441. Joan Armatrading (1976) by Joan Armatrading
442. Joan Baez (1960) by Joan Baez
443. John Barleycorn Must Die (1970) by Traffic
444. John Lennon/Plastic Ono Band (1970) by John Lennon
445. John Mayall’s Blues Breakers with Eric Clapton (1996) by John Mayall’s Blues Breakers
Third five at a glance: You have to be in the right mood to listen to most of tracks on the Plastic Ono Band. At times it comes off as great to me, others a whiny. Everything that Clapton touched was gold when he joined John Mayall’s group for that blues album. John McVie is also listed in the band. I believe he later joined Fleetwood Mac. It’s blues though, so I don’t really know if I’d like this or not
431. It’s a Shame About Ray (1992) by the Lemonheads
432. It’s Too Late To Stop Now (1974) by Van Morrison
433. It’s Takes a Nation of Millions to Hold Us Back (1988) by Public Enemy
434. I’ve Got a Tiger By the Tail (1965) by Buck Ownes And His Buckaroos
435. I Want to See The Bright Lights Tonight (1974) by Richard and Linda Thompson
First five at a glance: The Public Enemy album was pretty key in turning rap into a mainstream genre. The Morrison is a live album full of his best. I’ve got more into Morrison lately so that maybe will be something to check out. Buck Owens is old school country from before the school was even built. I call crap on the Lemonheads inclusion here.
436. Jack Takes the Floor (1958) by Jack Elliott
437. Jagged Little Pill (1995) by Alanis Morissette
438. James Brown Live at the Apollo (1963) by James Brown
439. Jazz Samba (1962) by Stan Getz and Charlie Byrd
440. Jerry Lee Lewis Live At the Star Club, Hamburg (1965) by Jerry Lee Lewis
Second five at a glance: Personally, I can’t think of a better, more important album released by a female in my lifetime then Jagged Little Pill. It introduced rock to female bitterness and depth essentially lost since Joplin. The album has big hooks, cameos by Dave Navarro and Flea and lyrics that she essentially made cliché. Brown and Lewis’ live album I am sure highlight the way both performers could work a crowd into a fever.
441. Joan Armatrading (1976) by Joan Armatrading
442. Joan Baez (1960) by Joan Baez
443. John Barleycorn Must Die (1970) by Traffic
444. John Lennon/Plastic Ono Band (1970) by John Lennon
445. John Mayall’s Blues Breakers with Eric Clapton (1996) by John Mayall’s Blues Breakers
Third five at a glance: You have to be in the right mood to listen to most of tracks on the Plastic Ono Band. At times it comes off as great to me, others a whiny. Everything that Clapton touched was gold when he joined John Mayall’s group for that blues album. John McVie is also listed in the band. I believe he later joined Fleetwood Mac. It’s blues though, so I don’t really know if I’d like this or not
The Goods: Alanis Morissette
Probably Good If I had it to listen too: Van Morrison, James Brown, Jerry Lee Lewis, John Lennon
Something to check out: I Want to See the Bright Lights Tonight – Listened to the title track and while not the greatest thing I ever heard, it certainly was passable.
History lesson: Jack Takes the Floor – This was the album that Bob Dylan points to as steering him toward his folk style in the 1960s. There is also spoken word before the tracks that is supposed to be fairly entertaining.
Verdict: Outside of Jagged Little Pill, I haven’t heard any of the rest of the albums in their entirety to form a solid opinion. The Lemonheads does weigh this group down like a beer gut on a swimmer.
Probably Good If I had it to listen too: Van Morrison, James Brown, Jerry Lee Lewis, John Lennon
Something to check out: I Want to See the Bright Lights Tonight – Listened to the title track and while not the greatest thing I ever heard, it certainly was passable.
History lesson: Jack Takes the Floor – This was the album that Bob Dylan points to as steering him toward his folk style in the 1960s. There is also spoken word before the tracks that is supposed to be fairly entertaining.
Verdict: Outside of Jagged Little Pill, I haven’t heard any of the rest of the albums in their entirety to form a solid opinion. The Lemonheads does weigh this group down like a beer gut on a swimmer.
Wednesday, May 5, 2010
1001 albums (416-430): The Infontainment Scan - Is This It
Note: I changed this to try and speed things up a bit. Maybe it will invoke more discussion because I cover less right away. I don't know. I may continue to tweak this as I go.
416. The Infontainment Scan (1993) by The Fall
417. Ingenue (1992) by K.D. Lang
418. In It for the Money (1997) by Supergrass
419. Innervisions (1973) by Stevie Wonder
420. In Rock (1970) by Deep Purple
First five at a glance: One thing I learned from this group was that Stevie Wonder wrote “Higher Ground,” which was later covered by the Chili Peppers. Otherwise I think Deep Purple was a good enough band to get on here sometime. I don’t know their music well enough to point and say, ‘hey that’s Deep Purple,” but I know I’ve heard them. K.D. Lang was one of my sister’s favorites when she was in college. I never cared much for her, but I do know “Constant Craving,” from this album. The book called The Fall “brilliantly consistent,” which sounds like a fancy way of saying mediocre.
421. Inspiration Information (1974) by Shuggie Otis
422. In the Court of King Crimson (1969) by Crimson King
423. In The Wee Small Hours (1955) by Frank Sinatra
424. Introducing The Hardline According To Terence Trent D’Arby (1987) by Terenec Trent D’Arby
425. In Utero (1993) by Nirvana
Second five at a glance: In Utero is the biggest album of this bunch and had the biggest expectations as Nirvana was coming off the most important album of the last 25 years in Nevermind. In Utero is different from Nevermind in a good way and produces great songs like “Heart-Shaped Box,” “Dumb,” and “All Apologies.” Sinatra is the man, there isn’t much else to say about that. I am going to let Snake talk about Crimson King, I remember him digging them a few years back. Shuggie Otis was the son of songwriter Johnny Otis (credits included Hound Dog). Shuggie was also asked by the Rolling Stones to replace Mick Taylor. I got tired just reading the title of the Terence Trent D’Arby album.
426. Iron Maiden (1980) by Iron Maiden
427. I See A Darkness (1999) by Bonnie “Prince” Billy
428. I Should Coco (1995) by Supergrass
429. Isn’t Anything (1988) by My Bloody Valentine
430. Is This It (2001) by The Strokes
Third five at a glance: I have The Stroke album, which I like, but I find I listen to less and less over time. I wonder if it’s going to hold up 10 years from now. I am going to let Snake handle Iron Maiden, but I am thinking I need to find their album cover artist to some renderings for my CD project. I think the themes would be similar. My Bloody Valentine is another 80s cult indy band.
I feel like I should mention Supergrass since they appear twice this week. So there you go.
The goods: Nirvana, Crimson King, Frank Sinatra, The Strokes, Deep Purple, Stevie Wonder.
Something to check out: I See A Darkness – apocalyptic country music. Could be interesting.
The Verdict: This is a pretty good group to get started again with. Some solid albums and good bands.
416. The Infontainment Scan (1993) by The Fall
417. Ingenue (1992) by K.D. Lang
418. In It for the Money (1997) by Supergrass
419. Innervisions (1973) by Stevie Wonder
420. In Rock (1970) by Deep Purple
First five at a glance: One thing I learned from this group was that Stevie Wonder wrote “Higher Ground,” which was later covered by the Chili Peppers. Otherwise I think Deep Purple was a good enough band to get on here sometime. I don’t know their music well enough to point and say, ‘hey that’s Deep Purple,” but I know I’ve heard them. K.D. Lang was one of my sister’s favorites when she was in college. I never cared much for her, but I do know “Constant Craving,” from this album. The book called The Fall “brilliantly consistent,” which sounds like a fancy way of saying mediocre.
421. Inspiration Information (1974) by Shuggie Otis
422. In the Court of King Crimson (1969) by Crimson King
423. In The Wee Small Hours (1955) by Frank Sinatra
424. Introducing The Hardline According To Terence Trent D’Arby (1987) by Terenec Trent D’Arby
425. In Utero (1993) by Nirvana
Second five at a glance: In Utero is the biggest album of this bunch and had the biggest expectations as Nirvana was coming off the most important album of the last 25 years in Nevermind. In Utero is different from Nevermind in a good way and produces great songs like “Heart-Shaped Box,” “Dumb,” and “All Apologies.” Sinatra is the man, there isn’t much else to say about that. I am going to let Snake talk about Crimson King, I remember him digging them a few years back. Shuggie Otis was the son of songwriter Johnny Otis (credits included Hound Dog). Shuggie was also asked by the Rolling Stones to replace Mick Taylor. I got tired just reading the title of the Terence Trent D’Arby album.
426. Iron Maiden (1980) by Iron Maiden
427. I See A Darkness (1999) by Bonnie “Prince” Billy
428. I Should Coco (1995) by Supergrass
429. Isn’t Anything (1988) by My Bloody Valentine
430. Is This It (2001) by The Strokes
Third five at a glance: I have The Stroke album, which I like, but I find I listen to less and less over time. I wonder if it’s going to hold up 10 years from now. I am going to let Snake handle Iron Maiden, but I am thinking I need to find their album cover artist to some renderings for my CD project. I think the themes would be similar. My Bloody Valentine is another 80s cult indy band.
I feel like I should mention Supergrass since they appear twice this week. So there you go.
The goods: Nirvana, Crimson King, Frank Sinatra, The Strokes, Deep Purple, Stevie Wonder.
Something to check out: I See A Darkness – apocalyptic country music. Could be interesting.
The Verdict: This is a pretty good group to get started again with. Some solid albums and good bands.
Wednesday, December 9, 2009
1001 Albums (401-415): If I Should Fall From Grace With God - Infected
Note: Back by popular demand, we get a wide variety of acts and sound here especially at the top of the list. I think Snake will have plenty to write about from this group.
The Good
If You Can Believe Your Eyes and Ears (1966) by The Mama’s and The Papa’s
Jon Phillips song writing ability melded with the unique harmonizing vocals, which was the staple of the group. The hippie aura, fat Mama Cass, hot Michelle Philips, they are still part of pop culture lore. This album features hits “Monday, Monday,” “California Dreamin’”, and “Go Where You Wanna Go.”
Ill Communication (1994) by Beastie Boys
A turning point for the Boys as they transitioned from a young strictly party group to a group of guys trying to say something. Jumping off this album is “Sabotage” that, along with its classic video, became one of the biggest, most important tunes of the 1990s. Definitely an album that belongs on this list!
Imagine (1971) by John Lennon
Probably the biggest post-Beatle album, Imagine is an all-star cast, No. 1 blockbuster. The title track is the probably the singular song people think about when they here Lennon’s name. It’s his mantra, his biggest idea. “How” and “Jealous Guy” are the two other tracks that hit it really big as singles.
In-A-Gadda-Da-Vida (1968) by Iron Butterfly
Most people would say that one song does not make an album, but in this case their wrong. Without the 17 minute title track, Iron Butterfly likely would never be talked about again. While I don’t know if people need to own this album, they do need to hear it once or twice in their life. It’s an experience like no other. “Hey Marge, we used to make out to this hymm.” I had to sneak that in.
I Never Loved A Man The Way I Love You (1967) by Aretha Franklin
Possibly one of the most important female albums of the century, it hits right away with the cover of Otis Redding’s “Respect.” From there, Franklin mixes in covers with self wrote, self-accompanied tunes that displayed the freedom Atlantic records gave her.
The Middle
I’m A Lonesome Fugitive (1967) by Merle Haggard
Haggard saw Johnny Cash play at San Quentin and realized that there was a big market with former convicts singing country songs. Haggard, an ex-convict released a string of albums focused on his past, this being the height of his self-exploration.
I’m Your Man (1988) by Leonard Cohen
Cohen is a poet that decided to sing his poem. I haven’t made it through many of his songs, but he has a signature voice and his lyrics (always strong) usually are dripping with either sexuality or humor (often both). I am not familiar with these songs, but might be worth looking up.
In A Silent Way (1969) by Miles Davis
This is a stepping-stone to the later high point of Davis’ career “Bitches Brew.” This album features two 20-minute songs that use silent moments as part of the effect. Also appearing are Herbie Hancock and Chick Corea.
The Best of the Rest
If I Should Fall From Grace With God (1988) by The Pogues
A nine-piece Irish band sounds like it might be fun to listen too. It’s kind of fun, drinking kind of music.
The Rest
If You’re Feeling Sinister (1996) by Belle and Sebastian
Well these two Scots were a big mystery in the UK as they refused to make appearances often sending friends in their sted. They also used a former boxer (Stuart Murdoch) as their vocalist. Yet, the two barely-out-of-high-school kids seemed to make decent music.
I Had Too Much to Dream (Last Night) (1967) by The Electric Prunes
Here’s the best band name of the week. A group of teenagers plucked from their garage by a real estate agent, provided professional song writers that released an album that later inspired some punk bands in the 70s.
Illmatic (1994) by Nas
Here’s a rap album that unlike its contemporaries exposes the realities of the streets and gang life rather than trying to glorify them. Also infused with jazz to add depth.
Immigres (1984) by Youssou N’Dour
A Senegal star is born. I guess there are four songs here on a 34-minute album. That’s something to talk about.
Imperial Bedroom (1982) by Elvis Costello and The Attractions
Well it’s been awhile since we had an Elvis Costello album. Once again, here’s a simply amazing album that apparently no one really liked but critics. Maybe it’s good, I don’t know.
Infected (1986) by The The
Apparently this angry Brit, didn’t like Ronald Reagan, capitalism or AIDS. So he made this album with this silly, stupid band name.
The Good
If You Can Believe Your Eyes and Ears (1966) by The Mama’s and The Papa’s
Jon Phillips song writing ability melded with the unique harmonizing vocals, which was the staple of the group. The hippie aura, fat Mama Cass, hot Michelle Philips, they are still part of pop culture lore. This album features hits “Monday, Monday,” “California Dreamin’”, and “Go Where You Wanna Go.”
Ill Communication (1994) by Beastie Boys
A turning point for the Boys as they transitioned from a young strictly party group to a group of guys trying to say something. Jumping off this album is “Sabotage” that, along with its classic video, became one of the biggest, most important tunes of the 1990s. Definitely an album that belongs on this list!
Imagine (1971) by John Lennon
Probably the biggest post-Beatle album, Imagine is an all-star cast, No. 1 blockbuster. The title track is the probably the singular song people think about when they here Lennon’s name. It’s his mantra, his biggest idea. “How” and “Jealous Guy” are the two other tracks that hit it really big as singles.
In-A-Gadda-Da-Vida (1968) by Iron Butterfly
Most people would say that one song does not make an album, but in this case their wrong. Without the 17 minute title track, Iron Butterfly likely would never be talked about again. While I don’t know if people need to own this album, they do need to hear it once or twice in their life. It’s an experience like no other. “Hey Marge, we used to make out to this hymm.” I had to sneak that in.
I Never Loved A Man The Way I Love You (1967) by Aretha Franklin
Possibly one of the most important female albums of the century, it hits right away with the cover of Otis Redding’s “Respect.” From there, Franklin mixes in covers with self wrote, self-accompanied tunes that displayed the freedom Atlantic records gave her.
The Middle
I’m A Lonesome Fugitive (1967) by Merle Haggard
Haggard saw Johnny Cash play at San Quentin and realized that there was a big market with former convicts singing country songs. Haggard, an ex-convict released a string of albums focused on his past, this being the height of his self-exploration.
I’m Your Man (1988) by Leonard Cohen
Cohen is a poet that decided to sing his poem. I haven’t made it through many of his songs, but he has a signature voice and his lyrics (always strong) usually are dripping with either sexuality or humor (often both). I am not familiar with these songs, but might be worth looking up.
In A Silent Way (1969) by Miles Davis
This is a stepping-stone to the later high point of Davis’ career “Bitches Brew.” This album features two 20-minute songs that use silent moments as part of the effect. Also appearing are Herbie Hancock and Chick Corea.
The Best of the Rest
If I Should Fall From Grace With God (1988) by The Pogues
A nine-piece Irish band sounds like it might be fun to listen too. It’s kind of fun, drinking kind of music.
The Rest
If You’re Feeling Sinister (1996) by Belle and Sebastian
Well these two Scots were a big mystery in the UK as they refused to make appearances often sending friends in their sted. They also used a former boxer (Stuart Murdoch) as their vocalist. Yet, the two barely-out-of-high-school kids seemed to make decent music.
I Had Too Much to Dream (Last Night) (1967) by The Electric Prunes
Here’s the best band name of the week. A group of teenagers plucked from their garage by a real estate agent, provided professional song writers that released an album that later inspired some punk bands in the 70s.
Illmatic (1994) by Nas
Here’s a rap album that unlike its contemporaries exposes the realities of the streets and gang life rather than trying to glorify them. Also infused with jazz to add depth.
Immigres (1984) by Youssou N’Dour
A Senegal star is born. I guess there are four songs here on a 34-minute album. That’s something to talk about.
Imperial Bedroom (1982) by Elvis Costello and The Attractions
Well it’s been awhile since we had an Elvis Costello album. Once again, here’s a simply amazing album that apparently no one really liked but critics. Maybe it’s good, I don’t know.
Infected (1986) by The The
Apparently this angry Brit, didn’t like Ronald Reagan, capitalism or AIDS. So he made this album with this silly, stupid band name.
Thursday, November 12, 2009
Snake's Encore: Hot Shots II - If Only I Could Remember My Name
In Snake's Collection:
Hybrid Theory - Linkin Park
This album really sticks out as a turn of the century time piece. Like they finally got the rock/rap formula right and made some good songs. The problem is they didn't change that formula and have since faded it seems. I like this album, alot of anger and pain in the lyrics.
Hunky Dory - David Bowie
This is easily the most important, influential album in this group. This represents the transitional period for Bowie from the early Rock N Roll roots to the glam rock that he would basically invent. The music is more laid back, but the lyrics are deeply expressive and directly lay out Bowie's new career direction. The first track, 'Changes' puts it all out in the table from the start. "Strange fascinations, fascinating me. Changes are taking the pace I'm going through." The gem of this album will forever be 'Life On Mars?' The lyrics are cut up, imaginative and give everyone a different impression of what is going on. The tune grabs you and makes it want to sing along, but you are forced to listen hard to the words and decipher what it means to you. When I first heard this song a couple years ago, it was a transcendent experience. It is the single best example of Bowie's genius. 'Oh, You Pretty Things' is a catchy interesting tune in which Bowie sings of the ending of the Homo Sapien race in favor of the Home Superior, saying "Earth is a bitch". There is something in the way he says bitch that seems to always catch my ear. 'Quicksand' also deals with the influence of Nietzsche's idea of the Overman. The majority of the album is based on tributes or stylings from the various musical/artistic influences in Bowie's life. 'Kooks' is a song for his newborn son that is in the style of the early 70's Neil Young record he was listening to. 'Queen Bitch' is a tribute to Velvet Undergound and their style. 'Andy Warhol' and 'Song for Bob Dylan' are self explanatory tributes although I read that Andy Warhol didn't like his song because he thought Bowie was poking fun at his physical stature. Bowie somehow takes all these influences in his life and weaves them back into this tapestry that is all his own. True Genius.
Good Stuff
Hysteria - Def Leppard
It is hard to deny this song line-up that reads more like their greatest hits. Tragedy seems to bring out the best in rock groups (a la "Back In Black"). Although I still hear more people talk about "Pyromania" than this album. I really don't know why.
BIGGEST SNUB THUS FAR
Houses of the Holy - Led Zeppelin
This is probably my second favorite Zep album and represented a major turning point for the band as it was the first with completely original material, displayed a new direction using more studio techniques and most obviously, the first not named after the band. 'The Crunge' is the best hidden gem among Zep albums. The funky bass line and musical style of this song is like nothing else in their catalogue. 'Over The Hills And Far Away', 'Dancing Days', 'The Song Remains The Same', 'D'yer Maker', and 'The Ocean' are still staples of classic rock radio. 'No Quarter' is epic. 'Rain Song' is beautifully done. This album and LZ IV represent the height of their musical prowess. No one should ever over look or under credit this album!
Other Notables
Human Clay - Creed
This album was everywhere! Literally, even one had a copy of this album. 'What If', 'Higher' and 'Arms Wide Open' were so good it pissed me off, because I had already taken the stance in high school that I didn't like Creed. It seems like the kind of album that would be in this book.
Hypnotize - System of a Down
This was the second half of the split double album, the first half being "Mezmerize". This album seemed to go even deeper with their lyrics and message as it was heavily built by Doran Malakian. The songs seem to flow better and are less frantic, most of the time. And I know Red liked 'Lonely Day' which I think sets up nicely for 'Soldier's Side' to finish the album and tie it back together with "Mezmerize" which featured 'Soldier's Side' as a short intro track. The album is still heavy and powerful when it needs to be, like the first song out the gate 'Attack'.
I Get Wet - Andrew W. K.
This frantic debut was a large part of my musical life for probably two years. It is a good time and all the songs just get into your blood and make you wanna sing, dance and go crazy. The album cover is awesome, too. It really sets a good stage for the rough ride ahead. And then just as fast as Andrew hit the big time, he faded back into obscurity. But man it was a wild ride.
Icky Thump - The White Stripes
This was a return to their roots after "Get Behind Me Satan". 'Rag And Bone', 'Little Cream Soda', 'Catch Hell Blues' and 'Effect and Cause' represent those blues roots (Baby Brother is actually a bonus track). There is a great cover of 'Conquest' on this album that is kind of a treat. 'You Don't Know What Love Is (You Just Do What You're Told)' is another one of those quintessential White Stripes songs. 'I'm Slowly Turning Into You' is a slow, whiny heart breaking song that seems to be a Stripes staple as well. 'St. Andrew (This Battle Is In That Air)' is an interesting Scottish influenced tune. A very good album all around.
Hybrid Theory - Linkin Park
This album really sticks out as a turn of the century time piece. Like they finally got the rock/rap formula right and made some good songs. The problem is they didn't change that formula and have since faded it seems. I like this album, alot of anger and pain in the lyrics.
Hunky Dory - David Bowie
This is easily the most important, influential album in this group. This represents the transitional period for Bowie from the early Rock N Roll roots to the glam rock that he would basically invent. The music is more laid back, but the lyrics are deeply expressive and directly lay out Bowie's new career direction. The first track, 'Changes' puts it all out in the table from the start. "Strange fascinations, fascinating me. Changes are taking the pace I'm going through." The gem of this album will forever be 'Life On Mars?' The lyrics are cut up, imaginative and give everyone a different impression of what is going on. The tune grabs you and makes it want to sing along, but you are forced to listen hard to the words and decipher what it means to you. When I first heard this song a couple years ago, it was a transcendent experience. It is the single best example of Bowie's genius. 'Oh, You Pretty Things' is a catchy interesting tune in which Bowie sings of the ending of the Homo Sapien race in favor of the Home Superior, saying "Earth is a bitch". There is something in the way he says bitch that seems to always catch my ear. 'Quicksand' also deals with the influence of Nietzsche's idea of the Overman. The majority of the album is based on tributes or stylings from the various musical/artistic influences in Bowie's life. 'Kooks' is a song for his newborn son that is in the style of the early 70's Neil Young record he was listening to. 'Queen Bitch' is a tribute to Velvet Undergound and their style. 'Andy Warhol' and 'Song for Bob Dylan' are self explanatory tributes although I read that Andy Warhol didn't like his song because he thought Bowie was poking fun at his physical stature. Bowie somehow takes all these influences in his life and weaves them back into this tapestry that is all his own. True Genius.
Good Stuff
Hysteria - Def Leppard
It is hard to deny this song line-up that reads more like their greatest hits. Tragedy seems to bring out the best in rock groups (a la "Back In Black"). Although I still hear more people talk about "Pyromania" than this album. I really don't know why.
BIGGEST SNUB THUS FAR
Houses of the Holy - Led Zeppelin
This is probably my second favorite Zep album and represented a major turning point for the band as it was the first with completely original material, displayed a new direction using more studio techniques and most obviously, the first not named after the band. 'The Crunge' is the best hidden gem among Zep albums. The funky bass line and musical style of this song is like nothing else in their catalogue. 'Over The Hills And Far Away', 'Dancing Days', 'The Song Remains The Same', 'D'yer Maker', and 'The Ocean' are still staples of classic rock radio. 'No Quarter' is epic. 'Rain Song' is beautifully done. This album and LZ IV represent the height of their musical prowess. No one should ever over look or under credit this album!
Other Notables
Human Clay - Creed
This album was everywhere! Literally, even one had a copy of this album. 'What If', 'Higher' and 'Arms Wide Open' were so good it pissed me off, because I had already taken the stance in high school that I didn't like Creed. It seems like the kind of album that would be in this book.
Hypnotize - System of a Down
This was the second half of the split double album, the first half being "Mezmerize". This album seemed to go even deeper with their lyrics and message as it was heavily built by Doran Malakian. The songs seem to flow better and are less frantic, most of the time. And I know Red liked 'Lonely Day' which I think sets up nicely for 'Soldier's Side' to finish the album and tie it back together with "Mezmerize" which featured 'Soldier's Side' as a short intro track. The album is still heavy and powerful when it needs to be, like the first song out the gate 'Attack'.
I Get Wet - Andrew W. K.
This frantic debut was a large part of my musical life for probably two years. It is a good time and all the songs just get into your blood and make you wanna sing, dance and go crazy. The album cover is awesome, too. It really sets a good stage for the rough ride ahead. And then just as fast as Andrew hit the big time, he faded back into obscurity. But man it was a wild ride.
Icky Thump - The White Stripes
This was a return to their roots after "Get Behind Me Satan". 'Rag And Bone', 'Little Cream Soda', 'Catch Hell Blues' and 'Effect and Cause' represent those blues roots (Baby Brother is actually a bonus track). There is a great cover of 'Conquest' on this album that is kind of a treat. 'You Don't Know What Love Is (You Just Do What You're Told)' is another one of those quintessential White Stripes songs. 'I'm Slowly Turning Into You' is a slow, whiny heart breaking song that seems to be a Stripes staple as well. 'St. Andrew (This Battle Is In That Air)' is an interesting Scottish influenced tune. A very good album all around.
Tuesday, November 10, 2009
1001 albums (386-400): Hot Shots II - If I Could Only Remember My Name
Note: I stuck to one line for most of these crappy albums. Not a good group with only two legitimate albums. Proceed with extreme caution.
The Good
Hybrid Theory (2000) by Linkin Park
This album was everywhere with hit singles “Crawling,” “One Step Closer” and “Crawling” climbing up the charts. A sure-fire diamond in this rough of crap albums.
This album was everywhere with hit singles “Crawling,” “One Step Closer” and “Crawling” climbing up the charts. A sure-fire diamond in this rough of crap albums.
Hysteria (1987) by Def Leppard
Probably the best album here with 7 U.S. hits including “Pour Some Sugar on Me.” This the first album with drummer Rick Allen playing with just one arm after a car accident.
Probably the best album here with 7 U.S. hits including “Pour Some Sugar on Me.” This the first album with drummer Rick Allen playing with just one arm after a car accident.
The Rest
There’s a scene in the John Cusack movie “High Fidelity” where he tries to sell five copies of the three LPs from The Beta Band. I find that to be the kind of trivia people like to learn.
Hounds of Love (1985) by Kate Bush
A British rocker who hit it big with this album split into two thematic parts.
The Hour of the Bewilderbeast (2000) by Badly Drawn Boy
I’d give this the best album title of this group and the music has a funky, fun sound.
Hunky Dory (1971) by David Bowie
Other than “Changes” I don’t think I know anything else on this album and I think we’ve about reached the limit of Bowie albums for this list.
Hunting High and Low (1985) by A-ha
We’ve all heard “Take On Me,” and I’d say that’s probably all we need to know about this album.
Hypnotised (1980) by The Undertones
This a power-punk from Northern Ireland – possibly hidden gem of this group.
Hypocrisy is the Greatest Luxury (1992) by The Disposable Heroes of Hiphoprisy
They call this dail-an-issue rap music, OK then.
I Against I (1986) by Bad Brains
This Washington D.C. punk band released a cassette only album, which seems the most notable thing here.
The Idiot (1977) by Iggy Pop
Here is Iggy’s contribution from his time spent in Berlin with David Bowie.
Idlewind (1988) by Everything But the Girl
A dance album hit from a UK band with a clever name.
I Do Not Want What I Haven’t Got (1990) by Sinead O’Connor
“Bald Banshee” that made a name with her cover of Prince’s “Nothing Compares 2 U.”
If I Could Only Remember My Name (1971) By David Crosby
A somber bunch of tunes recorded after the death of Crosby’s girlfriend in a car accident.
Wednesday, October 28, 2009
Snake's Encore: The Healer - Hot Rats
Note: Trying to put two groups together to make a decent posting here.
In Snake's Collection:
Highly Evolved - The Vines
I once described this album as manic depressive. There seems to be a definite effort to alternate between fast and slow songs with melancholy moods and frantic hysterics. I still listen to this album quite a bit. I think it is very good and probably a forgot gem from that time period over shadowed by similar sounds and lumped into the "The" band craze that seemed to hit in those two years. "Get Free" and "Outtathaway" are the hits. "Autumn Shade" is a slow gem. "Sunshin'" kind of has this old school early sixties vibe with the melodies in the verses. "Factory" is a personal favorite because Red and I experienced it first hand. This would fit into the upbeat, melancholy group. "Homesick" is a beautiful, soft piano song that should make most people's eyes water. "In The Jungle" hits with this awesome opening riff that you can't get out of your head. All in all a very good album which undoubtedly brought on a bit of a sophomore slump with Winning Days.
Highway 61 Revisted - Bob Dylan
The album starts off with probably the best period piece/shaming song that was made in the sixties. "Like A Rolling Stone" can mean so many things and probably a little different for everyone. 'You better take that diamond ring, you better pawn it babe!' I don't know why that line has always stuck with me. I could write a novel just dissecting six minutes of brilliance. The rest of the album is ok, but the opening track definitely over shadows every thing else. I would say it is on this list simply for that song and the musical relevance it had at the time.
Highway To Hell - AC/DC
This album was a beginning and an end all in one. It started the short time when AC/DC ruled the world with 3 straight mega albums and the end of Bon Scott's life. This album also brought on controversy for the boys as the "Night Stalker" Richard Ramirez killed people and left AC/DC hats at the scenes and was a noted fan of the song "Night Prowler" which is the last track on this album. So of course everyone thinks AC/DC lead him to kill. But seriously, I can't think of one AC/DC song that isn't some childish reference to sex and "Night Prowler" is no different. I would put this as the 2nd best of the 3 great albums behind Back in Black of course and ahead of For Those About To Rock.
Hot Fuss - The Killers
This is the one I've been waiting to write about. As I've said before, there are so many layers to their music. The top layer is this really tight pop, retro 80's sound that is totally infectious. Below that are these lyrics that don't always have the same mood the music presents, sad lyrics and meaning underneath this up beat super pop song. Every time I listen to this album, I get a little something different out of it. "Mr. Brightside", "Somebody Told Me", "Smile Like You Mean It" and "All The Things I've Done" were the singles that turned into some big hits. "Jenny Was A Friend of Mine" is the opening track and I believe told from the perspective of a man being interrogated for a murder. 'There's no motive for the crime, Jenny was a friend of mine' 'She couldn't scream as I held her close, I swore I'd never let her go'. My wife refused to listen to the Killers for the longest time because of the freaky video for "Mr. Brightside" featuring the ever freaky looking Eric Roberts. "Somebody Told Me" almost sounds like they are accusing their girlfriend of cheating on them with another woman. 'you had a boyfriend that looked like the girlfriend I had last February'. "Smile Like You Mean It" seems to be about remembering better times or further yet someone looking back on life now that they are dead. I highly recommend every Killers album to everyone. It is like a good book, listen quickly first to get the tunes and vibes of the song. Then go back and listen to the lyrics a little harder and see what you can get out of them.
SNUBS
Hefty Fine - The Bloodhound Gang
Not the greatest thing out there, but certainly catchy and funny. This is one of their newer albums full of blatant and sly sexual references. "Foxtrot Uniform Charlie Kilo" is the single and a fun song to write down a bunch of sexual innuendo phrases. "Uhn Tiss Uhn Tiss Uhn Tiss" is along the same lines. "No Hard Feelings" closes out the album and is my favorite of all time. It is a good breakup song for the perverted mind. 'It ain't my job, to f*** you on your birthday, anymore!'
Hellbilly Deluxe - Rob Zombie
This was Rob's debut as a solo artist and got heavy rotation in our football locker room in high school. "Living Dead Girl" "Superbeast" & "Dragula" are great songs. It was still creepy dark music like the White Zombie stuff but seemed to have a little more groove to it. Something that could suck in non-traditional metal fans in.
Help! - The Beatles
This is the first Beatles album that isn't on the list, I think. I can't say that I disagree really. It is an ok album mainly made as the soundtrack for the movie with some filler songs at the end. So you ask why is it in the Snubs area, well because I just wanted to point out that it was not on this list. Yeah makes no sense.
Here For The Party - Gretchen Wilson
This is her debut album. It featured "Redneck Woman" that I am confident everyone in the world has heard at least once. She was discovered by Jon Rich (of Big & Rich, more to come on them). She is in that group that sort of represents a new rebellion within country music. She mixes new attitude with old country stylings. Some of her more classic country songs are just amazing. "Homewrecker" and "Chariot" would fit into this group. The album finishes with "Pocahontas Proud" which is a heartfelt ode to her small home town and the weight that could be on her shoulders being the most famous person from the place.
Horse of a Different Color - Big & Rich
This marked the change in country music back in 2004. I remember flipping to the CMAs or some other country award show like that in the middle of a performance of "Save A Horse (Ride A Cowboy)" and being repulsed. I am sure that is the main reaction of anyone expecting country and getting that song. Really there are alot of great country roots in this album. Big & Rich just bring it into the 21st century. They had the same vibe as Gretchen Wilson. They have these rebellious/party songs and then turn around and hit you with this amazing deep rooted country song. Red can already attest to the power of "Wild West Show". It only recently fell to my second favorite song, now behind "Saved". "Six Foot Town" and "Live This Life" are other powerful songs that showcase their well fit together vocals. "Kick My Ass" and "Love Train" fit more into the rebellious party songs. This album continues to grow on me and I recommend it as a boundary pusher for both sides, old school country fans needing to grow into the new era and more rock fans needing to experience some deep rooted country songs.
In Snake's Collection:
Highly Evolved - The Vines
I once described this album as manic depressive. There seems to be a definite effort to alternate between fast and slow songs with melancholy moods and frantic hysterics. I still listen to this album quite a bit. I think it is very good and probably a forgot gem from that time period over shadowed by similar sounds and lumped into the "The" band craze that seemed to hit in those two years. "Get Free" and "Outtathaway" are the hits. "Autumn Shade" is a slow gem. "Sunshin'" kind of has this old school early sixties vibe with the melodies in the verses. "Factory" is a personal favorite because Red and I experienced it first hand. This would fit into the upbeat, melancholy group. "Homesick" is a beautiful, soft piano song that should make most people's eyes water. "In The Jungle" hits with this awesome opening riff that you can't get out of your head. All in all a very good album which undoubtedly brought on a bit of a sophomore slump with Winning Days.
Highway 61 Revisted - Bob Dylan
The album starts off with probably the best period piece/shaming song that was made in the sixties. "Like A Rolling Stone" can mean so many things and probably a little different for everyone. 'You better take that diamond ring, you better pawn it babe!' I don't know why that line has always stuck with me. I could write a novel just dissecting six minutes of brilliance. The rest of the album is ok, but the opening track definitely over shadows every thing else. I would say it is on this list simply for that song and the musical relevance it had at the time.
Highway To Hell - AC/DC
This album was a beginning and an end all in one. It started the short time when AC/DC ruled the world with 3 straight mega albums and the end of Bon Scott's life. This album also brought on controversy for the boys as the "Night Stalker" Richard Ramirez killed people and left AC/DC hats at the scenes and was a noted fan of the song "Night Prowler" which is the last track on this album. So of course everyone thinks AC/DC lead him to kill. But seriously, I can't think of one AC/DC song that isn't some childish reference to sex and "Night Prowler" is no different. I would put this as the 2nd best of the 3 great albums behind Back in Black of course and ahead of For Those About To Rock.
Hot Fuss - The Killers
This is the one I've been waiting to write about. As I've said before, there are so many layers to their music. The top layer is this really tight pop, retro 80's sound that is totally infectious. Below that are these lyrics that don't always have the same mood the music presents, sad lyrics and meaning underneath this up beat super pop song. Every time I listen to this album, I get a little something different out of it. "Mr. Brightside", "Somebody Told Me", "Smile Like You Mean It" and "All The Things I've Done" were the singles that turned into some big hits. "Jenny Was A Friend of Mine" is the opening track and I believe told from the perspective of a man being interrogated for a murder. 'There's no motive for the crime, Jenny was a friend of mine' 'She couldn't scream as I held her close, I swore I'd never let her go'. My wife refused to listen to the Killers for the longest time because of the freaky video for "Mr. Brightside" featuring the ever freaky looking Eric Roberts. "Somebody Told Me" almost sounds like they are accusing their girlfriend of cheating on them with another woman. 'you had a boyfriend that looked like the girlfriend I had last February'. "Smile Like You Mean It" seems to be about remembering better times or further yet someone looking back on life now that they are dead. I highly recommend every Killers album to everyone. It is like a good book, listen quickly first to get the tunes and vibes of the song. Then go back and listen to the lyrics a little harder and see what you can get out of them.
SNUBS
Hefty Fine - The Bloodhound Gang
Not the greatest thing out there, but certainly catchy and funny. This is one of their newer albums full of blatant and sly sexual references. "Foxtrot Uniform Charlie Kilo" is the single and a fun song to write down a bunch of sexual innuendo phrases. "Uhn Tiss Uhn Tiss Uhn Tiss" is along the same lines. "No Hard Feelings" closes out the album and is my favorite of all time. It is a good breakup song for the perverted mind. 'It ain't my job, to f*** you on your birthday, anymore!'
Hellbilly Deluxe - Rob Zombie
This was Rob's debut as a solo artist and got heavy rotation in our football locker room in high school. "Living Dead Girl" "Superbeast" & "Dragula" are great songs. It was still creepy dark music like the White Zombie stuff but seemed to have a little more groove to it. Something that could suck in non-traditional metal fans in.
Help! - The Beatles
This is the first Beatles album that isn't on the list, I think. I can't say that I disagree really. It is an ok album mainly made as the soundtrack for the movie with some filler songs at the end. So you ask why is it in the Snubs area, well because I just wanted to point out that it was not on this list. Yeah makes no sense.
Here For The Party - Gretchen Wilson
This is her debut album. It featured "Redneck Woman" that I am confident everyone in the world has heard at least once. She was discovered by Jon Rich (of Big & Rich, more to come on them). She is in that group that sort of represents a new rebellion within country music. She mixes new attitude with old country stylings. Some of her more classic country songs are just amazing. "Homewrecker" and "Chariot" would fit into this group. The album finishes with "Pocahontas Proud" which is a heartfelt ode to her small home town and the weight that could be on her shoulders being the most famous person from the place.
Horse of a Different Color - Big & Rich
This marked the change in country music back in 2004. I remember flipping to the CMAs or some other country award show like that in the middle of a performance of "Save A Horse (Ride A Cowboy)" and being repulsed. I am sure that is the main reaction of anyone expecting country and getting that song. Really there are alot of great country roots in this album. Big & Rich just bring it into the 21st century. They had the same vibe as Gretchen Wilson. They have these rebellious/party songs and then turn around and hit you with this amazing deep rooted country song. Red can already attest to the power of "Wild West Show". It only recently fell to my second favorite song, now behind "Saved". "Six Foot Town" and "Live This Life" are other powerful songs that showcase their well fit together vocals. "Kick My Ass" and "Love Train" fit more into the rebellious party songs. This album continues to grow on me and I recommend it as a boundary pusher for both sides, old school country fans needing to grow into the new era and more rock fans needing to experience some deep rooted country songs.
Tuesday, October 20, 2009
1001 Albums (371-385): Highway 61 Revisited - Hot Rats
Note: We spend a lot of time in the 70s here. It's a better group then last week, but it falls off pretty badly about halfway through. But there's enough good before you get to the fodder to keep everyone entertained. We have a few more "H" albums before we get to "I."
Hot Fuss (2004) by The Killers
I’ll be the first to admit that I have to take a closer listen to this album. It was one that joined my collection when I got married. I know the singles and they are for sure catchy and guitar-driven. I just need to spend more time with the other tracks to see if I can find some gold there.
The Good
Highway 61 Revisited (1965) by Bob Dylan
Dylan plugged in a month before the release of this album and was jeered at the Newport Folk Festival. This album turned Dylan from folk artist to rock star. Gone were the catchy 3-minute, chorus driven tunes. Enter driving 6-minute epic poems set alongside electric guitars and the drone of Dylan’s voice.
Highway to Hell (1979) by AC/DC
This was the first international breakthrough for the boys from Australia and the last album with Bon Scott as lead singer. The blueprint for even more success later is found on these tracks.
Hotel California (1976) by Eagles
There is probably not much more to say about the title that hasn’t been brought thousands of time. It’s a tune with layered meanings. There are a half dozen other “hits” here. I’ve always enjoyed the last song “The Last Resort.” It’s sort of a hidden gem.
The Middle
Honky Tonk Heroes (1973) by Waylon Jennings
A former Cricket and longtime studio musician in Nashville, Jennings took to producing here and along with songwriter Billy Joe Shaver created a stripped down, landmark country album.
Horses (1975) by Patti Smith
Patti Smith is an icon among female rock stars. She’s raw and this is her debut, which was produced by Velvet Underground alum John Cale. You can here bits of underground in there.
Hot Buttered Soul (1969) by Isaac Hayes
Hayes, like the cartoon character he would portray decades later, had one thing on his mind and in his music. Sex. He made make-out music like no other. There’s nothing wrong with that.
Hot Rats (1969) by Frank Zappa
Zappa couldn’t afford the Mothers of Invention anymore, so he broke up the band and brought in new musicians to record this instrumental jazz/blues album.
The Best of the Rest
H.M.S. Fable (1999) by Shack
Drug addict brother’s Mick and John Head made this album after several failed bands and projects. The music is a like a humbled version of Oasis. The artistry isn’t quite there, but neither is the pomp.
The Rest
The Hissing of Summer Lawns (1975) by Joni Mitchell
Mitchell is starting to reach the ranks of Eno in terms of number of albums needlessly popping up here.
Histoire De Melody Nelson (1971) by Serge Gainsbourg
I think this might be the first French album we’ve had. At least, it has that going for it. Basically, sounds like some old guys trying to bag a hot younger girl by making this album.
The Holy Bible (1994) by Manic Street Preachers
I think we’ve seen these boys before. This is essentially the sound and self-loathing style that Radiohead has made millions with.
Home Is Where the Music Is (1972) by Hugh Masekela
Soul jazz, bop grooves and all kinds of things I don’t really understand happening on this South African album.
Honky Tonk Masquerade (1978) by Joe Ely
Here’s another supposed start of alt. country. I think we get one a week. Interestingly, the Clash picked him to open for them after he recorded this album. Their fans didn’t quite get the pick.
Homework (1997) by Daft Punk
Well here’s another French album. Aren’t we lucky today? Plus, it’s dance music. That’s double super.
The Hissing of Summer Lawns (1975) by Joni Mitchell
Mitchell is starting to reach the ranks of Eno in terms of number of albums needlessly popping up here.
Histoire De Melody Nelson (1971) by Serge Gainsbourg
I think this might be the first French album we’ve had. At least, it has that going for it. Basically, sounds like some old guys trying to bag a hot younger girl by making this album.
The Holy Bible (1994) by Manic Street Preachers
I think we’ve seen these boys before. This is essentially the sound and self-loathing style that Radiohead has made millions with.
Home Is Where the Music Is (1972) by Hugh Masekela
Soul jazz, bop grooves and all kinds of things I don’t really understand happening on this South African album.
Honky Tonk Masquerade (1978) by Joe Ely
Here’s another supposed start of alt. country. I think we get one a week. Interestingly, the Clash picked him to open for them after he recorded this album. Their fans didn’t quite get the pick.
Homework (1997) by Daft Punk
Well here’s another French album. Aren’t we lucky today? Plus, it’s dance music. That’s double super.
Monday, October 12, 2009
1001 Albums (356-370): The Healer - Highly Evolved
Notes: I know I was truant last week. Well I had good reason, an infection was slowly and painfully killing a nerve in one of my molars. Enough about me. This was about as painful as the tooth as you're soon to find out. Halfway through, I started name-dropping and making connections between albums and bands, so pay attention. Cheers.
1950s
Here’s Little Richard (1957) by Little Richard
The full blast young spirit of rock and soul was alive and well as Richard Penniman went into the studio for the first time. He was never better than here. “Tutti Frutti” is a right of passage and “Long Tall Sally” is a rock standard. The rest is energy recorded and copyrighted.
1960s
Here Are The Sonics (1965) by The Sonics
You know what I hear here – a 1960s version of “Queens of the Stoneage.” There’s something mystical and raw about the Sonics sound. “The Witch” was a hit in the northwest. “Pshyco a Go-Go” has been my favorite that I’ve found so far.
1970s
Here Come The Warm Jets (1974) by Eno
Robert Fripp plays on this album. Just in case you’re looking for someone else to rant about with this selection.
Hejira (1976) by Joni Mitchell
I think we’ve talked about Joni Mitchell enough on this endeavor already. I will educate now – the name Hejira stems from the prophet Muhammad’s journey of exile from Mecca to Medina.
Heavy Weather (1977) by Weather Report
Bassist Jaco Pastrorius was dating and played on most of Joni Mitchell’s Hejira album before making this album with Weather Report, a fusion band, that struck it big here by reaching No. 30 on Billboard.
“Heroes” (1977) by David Bowie
The ties betweens albums this week continues. Yes, Brian Eno collaborated on this album most notably on the title trick, which Robert Fripp also played on. Also, Bowie was living in Berlin during this album with Iggy Pop and like Pop’s “The Idiot,” this album explores the seedy nightlife of Berlin. Side note, both Bowie and Pop were completely drug free during this time. Amazing.
Here My Dear (1978) by Marvin Gaye
Nobody liked this album, especially Gaye’s ex-wife who stood to receive part of the earnings and the advance of this album after an ugly divorce trial (his ex-wife was Anna Gordy, daughter of Mo-Town boss Berry Gordy). So Gaye wrote an album about the misfortunes of relationships.
1980s
Heartattack and Vine (1980) by Tom Waits
There are only two Waits songs that I’ve really been able to get into. “Hold On” released in the late 90s is a haunting tune that I need to get a version of sometime and “Downtown Train,” which Rod Stewart covered. Neither of these are on here, but that doesn’t mean this songs aren’t good. There’s something very spiritual and sad about Waits’ music.
Hearts and Bones (1983) by Paul Simon
This was originally supposed to be a Simon & Garfunkel reunion album after the successful concert in Central Park. Well, the boys couldn’t get along, Simon, who was battling writer’s block with therapy released this set which was critically and commercially panned. He fled to Africa after this. That turned out well.
The Healer (1989) by John Lee Hooker
Classic bluesman has a rebirth here after decades away. The title track is a collobration featuring Carlos Santana. Guitar mastery ensues, I am sure.
1990s
Heaven Or Las Vegas (1990) by Cocteau Twins
Early 90s British pop. I’ve never heard this band, but I heard a lot of songs that sounded like this on radio growing up.
Henry’s Dream (1992) by Nick Cave and the Bad Seeds
This book loves this guy too. I’ve listened a little and still haven’t been sold. Maybe I need to listen more.
2000s
Heartbreaker (2000) by Ryan Adams
Adams first solo album after the breakup of his alt. country band Whiskeytown (how a band with that name didn’t make it, I don’t know) and the breakup with a longtime girlfriend. This sort of set him on the path of being critics favorite. In keeping with the namedropping theme, Emmylou Harris did a duet with Adams here on the song “Oh My Sweet Carolina.”
Highly Evolved (2002) by The Vines
They were hailed as the second-coming of Nirvana. While I don’t think they had quite that much impact, they had some good tunes. I know Snake has this album and turned me onto tunes like “In The Jungle” and “Factory.”
Heroes to Zeros (2004) by The Beta Band
The band broke up after this album. Apparently being able to sell albums is important also. Goodnight, and stay classy San Diego.
1950s
Here’s Little Richard (1957) by Little Richard
The full blast young spirit of rock and soul was alive and well as Richard Penniman went into the studio for the first time. He was never better than here. “Tutti Frutti” is a right of passage and “Long Tall Sally” is a rock standard. The rest is energy recorded and copyrighted.
1960s
Here Are The Sonics (1965) by The Sonics
You know what I hear here – a 1960s version of “Queens of the Stoneage.” There’s something mystical and raw about the Sonics sound. “The Witch” was a hit in the northwest. “Pshyco a Go-Go” has been my favorite that I’ve found so far.
1970s
Here Come The Warm Jets (1974) by Eno
Robert Fripp plays on this album. Just in case you’re looking for someone else to rant about with this selection.
Hejira (1976) by Joni Mitchell
I think we’ve talked about Joni Mitchell enough on this endeavor already. I will educate now – the name Hejira stems from the prophet Muhammad’s journey of exile from Mecca to Medina.
Heavy Weather (1977) by Weather Report
Bassist Jaco Pastrorius was dating and played on most of Joni Mitchell’s Hejira album before making this album with Weather Report, a fusion band, that struck it big here by reaching No. 30 on Billboard.
“Heroes” (1977) by David Bowie
The ties betweens albums this week continues. Yes, Brian Eno collaborated on this album most notably on the title trick, which Robert Fripp also played on. Also, Bowie was living in Berlin during this album with Iggy Pop and like Pop’s “The Idiot,” this album explores the seedy nightlife of Berlin. Side note, both Bowie and Pop were completely drug free during this time. Amazing.
Here My Dear (1978) by Marvin Gaye
Nobody liked this album, especially Gaye’s ex-wife who stood to receive part of the earnings and the advance of this album after an ugly divorce trial (his ex-wife was Anna Gordy, daughter of Mo-Town boss Berry Gordy). So Gaye wrote an album about the misfortunes of relationships.
1980s
Heartattack and Vine (1980) by Tom Waits
There are only two Waits songs that I’ve really been able to get into. “Hold On” released in the late 90s is a haunting tune that I need to get a version of sometime and “Downtown Train,” which Rod Stewart covered. Neither of these are on here, but that doesn’t mean this songs aren’t good. There’s something very spiritual and sad about Waits’ music.
Hearts and Bones (1983) by Paul Simon
This was originally supposed to be a Simon & Garfunkel reunion album after the successful concert in Central Park. Well, the boys couldn’t get along, Simon, who was battling writer’s block with therapy released this set which was critically and commercially panned. He fled to Africa after this. That turned out well.
The Healer (1989) by John Lee Hooker
Classic bluesman has a rebirth here after decades away. The title track is a collobration featuring Carlos Santana. Guitar mastery ensues, I am sure.
1990s
Heaven Or Las Vegas (1990) by Cocteau Twins
Early 90s British pop. I’ve never heard this band, but I heard a lot of songs that sounded like this on radio growing up.
Henry’s Dream (1992) by Nick Cave and the Bad Seeds
This book loves this guy too. I’ve listened a little and still haven’t been sold. Maybe I need to listen more.
2000s
Heartbreaker (2000) by Ryan Adams
Adams first solo album after the breakup of his alt. country band Whiskeytown (how a band with that name didn’t make it, I don’t know) and the breakup with a longtime girlfriend. This sort of set him on the path of being critics favorite. In keeping with the namedropping theme, Emmylou Harris did a duet with Adams here on the song “Oh My Sweet Carolina.”
Highly Evolved (2002) by The Vines
They were hailed as the second-coming of Nirvana. While I don’t think they had quite that much impact, they had some good tunes. I know Snake has this album and turned me onto tunes like “In The Jungle” and “Factory.”
Heroes to Zeros (2004) by The Beta Band
The band broke up after this album. Apparently being able to sell albums is important also. Goodnight, and stay classy San Diego.
Tuesday, September 29, 2009
Snake's Encore: Group Sex - Headquarters.
In Snake's Collection
Harvest - Neil Young
What can I add about this album? This is probably the saddest album I have ever heard and certainly that I own. This could either be really good or bad depending on my mood. I know it helped me cope with some times in high school. 'A Man Needs A Maid' still gets me most of the time. The orchestration wonderfully down and Young's vocal is so beautifully sorrowful that is always seems to strike that sadness inside. The electric songs were recorded in Young's barn and the live version of 'The Needle and The Damage Done' is from a recording at UCLA. Linda Ronstandt, James Taylor, and CSN add backing vocals throughout the album. I can't think of another piece of music that connects with me on so many levels and can elicit such a major emotional response.
Head Hunters - Herbie Hancock
This essentially started the Jazz Fusion genre. Herbie had wanted to do something a little more grounded than the crazy experimentation that is previous albums had been. Thus this album revolved more about R&B and Funk bases. There is absolutely no guitar on the album. Herbie wanted to use the Clavinet instead. Plus I think it is amazing someone can release a full album that is only four songs. Chameleon - 15:41, Watermelon Man - 6:29, Sly - 10:15, Vein Melter - 9:09. I just wonder what people thought of the singles Chameleon - 2:50 & Vein Melter - 4:00. That's almost 25 minutes of music edited down into just under 7. That is like listening to the single of 'In A Gadda Da Vida'. What's the point?
Noted Notables
Hard Day's Night - The Beatles
Yep, I don't actually have this one. Although that probably won't last long now that they just released the remastered albums. Here is the nugget I have. The title comes from something Ringo said after a marathon recording session that lasted through the day and well into the night. It 'had been a hard days night'. John used the line in his book, 'In His Own Right'. Dick Lester was approaching the Beatles about doing the movie and mentioned he wanted that to be the title. Thus it was. Ok I just thought of one more. 'Can't Buy Me Love' was the first Beatles song to feature only one vocalist. Paul is the only singer heard all the way through the song. There 2 for the price of 1.
Guero - Beck
I loved the single 'Hell Yes'. Beck later released an EP titled 'Gameboy Variations' in which he used classic Nintendo Gameboy sounds as the backing. 'Hell Yes' sounds even cooler on that EP.
Happy Trails - Quicksilver Messenger Service
I did some sampling the best I could. I am pretty sure I am going to have to buy this album though. They also rework 'Mona', another of Bo Diddley's classics and my personal favorite. I would equate this to the live jamming capabilities of The Dead with fewer members who are much better masters of their instruments.
Sorry, no Snubs that I saw.
Harvest - Neil Young
What can I add about this album? This is probably the saddest album I have ever heard and certainly that I own. This could either be really good or bad depending on my mood. I know it helped me cope with some times in high school. 'A Man Needs A Maid' still gets me most of the time. The orchestration wonderfully down and Young's vocal is so beautifully sorrowful that is always seems to strike that sadness inside. The electric songs were recorded in Young's barn and the live version of 'The Needle and The Damage Done' is from a recording at UCLA. Linda Ronstandt, James Taylor, and CSN add backing vocals throughout the album. I can't think of another piece of music that connects with me on so many levels and can elicit such a major emotional response.
Head Hunters - Herbie Hancock
This essentially started the Jazz Fusion genre. Herbie had wanted to do something a little more grounded than the crazy experimentation that is previous albums had been. Thus this album revolved more about R&B and Funk bases. There is absolutely no guitar on the album. Herbie wanted to use the Clavinet instead. Plus I think it is amazing someone can release a full album that is only four songs. Chameleon - 15:41, Watermelon Man - 6:29, Sly - 10:15, Vein Melter - 9:09. I just wonder what people thought of the singles Chameleon - 2:50 & Vein Melter - 4:00. That's almost 25 minutes of music edited down into just under 7. That is like listening to the single of 'In A Gadda Da Vida'. What's the point?
Noted Notables
Hard Day's Night - The Beatles
Yep, I don't actually have this one. Although that probably won't last long now that they just released the remastered albums. Here is the nugget I have. The title comes from something Ringo said after a marathon recording session that lasted through the day and well into the night. It 'had been a hard days night'. John used the line in his book, 'In His Own Right'. Dick Lester was approaching the Beatles about doing the movie and mentioned he wanted that to be the title. Thus it was. Ok I just thought of one more. 'Can't Buy Me Love' was the first Beatles song to feature only one vocalist. Paul is the only singer heard all the way through the song. There 2 for the price of 1.
Guero - Beck
I loved the single 'Hell Yes'. Beck later released an EP titled 'Gameboy Variations' in which he used classic Nintendo Gameboy sounds as the backing. 'Hell Yes' sounds even cooler on that EP.
Happy Trails - Quicksilver Messenger Service
I did some sampling the best I could. I am pretty sure I am going to have to buy this album though. They also rework 'Mona', another of Bo Diddley's classics and my personal favorite. I would equate this to the live jamming capabilities of The Dead with fewer members who are much better masters of their instruments.
Sorry, no Snubs that I saw.
Wednesday, September 23, 2009
1001 Albums (341-355): Group Sex - Headquarters
Note: We're a little top heavy with this bunch. I guess will test my theory on what's better – A group with a couple great albums and nothing else, or a group like last time with a bunch of average, but generally known groups. I can't wait to see how America votes. I get a little goofy at times here.
In Red’s Collection
A Hard Day’s Night (1964) by the Beatles
Finally an album that I own. As much as the Beatles had already garnered world-wide acclaim, the opening clang by George on his 12-string Rickenbacker proclaimed they were there to stay. While I won’t rank this album (or subsequent movie) at the top of my favorites Beatles list, this is really the first major transition in the group’s careers. It’s the first album where all the tracks were written by Lennon and/or McCartney.
Harvest (1972) by Neil Young
This is amazing, two albums that I have. I am glad I am sitting down. If this isn’t Young’s best album, it is at least his most recognizable and most successful. I am sure Snake will talk this one up a little more. I have this on CD and on Vinyl and it’s perfect to listen to this time of year. There’s just something right about popping this in and driving by golden (although that’s on now just starting to happen) fields of corn.
The Good
Guero (2005) by Beck
Beck reunites with the Dust Brothers (who he worked with on Odelay). It’s seems like I remember there being songs on this that I knew, but I can’t seem to figure out which songs those were. I generally enjoy Beck songs.
Headhunters (1973) by Herbie Hancock
Who could forget “Chameleon” after they heard it once? This music if funky before it became popular. It’s also jazzy and a hundred other things that Hancocks weaves into his tunes.
Headquarters (1967) by The Monkees
Tired of being called puppets, The Monkees released this album containing mostly original songs that they wrote and played. I used the word mostly, because they couldn’t quite fill the whole album.
The Middle
Guitar Town (1986) by Steve Earle
Well here’s about the fourth guy or group to be listed as the originator of alt. country. I’d call it the poor man’s John Mellencamp from what I’ve listened to.
Gunfighter Ballads And Trail Songs (1959) by Marty Robbins
A country western album if there ever was one. I think most people from this era of with parents from this era know the tune “El Paso.”
Something for Snake
Happy Trails (1969) by Quicksilver Messenger Service
I put this here because the first six tracks are a psychedelic live recording (reworking) of Bo Diddley’s “Who Do You Love.” They breathe new life into it that I think Snake would appreciate.
The Best of the Rest
Group Sex (1980) by The Circle Jerks
Well this probably wins the best album title and band name of the week award for no other reason that both make me laugh. Yea, I have the sense of humor of 12-year-old. This is a punk band formed by members of various better bands like Black Flag.
The Rest
Hail To The Thief (2003) by Radiohead
I thought for sure when I saw this album title (they don’t give band names in the index, just albums) that this would be a rap album. For once, I wish this were a rap album.
The Hangman’s Beautiful Daughter (1968) by The Incredible String Band
Apparently this group was coveted by every group rock band in the UK and U.S.A. Mostly because they could play pretty much any instrument. I listened to one tune “Waltz of the New Moon,” parts of it reminded me of “Mr. Kite” from Sgt. Peppers.
Happy Sad (1969) by Tim Buckley
Do you ever get the feeling that there are certain movements in pop culture subtly trying to make something of nothing? I don’t remember why that question came to me just now.
Hard Again (1977) by Muddy Waters
This is redemption for the legendary blue guitarist who had lost some of his luster early in the 70s. This won him his fourth Grammy and shut up his critics.
Haunted Dancehall (1994) by The Sabres of Paradise
Techno music. You know what I like? Techmo Superbowl. There’s no correlation between the two.
Haut De Gamme – Koweit, Rive, Gauche (1992) – by Koffi Olomide
I am tired after trying to spell all that right. If you want to know about this guy, do a google search or something.
Wednesday, September 9, 2009
1001 Albums (326-340): Goodbye and Hello - Groovin'
Note: All those that have been nervously waiting the return of this feature, it’s back. I intended to break these down as I have in the past, but I found that pretty much all these albums were on a equal footing. They are all good, not great, but probably all belong on this list. I decided to list them chronologically because I like seeing how things break down by decade.
1960s
Green Onions (1962) by Booker T. And The M.G.s
While most people don’t recognize “Green Onions” the name, once the tune plays the hook, the smooth guitar and steady percussion it’s like OK I know that. A fusion of rock and soul that inspired a lot future Southern blues rockers.
Goodbye and Hello (1967) by Tim Buckley
A bit of a cult legend, Buckley tried to leave the folk scene behind after being inspired by Sgt. Peppers. The album was critically acclaimed, but peaked at 171 on the U.S. Chart. He released a few more albums before dying of a drug overdose in 1975 at 28.
Groovin’ (1967) by The Young Rascals
The title track is a classic track to sit back and listen to in the summer sun. On the whole, The Young Rascals were a singles band leaving albums seeming more like greatest hits rather than cohesive albums. But, hell if write songs as good as this why does that matter.
Gris-Gris (1968) by Dr. John, The Night Tripper
Using studio time donated by Sonny and Cher, Dr. John set out to expose the dark underbelly of New Orleans via a concept album about a real voodoo preacher. This seems like it might be a real trip to listen to.
Green River (1969) by Creedence Clearwater Revival
This album feature “Lodi” which is one of my favorite CCR tunes. It also features “Bad Moon Rising,” that is probably the bands most recognizable song next to “Proud Mary.”
1970s
Goodbye Yellow Brick Road (1973) by Elton John
This is John’s most recognizable albums, if not his best. He hit it big with “Candle in the Wind” and “Bennie and the Jets,” two hits with very different pacing and sounds. Throw in a quick rocker like “Saturday Night’s All Right For Fighting,” and John proved he could play at any speed.
Greetings from L.A. (1972) by Tim Buckley
The clips from that I’ve been able find from this album seem to be more funky and sexually charge than his other works. All together, I haven’t heard enough to form a solid opinion on the elder Buckley.
Good Old Boys (1974) by Randy Newman
Before Newman started writing songs for every feel-good movie released in the last 20 years, he was a bold songwriter. This is a satirical album thumbing a noise at his perceived snobbery of northern people over the south. There’s some funny lyrics and the usual Newman hook and voice.
The Grand Tour (1974) by George Jones
The quintessential country album by an elder statesman of the genre, it is only apropos that Jones was writing about his failing marriage to Tammy Wynette.
Grievous Angel (1974) by Gram Parsons
Released after his death, Parsons put down the blueprint for country rock that the Eagles would repeat about a dozen times. He had a super group going here with Emmylou Harris on backing vocals and parts of Elvis’ backing band playing along.
1980s
Graceland (1986) by Paul Simon
Simon went to South Africa against United Nations sanctions and recorded an album. It was good enough that he didn’t get prosecuted. Talk about taking a chance on your talent.
Green (1988) by R.E.M.
While it’s easy to get caught up in the political intentions of Michael Stipe, if you listen to the hit single from this album – “Stand” – he’s really only trying to write songs that will sell albums. This one did that.
1990s
Grace (1994) by Jeff Buckley
Outside of his cover of Leonard Cohen’s “Hallelujah” which is remarkable and a must hear, I have not really been able to get into any of the younger Buckley’s songs. Maybe they’ll grow on me. Like his father, he died young. He drowned at the age of 30 in 1997. I vaguely remember hearing about this.
2000s
Gorillaz (2001) by Gorillaz
A creation of Blur’s Damon Albarn, Gorillaz caught peoples’ attention with their mixture of pop, rock, funk and rap. Oh, the carton characters that starred in the videos seemed to send this overtop. “Clint Eastwood” may have been the best song of 2001.
A Grand Don’t Come For Free (2004) by The Streets
Mike Skinner takes keeping it real in rap to a new level. He spins tracks about ATM withdrawals, cell phone batteries and trying to return a DVD. For real.
1960s
Green Onions (1962) by Booker T. And The M.G.s
While most people don’t recognize “Green Onions” the name, once the tune plays the hook, the smooth guitar and steady percussion it’s like OK I know that. A fusion of rock and soul that inspired a lot future Southern blues rockers.
Goodbye and Hello (1967) by Tim Buckley
A bit of a cult legend, Buckley tried to leave the folk scene behind after being inspired by Sgt. Peppers. The album was critically acclaimed, but peaked at 171 on the U.S. Chart. He released a few more albums before dying of a drug overdose in 1975 at 28.
Groovin’ (1967) by The Young Rascals
The title track is a classic track to sit back and listen to in the summer sun. On the whole, The Young Rascals were a singles band leaving albums seeming more like greatest hits rather than cohesive albums. But, hell if write songs as good as this why does that matter.
Gris-Gris (1968) by Dr. John, The Night Tripper
Using studio time donated by Sonny and Cher, Dr. John set out to expose the dark underbelly of New Orleans via a concept album about a real voodoo preacher. This seems like it might be a real trip to listen to.
Green River (1969) by Creedence Clearwater Revival
This album feature “Lodi” which is one of my favorite CCR tunes. It also features “Bad Moon Rising,” that is probably the bands most recognizable song next to “Proud Mary.”
1970s
Goodbye Yellow Brick Road (1973) by Elton John
This is John’s most recognizable albums, if not his best. He hit it big with “Candle in the Wind” and “Bennie and the Jets,” two hits with very different pacing and sounds. Throw in a quick rocker like “Saturday Night’s All Right For Fighting,” and John proved he could play at any speed.
Greetings from L.A. (1972) by Tim Buckley
The clips from that I’ve been able find from this album seem to be more funky and sexually charge than his other works. All together, I haven’t heard enough to form a solid opinion on the elder Buckley.
Good Old Boys (1974) by Randy Newman
Before Newman started writing songs for every feel-good movie released in the last 20 years, he was a bold songwriter. This is a satirical album thumbing a noise at his perceived snobbery of northern people over the south. There’s some funny lyrics and the usual Newman hook and voice.
The Grand Tour (1974) by George Jones
The quintessential country album by an elder statesman of the genre, it is only apropos that Jones was writing about his failing marriage to Tammy Wynette.
Grievous Angel (1974) by Gram Parsons
Released after his death, Parsons put down the blueprint for country rock that the Eagles would repeat about a dozen times. He had a super group going here with Emmylou Harris on backing vocals and parts of Elvis’ backing band playing along.
1980s
Graceland (1986) by Paul Simon
Simon went to South Africa against United Nations sanctions and recorded an album. It was good enough that he didn’t get prosecuted. Talk about taking a chance on your talent.
Green (1988) by R.E.M.
While it’s easy to get caught up in the political intentions of Michael Stipe, if you listen to the hit single from this album – “Stand” – he’s really only trying to write songs that will sell albums. This one did that.
1990s
Grace (1994) by Jeff Buckley
Outside of his cover of Leonard Cohen’s “Hallelujah” which is remarkable and a must hear, I have not really been able to get into any of the younger Buckley’s songs. Maybe they’ll grow on me. Like his father, he died young. He drowned at the age of 30 in 1997. I vaguely remember hearing about this.
2000s
Gorillaz (2001) by Gorillaz
A creation of Blur’s Damon Albarn, Gorillaz caught peoples’ attention with their mixture of pop, rock, funk and rap. Oh, the carton characters that starred in the videos seemed to send this overtop. “Clint Eastwood” may have been the best song of 2001.
A Grand Don’t Come For Free (2004) by The Streets
Mike Skinner takes keeping it real in rap to a new level. He spins tracks about ATM withdrawals, cell phone batteries and trying to return a DVD. For real.
Monday, August 10, 2009
1001 Albums (311-325): Gasoline Alley - Goo
Note: In an effort to continually shake things up and to use less brain cells, I've arranged this group by decade. TaDa. Plus, I don't know that much about any of these albums to adequately separate them any other way. I kind of doubt I'll get to this next week, so you ought to make this last in case you get some sort of fix from my ramblings.
1950s
The Genius of Ray Charles (1959) by Ray Charles
Charles continued to demonstrate that his music could not fit into a label or category. He wavers around R&B, Big Band, classic standards and host of other sounds and influences.
1960s
Getz/Gilberto (1963) by Stan Getz and Joao Gilberto
Stan Getz was the gringo in this Latin American dance group. I guess it worked out OK.
A Girl Called Dusty (1964) by Dusty Springfield
Springfield belts out her range hitting a lot of Motown tunes like “Do Re Mi,” “You Don’t Own Me,” and mixing that with stuff like “Will You Love Me Tomorrow?”
The Gilded Palace of Sin (1969) by Flying Burrito Brothers
These guys win the prize for best album title and best band name for the week. This is the rebound band for Gram Parsons and Chris Hillman after the breakup of The Byrds.
1970s
Gasoline Alley (1970) by Rod Stewart
This is a rock’n’roll based album made prior to “Every Picture Tells A Story.” Ron Wood steps in and guides Stewart through this early solo project.
Go Girl Crazy! (1975) by The Dictators
This was a forerunner to punk but bad management, band bickering and the label pulling support cost The Dictators. By the time, The Ramones hit and punk became cool, these guys were past their prime.
Germ Free Adolescents (1978) by X-Ray Spex
A female led punk band cut short by the lead singer turning toward religion. Maybe this would be cool to hear.
(GI) (1979) by The Germs
More punk fun. Darby Crash a mixture of every member of The Sex Pistols cultivated hard-hitting punk before dying of a drug overdose.
1990s
Goo (1990) by Sonic Youth
I guess to continue the punkish vibes of this group. We’ll skip the 80s and get so more Sonic Youth. This band had several albums and this is one of them.
Gentlemen (1993) by The Afghan Whigs
These guys were cult and college favorites on both sides of the Atlantic. They based there music around a mixture of rock and soul.
Giant Steps (1993) by The Boo Radleys
This is another 90s underground trippy, group that never hit it big. This is a theme for the week.
G. Love And Special Sauce (1994) by G.Love and Special Sauce
Warning white rap spanning the period between Vanilla Ice and Eminem. You judge what this is probably like.
2000s
Gold (2001) by Ryan Adams
A couple bad breakups fueled this album as Adams spun out 16 tunes in the matter of days. “New York, New York,” got a lot of love on MTV. Snake has some of this guys, I don’t know if he has this album though.
Get Rich or Die Tryin’ (2003) by 50 Cent
It was hard to avoid 50 Cent when this album hit. Although I am not sure how much it had to do with the music as it did with people just like saying this guys name correctly.
Get Behind Me Satan (2005) by The White Stripes.
FYI: This is the last album in the book. That gives everyone a time frame when they stopped taking new albums. Here’s the one band that seems destined to make a career of exploring music instead of simply making money, doing drugs and burning out.
1950s
The Genius of Ray Charles (1959) by Ray Charles
Charles continued to demonstrate that his music could not fit into a label or category. He wavers around R&B, Big Band, classic standards and host of other sounds and influences.
1960s
Getz/Gilberto (1963) by Stan Getz and Joao Gilberto
Stan Getz was the gringo in this Latin American dance group. I guess it worked out OK.
A Girl Called Dusty (1964) by Dusty Springfield
Springfield belts out her range hitting a lot of Motown tunes like “Do Re Mi,” “You Don’t Own Me,” and mixing that with stuff like “Will You Love Me Tomorrow?”
The Gilded Palace of Sin (1969) by Flying Burrito Brothers
These guys win the prize for best album title and best band name for the week. This is the rebound band for Gram Parsons and Chris Hillman after the breakup of The Byrds.
1970s
Gasoline Alley (1970) by Rod Stewart
This is a rock’n’roll based album made prior to “Every Picture Tells A Story.” Ron Wood steps in and guides Stewart through this early solo project.
Go Girl Crazy! (1975) by The Dictators
This was a forerunner to punk but bad management, band bickering and the label pulling support cost The Dictators. By the time, The Ramones hit and punk became cool, these guys were past their prime.
Germ Free Adolescents (1978) by X-Ray Spex
A female led punk band cut short by the lead singer turning toward religion. Maybe this would be cool to hear.
(GI) (1979) by The Germs
More punk fun. Darby Crash a mixture of every member of The Sex Pistols cultivated hard-hitting punk before dying of a drug overdose.
1990s
Goo (1990) by Sonic Youth
I guess to continue the punkish vibes of this group. We’ll skip the 80s and get so more Sonic Youth. This band had several albums and this is one of them.
Gentlemen (1993) by The Afghan Whigs
These guys were cult and college favorites on both sides of the Atlantic. They based there music around a mixture of rock and soul.
Giant Steps (1993) by The Boo Radleys
This is another 90s underground trippy, group that never hit it big. This is a theme for the week.
G. Love And Special Sauce (1994) by G.Love and Special Sauce
Warning white rap spanning the period between Vanilla Ice and Eminem. You judge what this is probably like.
2000s
Gold (2001) by Ryan Adams
A couple bad breakups fueled this album as Adams spun out 16 tunes in the matter of days. “New York, New York,” got a lot of love on MTV. Snake has some of this guys, I don’t know if he has this album though.
Get Rich or Die Tryin’ (2003) by 50 Cent
It was hard to avoid 50 Cent when this album hit. Although I am not sure how much it had to do with the music as it did with people just like saying this guys name correctly.
Get Behind Me Satan (2005) by The White Stripes.
FYI: This is the last album in the book. That gives everyone a time frame when they stopped taking new albums. Here’s the one band that seems destined to make a career of exploring music instead of simply making money, doing drugs and burning out.
Wednesday, August 5, 2009
Snake's Encore: Frank - Garbage
NOTE: This is me phoning it in this week. I looked at the list and besides Franz Ferdinad, nothing really tripped my trigger. Then I looked through my albums and come out with the only snub being an album by a local band. That probably sunk me there. So I poured my heart into a great album and didn't waste with filler.
In Snake's Collection:
Franz Ferdinad - Franz Ferdinand
I would put this in my top 5 albums in the last five years. 'Take Me Out' is entrancing and the video mesmerized me, forcing me to conduct a rampant search the next day to find this band. These Scottish boys work very hard at making it seem effortless. The album starts out with 'Jacequeline' containing the line "we only work when we need the money" which I think is brilliant and is a setup for the imagine these guys try to portray. 'Tell Her Tonight' has this sixties vibe with the harmonies in the chorus. 'Take Me Out' is probably one of the best singles ever and definitely in recent memory. 'The Dark of the Matinee' is a pure gem that is mildly popular over in Britain. I think it is the perfect example of their rock grooves, dance beats, vocal harmonies and dark sexuality that permeates the band. 'Auf Achse' starts slow and beautiful until it builds into this crescendo of love gone wrong. 'Cheating On You' brings back the frantic pace with some tight guitar chops. 'This Fire' is probably the 2nd most famous song from this album with some straight forward rock. 'Darts of Pleasure' is another gem touting some lyrical prowess and a very seductive sound that ends with this crazy retro sounding outro. "Words are poison darts of pleasure". 'Michael' is a peppy dance number. 'Come On Home' slows the pace slightly. It is drives with this tight riff and then peels off for a tender chorus longing for his love to come back. '40'' ends the album much like it began. I like the sound, but have a hard time understanding some of the lyrics. So I am not entirely sure what the 40 feet that remain signify.
This album is probably one of the best debut albums ever. It is well crafted and efficient clocking in at 39 minutes. They took rock's roots, especially English 60's bands, of straight forward guitar hooks, simple harmonies and beats you can dance to, then jacked it up a few notches adding their cool swagger and sexuality. This album is a pure gem and I would recommend it to anyone. I would mail you a copy if you asked, that is how much I love and believe in this band/album.
The Freewheelin' Bob Dylan - Bob Dylan
This is the album that sent the stage and instantly made him a folk icon. It is also the album of his that I am least likely to just start listening to. 'Don't think twice, It's Alright' is my favorite here with the other standards appearing as well. I understand it's importance and see it myself. But I guess it doesn't appeal to me as much as his later work.
In Snake's Collection:
Franz Ferdinad - Franz Ferdinand
I would put this in my top 5 albums in the last five years. 'Take Me Out' is entrancing and the video mesmerized me, forcing me to conduct a rampant search the next day to find this band. These Scottish boys work very hard at making it seem effortless. The album starts out with 'Jacequeline' containing the line "we only work when we need the money" which I think is brilliant and is a setup for the imagine these guys try to portray. 'Tell Her Tonight' has this sixties vibe with the harmonies in the chorus. 'Take Me Out' is probably one of the best singles ever and definitely in recent memory. 'The Dark of the Matinee' is a pure gem that is mildly popular over in Britain. I think it is the perfect example of their rock grooves, dance beats, vocal harmonies and dark sexuality that permeates the band. 'Auf Achse' starts slow and beautiful until it builds into this crescendo of love gone wrong. 'Cheating On You' brings back the frantic pace with some tight guitar chops. 'This Fire' is probably the 2nd most famous song from this album with some straight forward rock. 'Darts of Pleasure' is another gem touting some lyrical prowess and a very seductive sound that ends with this crazy retro sounding outro. "Words are poison darts of pleasure". 'Michael' is a peppy dance number. 'Come On Home' slows the pace slightly. It is drives with this tight riff and then peels off for a tender chorus longing for his love to come back. '40'' ends the album much like it began. I like the sound, but have a hard time understanding some of the lyrics. So I am not entirely sure what the 40 feet that remain signify.
This album is probably one of the best debut albums ever. It is well crafted and efficient clocking in at 39 minutes. They took rock's roots, especially English 60's bands, of straight forward guitar hooks, simple harmonies and beats you can dance to, then jacked it up a few notches adding their cool swagger and sexuality. This album is a pure gem and I would recommend it to anyone. I would mail you a copy if you asked, that is how much I love and believe in this band/album.
The Freewheelin' Bob Dylan - Bob Dylan
This is the album that sent the stage and instantly made him a folk icon. It is also the album of his that I am least likely to just start listening to. 'Don't think twice, It's Alright' is my favorite here with the other standards appearing as well. I understand it's importance and see it myself. But I guess it doesn't appeal to me as much as his later work.
Wednesday, July 29, 2009
1001 Albums (296-310): Frank - Garbage
Note: We're all done with 'F.' We sure are cruising through the alphabet now. I think this is another fairly solid group.
In Red’s Collection
No go.
The Good
Franz Ferdinand (2004) by Franz Ferdinand
I’ll probably let Snake handle the critical breakdown of this band. I know he’s into them. Everyone heard “Take Me Out” when it came out. It’s definitely a unique sound to be released in an era when so much popular music sound all the same.
The Freewheelin’ Bob Dylan (1963) by Bob Dylan
As so it happens sometimes an artist sets out to do one thing and becomes another. Dylan wanted to write great songs on this album, he did that, but their spirit turned him, unwillingly, into the voice of the 60s. He became the name associated with rebellion and upheaval. The music wasn’t lost though. Greats like “Girl From the North Country,” “Don’t Think Twice, It’s All Right,” “A Hard Rain’s A-Gonna Fall” and “Blowin’ In the Wind,” stand the test of time.
From Elvis in Memphis (1969) by Elvis Presley
Elvis went back to Memphis to regain some of the grit lost in his years spent in Hollywood. This album reestablished his southern base and made him relevant again. Maybe the most known track from these sessions – “Suspicious Minds” – was not released with this album, but became No. 1 as a single later in the year.
Fulfillingness’ First Finale (1974) by Stevie Wonder
This is fourth of five albums Wonder released in the 70s considered to be his classical period. While snubbed by Rolling Stone and it’s 500 top albums list, it was the most commercially successful of the bunch. This features “Creepin’” and “They Won’t Go When I Go.”
Fun House (1970) by The Stooges
After a failed first album, The Stooges were given an unknown producer for their second try. Don Gallucci, who played organ on the The Kingsmen’s “Louie, Louie” knew he had to capture The Stooges raw. He told them to play like it was a live show. Iggy Pop went into his antics and parties interrupted sessions. It worked really well.
The Middle
Frank (2003) by Amy Winehouse
Winehouse was 18 went she released this, her debut album. She has a jazzy, soulfoul voice to mix with her Cockney accent. I know stuff from her later albums, but this probably full of the same in your face spunk.
Freak Out! (1966) by The Mother’s of Invention
I’ve never sat down really and listened to stuff made by Frank Zappa and his boys. Judging from the track names, I am guessing this would be quite the interesting listen. I don’t know if Snake has ever ventured after any of this group’s music before.
Fresh Fruit For Rotting Vegetables (1980) by Dead Kennedys
This band’s name gets dropped a lot by musicians and such, but I haven’t a clue if I know any of their tunes. I guess it’s sort humorous, politicial, punky type music.
Garbage (1995) by Garbage
I never really dug Garbage all that much. I also thought they were trying to hard to be artsy. Maybe I just didn’t get it.
The Best of the Rest
Fuzzy (1993) by Grant Lee Buffalo
Michael Stipe called this the best album of 1993. It never reached that kind of commercial success, but this mixture of country and rock is a stark contrast to the popular grunge wave going through the country.
The Rest
Fred Neil (1966) by Fred Neil
Seems like a folk writer that got swept up in the popular 60s folk movement that mixed in electric instruments.
Fromohio (1989) by Firehose
Nice upbeat kind of band here. The vocals tend to meld with frenetic pace of the acoustic guitars, drums and tambourines. Definitely something to learn more about.
Funeral (2004) by Arcade Fire
Canadian Emo rock eh. Actually it’s not bad. Kind of has that soft driving sound of the Smashing Pumpkins.
Future Days (1973) by Can
I think this may be the worst band name so far. It’s more “Krautrock” that this book seems to really like.
Fuzzy Logic (1996) by Super Furry Animals
This is a Welsh band that made funny, poppy music. I guess they made better albums than this, but this was their first. Don’t ask me why it’s listed, that’s what the book says.
Monday, July 27, 2009
Snake's Encore: Fire of Love - Francis Albert Sinatra
In Snake's Collection
Fly or Die - N*E*R*D
This album takes on a very jazzy, cool feel. 'She Wants To Move' was the single that got me interested. The rest of the album sounds nothing like it. The boys decided they wanted to learn to play their own instruments so they could perform live. Pretty impressive in itself. Alot of adolescent issues addressed in the songs from back seat romance to hating your parents. It is definitely an interesting listen and shows they made this album for themselves.
Follow The Leader - Korn
Fly or Die - N*E*R*D
This album takes on a very jazzy, cool feel. 'She Wants To Move' was the single that got me interested. The rest of the album sounds nothing like it. The boys decided they wanted to learn to play their own instruments so they could perform live. Pretty impressive in itself. Alot of adolescent issues addressed in the songs from back seat romance to hating your parents. It is definitely an interesting listen and shows they made this album for themselves.
Follow The Leader - Korn
The 12 blank tracks that start this classic are said to be for two different reasons. The album would have ended on track #13 if they started at 1 and they didn't want that and the 12 five second tracks add up to a minute of silence in honor of a fan of the band that lost his battle with cancer. The song 'Justin' is about this fan. Cheech Marin is a guest vocalist on the cover of 'Earache My Eye' at the end of the album.
This album set the blueprint for progressive rock in the 70's. 'Roundabout' is the coolest song I have ever heard. That opening is epic! Rik Wakeman had just joined the band prior to this album and his keyboard presence is felt big time. Most of the album is just a show case for the individual's mastery of their various instruments.
Frampton Comes Alive - Peter Frampton
"Everyone in the world knowns 'Frampton Comes Alive'" - Wayne Campbell. That quote from Wayne's World 2 and a chance encounter on the radio with 'Do You Feel Like We Do' got me hooked on classic rock. I still remember the moment of this epiphany. I was sitting in the car waiting for my mom to finish shopping and I flipped across the local classic rock station that I had never listened to before and happened to hear the DJ say he was going to play something from "Frampton Comes Alive." Having watched Wayne's World, I had to hear what the fuss was all about. That guitar spoke to me man! Well as a 15 year old impressionable mind, I was blown away by this 15 minute rock odyssey. The album as a whole is pretty good, save the cover of 'Jumping Jack Flash' (see worst covers list). Still, if 'Do You Feel Like We Do' was all the album was, it should still be a must listen for everyone.
Oh VH1, How I Miss Thee
First Band On The Moon - The Cardigans
'Lovefool' was the smash hit from this album and a consistent player in the Top 20 countdown on VH1 during the period I affectionately refer to as my 'Video Summer'. Oh to be able to sleep in and watch videos all morning again. Even if I could sleep in, this still isn't possible anymore. The songs on this album have an upbeat sound with sad and disturbing lyrics. There is even a cover of 'Iron Man' in there.
A Rebirth
461 Ocean Boulevard - Eric Clapton
This was his first solo album in 4 years and served as a rebirth for Clapton after kicking his heroine habit. He comes out trying to ditch the guitar god moniker and moving to more polished rock songs. 'I Shot The Sheriff', 'Let It Grow' and 'Willie And The Hand Jive' really showcase this new direction.
SNUBS (I know this is the part everyone looks forward to each week)
Flaming Pie - Paul McCartney
Also from my 'Video Summer', this was sort of a return to Beatle form for Sir Paul. He enlisted the help of Jeff Lynne, Steve Miller and Ringo to help create straight forward classic songs back up to the standards of the Beatles. What that really meant is Paul wasn't going to ruin these songs by trying to over produce them. The album is very good and has some fond memories associated with it. The title track points back to the story from Lennon about how he thought up the Beatle name and 'The Songs We Were Singing' which is about the gold old days writing with his Beatle partnet. The video to the single 'World Tonight' features some very sweet home video of Paul with Linda shortly before she passed away. I would put this in the top 2 or 3 of Paul's post-Beatle releases. Certainly if "Band On the Run" makes this list, I don't see why 'Flaming Pie" doesn't.
Fly - Dixie Chicks
This was their bust out album and helped usher in a new era in country and the cross over artist. These girls have attitude and it shows in some of their songs. They have the chops to make pop cross over hits ('Ready to Run' & 'Cowboy Take Me Away') and yet still stay really country ('Hello Mr. Heartache', 'Don't Waste Your Heart' & 'Sin Wagon'). The attitude is ever present in their big hit 'Goodbye Earl' and the in your face lyrics of 'Hole in My Head'. I think there is a little something for everyone in this album.
Fly By Night - Rush
Another Rush skip over. This was their second album and first with Neil Peart behind the drums and penning the lyrics. This is the bands beginning trek into prog rock stardom. The title track is the hit off the album, but 'Athem' and 'By-Tor And The Snow Dog' remain staples of their live shows. 'Rivendell' which is based off the Lord Of The Rings land, is the only Rush song not to have drums in it. Not their best, but certainly noteworthy.
For Those About To Rock - AC/DC
This was their follow-up to the massive hit that was "Back In Black". The title track is the encore for their concerts with full cannons. The album sounds like most other AC/DC albums full of great guitar and overtly sexual lyrics. Still better than any piece of crap Brian Eno can throw together.
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