Wednesday, September 29, 2010

501 Must-See Movies: 'Blazing Saddles' to 'Bridge on the River Kwai, The'

Note: This is a pretty good set. I especially love it when my bookends are two very good movies cause then at least the title reads better. I have also come to question some of the validity of the book. For the third week in a row, I have found index errors which frustrate my attempts to build this post and make me wonder what else they are messing up. I know it happens, but we aren't even through the B's yet.


Blazing Saddles:
1974, USA (Comedy)

I have always thought of this as the greatest comedy ever made. Brook's not only spoofs westerns, but Hollywood and the Blaxploitation movement of the 70's. Endings have always seemed to be a rough spot for comedies and Brooks' especially, but the sprawling brawl out into the other sets of Hollywood just seems to work. I have always thought the open use of the N word in the movie adds a bit of guts and credibility to the film. Plus I love everything Gene Wilder does.


Bluebeard's Eighth Wife: 1938, USA (Comedy)

Ernst Lubitisch apparently made lots of great comedies in the early days of Hollywood. I was more interested to see Gary Cooper in a comedy.


The Blues Brothers: 1980, USA (Musical)

This is still the best thing to ever come out of Saturday Night Live. The film is full of quotable lines and good music. Belushi and Aykroyd some how both come off as straight men in a slap stick comedy. It is a good celebration of Chicago and over the top in its final moments. Interesting trivia from the book: There are 5 directors that appear in the film and it holds the record for most cars crashed.


Born Yesterday: 1950, USA (Comedy)

The book says this is more than a screwball comedy. Judy Holliday plays the dumb blonde that learns pretty quick or something like that.


Braveheart: 1995, USA (Action/Adventure & Epic)

This is probably the first modern day epic film. It is full of large scale battles, blood & guts, and over the top heroism. Plus this was back when Mel Gibson was still sorta sane. An all right movie in my book.


Brazil: 1985, Great Britian (Science Fiction & Fantasy)

Terry Gilliam created a dystopian future that is his therapy session on everything he hates about western culture. It sounds interesting and I like Gilliam's work usually. Need to find a copy.


The Breakfast Club: 1985, USA (Comedy)

The is probably one of the most iconic 80's movies and really invented the teen movie. It still seems relevant today which is something you can't say for most movies made in the same era. Judd Nelson in his finest moment, except for maybe the Transformers movie. His tirade of a day at his house compared to Molly Rigwald's character is classic.


Breakfast at Tiffany's: 1961, USA (Romance)

Everyone talks about this movie and most probably haven't even seen it, myself included. It seems to be more a pop culture reference than anything else. It's name instantly brings to mind that one song, yeah you know the one I'm talking about. Or the episode of Seinfeld where George ends up going to a stranger's apartment because they rented the last copy of Breakfast at Tiffany's and he needs to watch it. Still Audrey Hepburn's role is a Hollywood icon despite her feelings that she was miscast.


Bride of Frankenstein: 1935, USA (Horror)

It is noted that most believe this sequel was better than the original Frankenstein movie. I need to find some of these old Boris Karloff movies and finally experience it for myself.


The Bridge on the River Kwai: 1957, Great Britian (War)

I've seen this war classic. It is a great movie. Alec Guinness is excellent and helps to solidify in my mind why he was so heralded having on seen him in Star Wars prior to this. He leads a group of POWs that are tasked with building a bridge to help move Japanese munitions. American and British forces are plotting to blow the bridge, but Guinness's character has taken so much pride in his men for building the bridge, he works to thwart the plans of demolition.

Wednesday, September 22, 2010

Red's CD Project Story 2: Part 34 – Thunder Before the Storm

Note: This was a challenge, especially in trying to find a lyric that did not resemble a video game too much. Really this is the last teaser till battle, and while I think I wander a bit here, its a nice way to get things going. I'll try not to leave you hanging too long for the next part.


Disc 2
Track 12: N.E.S. by YTCracker

“Then pop those rats like a cyst.”

The final lines of the letter drifted through Kendra’s fevered, failing mind. It lingered always on the edge of her dreams and thoughts, till blowing across, wiping all else away. Her music teacher had called such abrupt, starling thoughts resets. When they came, the best thing to do was start again. Reset yourself as she would say, and in the case of music, then start the song over.

That was what the lines were doing to her delirium. Resetting, so the long play of events could run through again.

He wrote:
“Once we rode to Thunder Sted, out where the wildflowers kiss the sky. I’ll keep that with me as I venture into the darkness, and pray someday I shall return there to you waiting at the door of my father’s old cabin.”

The words brought brief sweet memories of his strong, tan arms wet with sweat and with thousands of specks of green plastered up and down them from working out frustration on the fields of beans, barely and alfalfa. Whenever he was on the brink of going wild, he always ran to the fields where he let the rich soil of central Satar clot his wounds. He had escaped there for a month after the Reap Ball, slaving beside common folks, clearings fields and trying to forget her. He almost worked her out of his system, when she showed up at his father’s cabin in her blue-faded riding dress. The sun glowed orange like it only does in autumn as it started to depart the world for another day.

Once the lines passed through her head, the glimpse of happiness crumbled. She heard Eden’s mad laughter rumble from the fields that were barren. The sky opened and a pair of blazing red eyes glared down. Overruling all was the call. “Come.”

That forced her back into reality. To her bed and the numb pain coming from her left leg. More than anything she wanted to run, but knew she could not. Eden had more sure of that.

She thought it was light enough to read the letter one more time before Eden returned. Searching out with her hand, she found where the feather mattress met the bed rail. She had stuffed it there for safekeeping, so she thought.

Frantically scanning the length of the bed, she let out a wail. It was gone and she knew only one person could have taken it.

“I have lost him!” She wailed, not caring who heard. “I have lost him forever!”

* * *

A thousand things should have been going through Ewam’s mind, as he sat upon his steed in the field before Stra with the abonimation scattered in frenzied ranks howling, hissing and clawing at the ground before him. He should have been gauging range for the archer’s vollies and reinforcing flanks. Instead, he thought of Brashaw, the toothless rancher that managed Thunder Sted for his father and now for he and his brother.

Brashaw rose with the crops and lived among them with his flat-brim hat stained a dull brown, his denim trousers cuffed above pointed boots, and his eyes constantly slitted as if staring directly into a bright light at all times. The man’s hand were pocked with bilsters callused thrice times over. He spoke with a lazy, tired tongue from a mouth that did not have time to converse, and interspersed curses between words to make sure you knew it. It did not matter a wit that Ewam was a prince, nor later a king. As Brashaw saw it, kings and queens came and went, work never left and he had plenty of it to keep him occupied.

For months, once nearly a year, at a time, Brashaw became his father when Ewam stayed at Thunder Sted well outside of Omet. His true father, King Rudan of Satar, believed that lessons were taught and learned just as well in the fields as they were in the walls of Union Hall. When Ewam and Eden stayed at Thunder Sted, they stayed as workers, not as princes, and Brashaw never thought any different.

Ewam cherished the excursions to Thunder Sted. Only there was he devoid of lofty expectations and royal behavior. On the Sted, he was a worker expected to carry his share and that’s all that Ewam had ever wanted. Managing a kingdom did not interest him, and while leading an army came quite naturally, he preferred weeding a field. It was quiet, physical labor. Eden’s enthusiam for the Sted never equaled his brothers. Eden’s regal standard did not impress Brashaw. The man demanded Eden to slouch, to bend, to swear, to spit, anything, but Eden’s usual parade of chivalry and manners.

Ewam had not seen Brashaw since assuming the throne after his father’s passing all those years ago. While the man’s grizzled, ghastly face sometimes touched Ewam’s mind, it was the first thing that came to mind when they arrived upon the field and viewed their enemies. It was his face as it had been that first trip to stay at the Sted.

The dry heat all the years ago had both Ewam and Eden’s heads aching. They were young, perhaps eight or nine years of age, and working thier first true day on the cracked, arid field of maize. Brashaw had them carrying buckets of water to the fields from a sad little creek that ran nearby. The twins, near exhausted had stopped and plopped in the soft bed of the creek and there they stayed splashing and giggling while the rest of the hands worked hard. When Brashaw got wind of it, he was down to the creek quicker than one could ever thought a man his age could manage.

“You cullys,” He growled the best he could without teeth and both boys bolted up from the water. “You cullys to me! Days burning up crops, youse buggers arn burnin’ my britches and I’ll burn you’se.”

Half of what Brashaw said was lost to most hearing him, but the point was across. The twins rushed to him, pale and shaking. As they climbed the bank, slipping as the dust turned to mud under their feet, they noticed for the first time movement within the slender weeds.

“The crops need fed, my cullys,” Brashaw spit without meaning to and the saliva hung from his chin. He had a shake that Ewam noticed when they met, but had forgot about till then. The man was solid, but frail and he shook steadily, especially in the hands. “Can’t feed blessed crops posion. Stay out of the water, cullys.”

With unnatural speed, the man bent and snatched his hand into the weeds pulling out a rat that neither boy had even seen. The rat squirmed in his hands whose grasp, Ewam knew, was like a blacksmith’s vise.

“Pop the rats, cullys,” Brashaw sneered. “They poison the waters, my cullys. Pop’em like pussing bumps on your arses.”

Brashaw squeezed tigthier till the rat’s squirming ceased and then tossed it to the ground.

“Gets to work.” Brashaw walked away.

Clouds hung above Stra and a foul stench wafted in his nose when the air shifted from that direction. The force before him was perhaps only five hundred strong although the numbers were hard to gauge. There were no real soldiers. Only the beasts, no two alike, and all like nothing Ewam had ever seen. One that he could make out stood upright like a man, but with the furry legs of a bear and huge paws to match, and his chest was bare and his face was one half man, one half boar including a huge tusk that prutuded out from its jaw. Others had four, six and perhaps even eight legs and ranged in size from no bigger than a field mouse to the girth of an elephant.

“They are called the Children, my lord,” Banik whispered into his ear. “Offspring of Salama, no doubt. Although, the smaller ones may be children of the Elder Dinar, they too span evil critters.”

“We’ll pop them like rats,” Ewam said thinking of his old mentor. As he did, two riders garbed in black robes on beasts that resembled horses save for the legs that were thick like tree trunks and mouths that gleamed with sharp teeth cantered to the front of the beast army.

“Those be Elder Dinar,” Banik said. “My blood runs cold sure of it.”

“Only two,” Ewam replied. “Is that all they think it’ll take.”

Without a moments pause, Banik answered and Ewam’s own blood froze.

“It rarely takes more than one, my lord,” Banik said. “Keep a close watch, they attack from places we can’t even see.”

One of the Dinar brought a horn to where its lips no doubt were under the dark hood and blew. A high-pitch squeel sounded out, the beast army within a moment formed flawless, bloodthirsty ranks. Many of Ewam’s force clasped at their ears, one man only a few feet away fell to his knees with a stream of blood running from his nose. After a moment, he toppled over and started convulsing.

The Dinar, who did not blow the horn, pointed toward Ewam’s force once after the sound came to an end. The Children sprang forward, some of them actually jumped twenty or maybe even thirty feet with one leap. The howling and hissing picked up.

Ewam lifted up his fist, the calvary came to the front his lines. Far behind, he heard the sound of five thousand bows being strung at once. One final time, Brashaw’s face and voice came to his mind. “Pop’em like pussing bumps on your arses.”

Pumping his fist three times into the air, he gave out his battle cry.

“For Satar! For the Light! For all of man!” Dropping his fist, he reached for Kekur, touched it once before thrusting his hand up one more time. “No mercy!”

Saturday, September 18, 2010

501 Must-See Movies: 'The Bicycle Thief' to 'The Blair Witch Project'

Not the big blockbuster group this week. But it seems to be full of good movies, several I have seen. We seem to be big on the horror/mystery genres this week.


The Bicycle Thief:
1948, Italy (Drama)

A simple tale of life in poverty stricken post-war Rome. This is often cited as the greatest film ever made.


Big: 1988, USA (Comedy)

I have always liked this movie. It related to kids and adults alike. Hanks is spot on playing a 12 yr old trapped in a 30 something's body. This is one of Hank's best comedy movies before he turned into big budget mega star in the 90's.


The Big Country: 1958, USA (Western)

I am unsure reading about this movie whether I would like it or not. It stars Gregory Peck & Charlton Heston, two of my favorite old time actors, but the story sounds a little jumbled. It was also a Technirama movie which can make it look funny now a days on flat screens.


The Big Heat: 1953, USA (Mystery & Thriller)

This film was ahead of its time its use of violence to add depth to a complex plot. The classic noir follows a maverick cop out for revenge.


The Big Lebowski: 1998, USA/GB (Comedy)

This is an all time classic for my generation. The Cohen brothers weave a crazy plot that is usual fashion provides plenty of strange characters and quotable lines. The Dude (Jeff Bridges) is an easy going bowling bum. John Goodman is a Vietnam vet who is still obsessed with 'over there'. Steve Buscemi's character hardly gets any words out before a "Shut the fuck up!" from Goodman. I find it amazing whenever I talk to people, at least males, in my age bracket that have not seen this movie. "The dude abides."


The Big Red One: 1980, USA (War)

I think this movie's claim to fame is that it stars Mark Hamill and is not called Star Wars. WWII squadron, The Big Red One, only has 5 surviving members after their missions. It is a no holds barred look at war and the grim reality of it. "Survival is the only glory in war"


The Big Sleep: 1946, USA (Mystery & Thriller)

This is one of those classic Humphery Bogart movies. The classic noir features a convoluted plot with many twists and turns. Lauren Bacall is Bogart's love interest in the film and real life at the time. The dialogue is full of double entendres and the subject matter of sex, gambling and blackmail was pushing the envelope for 1946.


The Birds: 1963, USA (Horror)

This is one of only two horror films Hitchcock made despite it being what he is most recognized for. This is a great example of his genius. The movie passes for a romantic comedy before the world turns to crap. The character's relaxed manner is believe while the viewers are continuously fed ominous clues of the doom to come.


Blade Runner: 1982, USA (Science Fiction & Fantasy)

I watched this movie once because there is always alot of talk about this movie. I don't think I paid enough attention, because I didn't get it. The book references Harrison's Deckard being a play off Bogart's Marlowe from the previously mentioned 'The Big Sleep'.

The Blair Witch Project: 1999, USA (Horror)

This movie took horror to a new level. The marketing around this movie was a true 21st Century idea. It created the buzz needed to pull of the movie as real. The camera work was nauseating and lead to several imitators over the past ten years.

Sunday, September 12, 2010

Red's CD Project Story 2: Part 33 – The chase begins

Note: This came out very easily, despite not really following the outline I had came up with to start this last seven parts. I don't think I've updated this for awhile, we are at 132 pages, 57, 485 words.

Disc 2
Track 11: The Chase is Better Than the Catch by Motorhead

“I’ve got a bad reputation, I don’t care, I get my share. Don’t feel no deprivation.”

“Nestor, I see you!”

Nestor surged awake, grasping the edge of the path behind him and cutting his hand on a sharp corner of the stone cliff. The cursed path called Veris that led to the dead palace of Metahischoo was barely wide enough here for him to lie flat on his back. One wrong roll and an endless drop would follow.

The air was frigid, but for once Nestor did not feel it. Instead, a cold sweat broke across his wrinkled and scarred forehead as the woman’s voice echoed inside his head. Between gusts of wind, he could hear the boy snoring lightly. Oan, as always, was comfortably asleep despite the cold and the snow.

If the voice had been but a dream, it would have slipped out of his mind as soon as he was greeted by the freezing air and the long drop so close to each side. But it had not been a dream, for it was not the first time a voice had visited him so. Never had it been a woman before, but the clarity, the force of the words had him sure that he would be wise to avoid closing his eyes.

As if the being calling him could hear his thoughts, he could feel sleep pulling at him. He fought it, but the power denied his escape. His lids grew heavy; the clouded sky above was replaced by dark, infinite dark.

“Why do you run from me, Nestor?” The voice boomed. Nestor clutched at ears that were not really there. Fighting it, he was back on the Veris path listening to the boy snore.

Before he could force himself up, he was jerked back into the darkness.

“I grow weary of this,” the woman’s voice came from all around and echoed as if shouted from the top of Kekur. He was not sure he had a body here, but if he did, he was sure that he had just dropped to his knees.

“What spirit is this that haunts me this night,” Nestor cried out. In comparasion to the woman’s voice, his was a hoarse whisper. “Leave me be.”

“Leave you be,” the woman laughed. “Do you believe that our master has not kept a watch on thee?”

“Shut up!” Nestor wept.

There was silence save for his heavy sobbing, but he knew that he was not alone. He sensed sharp teeth set in heavy jaws all around ready to clamp down. Even here where his body was disconnected, he made to scratch under his arms. The flaming itch was constant now. Being so far away, it was the prickle of memory that kept him tied to his awful past. That and the scars in his face, but he did not see those and they no longer irritated him, except for the missing eye. There was a burning there that flared up sometimes when the sun kissed the horizon, but in the frozen world of the mountains that rarely occurred.

“You’ve begun the change,” the woman returned. He could sense the smirk on her lips.

“Who are you?” Nestor shouted again.

“An ally, man of the sand,” the voice answered. “One who wishes an audience with you and with your charge.”

“Shove your audience. … you witch!” The thought occurred to him. “It’s you, isn’t it? Back to haunt me. The boy said you went the through door, but it was more than I could hope. Well, get out of my head, I do not wish your consul.”

There was a pause, but the darkness did not break.

“What door, Nestor?” The voice was softer now, looking to pry new information out.

“The Do. …” He began then stopped. “Who are you?”

“Enough with the games,” Her voice was filled with impatience. “Our Master requires youre obedience, do you give it?”

“I know not what you speak of.” He was not one for sobbing, but he could not stop himself here.

“Do not be a dolt. Our Master shares much with me, he has shown me you’re dark heart, one-eyed man.”

“You lie!”

“You betrayed your post.”

“Shut it!”

“You betrayed your wife!”

“Never!”

“You robbed your own son of his most cherished!”

“I was tricked.” The sobs gave him away.

“Now you shall do it again.”

“No.”

“Where are you Nestor? Where is he?”

Nestor fought against the darkness, trying to wake this nightmare. He was done betraying others. Being away from the cursed sand had restored his sense of right to see that. The boy was hid redemption. He was sure of it.

“Where is he, Nestor?”

“You can’t have him!” As if shoving off a great boulder, Nestor lifted up and the darkness started to dissipate. Thrusting up again, clouds peeked through the bleakness. One more thrust, and he was out. Sitting up along the path drenched in sweat. Opening his eyes and looking up the boy was staring back at him wide-eyed, the woman’s voice one last time.

“I see him!” She exclaimed. “And the mountain. You shall cross the Belnor soon. We shall meet then.”

Nestor wanted to clasp his hands to his ears, but he could not let the boy see it. His stomach tossed about, and he unleashed it contents down the drop to his right.

“I thought you may take the plunge the way you were thrashing about,” Oan said. “Does Veris bring nightmares to thee old man of the sand?”

“Aye, it must, my boy,” he stammered whipping away at his mouth. “It’s already leaving my head though.”

Surprisingly, the boy smiled then. As they traveled longer together, the grins had become more frequent. Nestor wished it were not so.

“It’s always best when they slip away. No one needs those memories lingering.” The boy stood up turned back toward the palace. They would reach it today for sure.

“Aye, my boy. It is best to forget,” Nestor whispered and scratched under his arm. “It tis. It tis.”

* * *

The four Dinar knelt before Hatala, who sat upon the Cortobrane’s padded mayorial seat. Getting the Dinar to their knees had taken a lot of subtle coaxing, but her claws where too entrenched in their ancient nerves for them to withstand any longer. It was her boots they licked now. She was their Master. One day, Salama would bend to her will. She was sure of it. The boy was the key… and perhaps this door that the fool man spoke of. She was destined to bear a god. Her spot as mother would yield a rank nearly as high.

“My time in Stra ends tonight,” Hatala said.

Neros rose to object, but one wave of her hand sent him back down.

“The boy approaches the palace, from there he’ll cross the Belnor. I shall be there to greet him.”

“And of the battle before us.” Neros forced out an objection before she could wave it away.

“The twins,” Hatala looked down upon Lars and Het, “and the children shall handle this so-called king of Satar. Neros and Mahmet, you two shall accompany me east.”

All four Dinar bowed their heads in acknowledgement of her command. Rising from the seat, she felt the tingle of bliss drip from her fingertips.

“Great days approach, my subjects. Great days, indeed.”

Friday, September 10, 2010

501 Must-See Movies: 'Band Wagon, The' to 'Best Years of Our Lives, The'

The list weakens this week after a pretty good one last time. There are 2 true classics in here and 1 that is more notorious than the other 9 put together.


The Band Wagon
: 1953, USA (Musical)

Another Fred Astaire classic that apparently should top most serious musical lover's list. Astaire was 'probably never better.'


Barefoot in the Park: 1967, USA (Romance)

Robert Redford and Jane Fonda star in the Neil Simon adapted screenplay. The young couple live in a 5th floor flat with no elevator. The stairs seemingly steal the show.


Basic Instinct: 1992, USA (Mystery & Thriller)

I shamefully admit that I have never seen this movie. Still the leg crossing scene is beyond infamous. Michael Douglas and Sharon Stone lead this combination of violence, sex and mystery.


Batman: 1989, USA (Science Fiction & Fantasy)

This movie took Batman from the over the top slapstick of the Adam West days and back into the dark tortured character that he really is. Nicholson plays a great Joker and maybe his best role ever with the freedom to be as outrageous as possible. I think I prefer Christian Bale's new Batman to Keaton's though.


Battleground: 1949, USA (War)

The only name I recognize in the cast list is Ricardo Montalban. A grimly honest look at war in contrast to the normal romantic, glorified view that was common of the time. The movie focuses on a suffering of a group of soldiers with no glorification on any individual serviceman.


The Bedford Incident: 1965, USA (War)

This is a classic suspenseful cause of a submarine. The movie is said to reflect on the madness that could spark the Cold War at any moment.


Belle de jour: 1967, France/Italy (Drama)

A woman is torn between two lives, her meek existence in her newlywed home and her under cover sexual desires working in a brothel. Extremely edgy subject matter for its time, but this is France.


Bend of the River: 1952, USA (Western)

This western brought about an edgier, tougher Jimmy Stewart after his earlier, more charming movies. In sort of a classic old west arch, Stewart is trying to escape his criminal past when he meets back up with a former partner.


Ben-Hur: 1959, USA (Action/Adventure & Epic)

Pretty sure this movie is the definition of Epic. The chariot race alone takes up 20 minutes except that the entire film is almost 4 hours. The movie is grand on all accounts and Heston continues to appear larger than life playing another biblical times character. It shares the record for most Oscars with Titanic.


The Best Years of Our Lives: 1946, USA (Drama)

This movie tackles the subject of men returning from war and how they integrate back into society, still a relevant issue today. The 3 men seemingly came back alright until everything begins to unravel for them.

Wednesday, September 8, 2010

Red's CD Project Story 2: Part 32 – Transgressions

Note: Well I suppose I have some explaining to do. First, been super busy. Second, lost internet connection twice during writing of this part. Thrice, I just never really got my heart or head fully behind this part. With 7 parts left, I've went a little into panic mode on how to wrap everything up, while working with the lyrics and songs. I did some brainstorming the other night. Hopefully, it will help things run logically.

Disc 2
Track 10: Spaceman by The Killers

“I’m fine but I hear voices at night sometimes.”

Servants scurried around the hallways of the palace in desperate search for King Eden. They rushed about in a fever of urgency, bumping into each other, knocking forgotten silver trays and goblets from each other’s hands, letting them crash to the stone floor where they remained to be kicked off to side by the next passerby. Meriam kept to the sides, in silent horror at the chaos with the mounting disorder turning her stomach. Finding the man was paramount to anything else, any other charge, but she wondered what the man was really going to do.

She had been outside of Union Hall this morning, having just delivered breakfast to Evandra and leaving the tray for her mother Kendra to be ingnored outside her door. The scout that arrived was barely old enough to handle a steed, but his report to the guards was as sound as it was terrfying. The boy reported an army, about 10,000 strong, under a green dragon banner approaching the city from the north. While the histories of the old world were banned in the capital city of Satar, everyone knew the dragon was the sign of Isa. In these dark times, there were murmers already that the ancient army had rose from the dead to reclaim its home.

Sulking along the hallway connecting the royal apartments, Meriam’s mind continued to dwell upon the Queen. The woman had not left her room in two weeks with the only one allowed in being the King, whom Meriam knew did nothing other than ravage her. Both the queen and the princess where prisoners to their rooms, guarded from the call to run west to Nocnil and the evil residing there and isolated from the rest world, as well. The King ignored his daughter, who grew more weary, thin and pale by the day.

The Queen was a ghost, even when Meriam delivered the note from Ewam, she refused to open the door, insisting that Meriam slip it underneath. Meriam did as she was bade, and listened as the once proud woman on the opposite side must have crawled in agony over from the bed to retrieve it. Meriam understood then, Ewam had the Queen’s heart as well. Loving the man, without being able to have him, was something Meriam understood very well.

Meriam had wanted to read the letter herself. See what it was that Ewam had to say to his brother’s wife that he could not say to his brother. Considering Eden’s behavior, she was not surprised that Ewam held secret council with Kendra. Meriam wondered if he knew what his words meant to the tortured Queen. Men, she thought, never considred the feelings of women one bit. Ewam certainly never considered Meriam’s feelings. Of course that would be ridiculus. She was, after all, a servant, and he a king.

Moving down the hallway, she paid very little attention to the open door to the apartment that was once occupied by Ewam and Eden’s mother. Her mind was preoccupied with thoughts of both kings. It did not register that the door had not been opened since the day the former Queen died. It was only when she heard the voice that she snapped from her internal quandaries.

“It’s all here in his hand.” It was Eden’s voice, but it was bent and twisted till it was nearly unrecognizable.

“I know mother,” Eden responded, his tone much more normal, yet pained.

“She was disloyal before she took her vows.” The bizarre attempt at a femine voice returned.

“It does not say so,” Eden answered.

“In your heart, you know the truth.”

Eden answered this time with a whimper.

“They laid together and begot a child. One they paraded as yours.”

“It does not say so.”

“You know the truth.”

Eden let out a sob and words in the language she had sometimes heard him use with Ewam. The only difference was that the usual affection that dripped from the unique words was replaced with a mad sorrow.

Moving past the door, Meriam was able to get a view inside. Across the room, Eden sat upon his knees before the open doors that led to a balconey. Held out in his hand was a folded piece of parchment. Meriam clasped her hands to her mouth to snuff out a moan. It was the note from Ewam to Kendra that she had slipped under the Queen’s door this morning.

“What should I do about them?”

“Put an end…”

“Shush,” Eden interrupted his own attempt at his mother’s voice. “We are not alone.”

Eden stood up and turned around as Meriam started to back away from the door. The shadows left the right side of his face dark save for the pupil of his eye, which glowed like a star in the night sky. Madness engulfed his face, the twists and scars apparaent in the sneer on his lips. Collecting her skirts, Meriam was prepared to run if need be.

“Eavesdropping on the King and his mother is poor manners, Mistress Meriam,” Eden took a step forward. He stopped, and a look crossed his face that acknowledged the absurdity of his statement. Perking his ear up, the looked passed and it was replaced again with the sneer.

“My King, you are not well,” Meriam choked out.

“I am fine save for my subject’s disobedience.” Eden stepped closer, reaching for the sword at his belt.

“Your mother, she’s de…”

The words did not finish as a pair shoulders armored and stout crossed her field of vision and came to a halt. It was palace guard, one searching out the king. He was a young man, all of them were young these days. His blonde hair was long in the back and curled. A fair man that likely once had dozen of girls swooning over him. Of course, there were not many girls left around, and those that remained spent their days locked away, resisting or being forced to resist the constant urge to run west. Every day more found a way out, answering that obscene call.

“My Lord…” The man hesitated. The sight of the king was enough to halt his urgency. Like that, Eden straightened his shoulders and his face cleared. The man must have thought have he surprised the King, as he started over. “I apologize, my King. A scout arrived this morning. An army comes from the north under a green dragon banner.”

“A green dragon?”

“That is the report.”

Eden clasped the man by the shoulder, smiling. It was a friendly gesture, but it was obvious that neither man was comfortable. Eden stayed that way for a second, keeping one eye on Meriam.

“We shall open the gates for them when they arrive. Send a messenger.
Tell their commander that he and his generals are welcome in with no threat to their safety. They shall have audience with me.”

“My Lord. We have every reason to believe this is a hostile party. Some even believe it is the ancient army of Isa returned to reclaim its lands.”

The man was noticeably shaking, bringing up Isa was an act of treason. Eden’s posture never changed once. He answered, turning his face to clearly address Meriam even though he answered the man’s question.

“My loyal man,” Eden said. “We all must be punished for our transgressions sooner or later. Now, do as I say.”

Before Eden could address her, Meriam bolted down the hallway in a hurry to get as far away from the King as possible. Thankfully, the arrival of this army should keep him distracted for the time being. Long enough, she hoped, to give her time to pack some things. The time of the Mistress Meriam in the palace of Omet was over, but she would not be leaving alone. Already her mind was working on how to acquire at least one horse. Three would be ideal, but not probable. No, they could make do with one, if need be. Meriam could lead the one, the other two could ride. She was leaving the city, but she would never abandon her charge.

Monday, August 30, 2010

501 Must-See Movies: 'Apollo 13' to 'Ballad of a Solider'

Not a bad group this week as we roll on. I find it more interesting at times, not what was included or excluded from this book, but how the author choses to endorse some movies way more than others. I guess it is hard to same wonderful things about all these movies, but each should at least sound like you think it is a good movie or that you like it. I would think.


Apollo 13:
1995, USA (Drama)

This film was destined for greatness even if the mission it depicted was doomed. The blockbuster combo of Ron Howard and Tom Hanks never seems to go wrong. Throw in Kevin Bacon and Bill Paxton and man you got yourself one hell of a movie. The film really focuses on the human story of the mission and more serves as a celebration of the American will and drive to achieve our dreams. Still Ed Harris is the man!

As Good As It Gets: 1997, USA (Romance)

I guess I never thought of this movie as a romance. I remember my mother taking me and Red to go see this movie. Chalk full of one liners from Jack and this lovable gay charm from Greg Kinnaer. The movie has heart but is full of laughs along the way. I guess that is how two teenage boys enjoyed this 'romance' movie so much.


The Asphalt Jungle: 1950, USA (Mystery & Thriller)

This film is credited as inspiring many later 'heist' movies such as the original "Ocean's Eleven" and "Reservoir Dogs". But unlike those, this film has little action and is instead focused on the flaws of the character. Some of the scenes are well described in the book and make me want to see it. Marilyn Monroe got her break co-starring as the bimbo niece. Seemed fitting.


Attack!: 1956, USA (War)

Jack Palance & Lee Marvin star in this WWII picture. The overall theme is man's efforts to prevail against all odds, yet there is a ton of anti-war. Or at least of exposure of poor behavior by certain officers. Seems to me like they made a TV series out of this because I have seen this title before. But I could be wrong.


Audition: 2000, Japan (Horror)

This is a romantic horror film, something that doesn't sound quite right. But there is one thing I know, Japanese filmmakers can make some twisted crap. It sounds good though.


Austin Powers: International Man of Mystery: 1997, USA (Comedy)

This is our generation's 'Airplane'. Although the way the book reads about it, you would think the author didn't like it at all. This film propelled Mike Myers out of the shadow of SNL and into the comedy powerhouse he has become.


Back to the Future: 1985, USA (Science Fiction & Fantasy)

This is The 80's Movie in my opinion. The style of the 'present' scenes and the use of the Delorien (sp?) forever cement it in the memorable time period. The sequel was very good as well, but the 3rd just went too far.


Bad Company: 1972, USA (Western)

The book claims this is an unjustly neglected masterpiece of the 70's. I've never heard of it before, which means I got some Westerns to catch up on. It stars a young Jeff Bridges as a group of young men desert from the Union Army.


Ballad of Cable Hogue: 1970, USA (Western)

This western follows the story of Cable Hogue who is left to die by two double-crossing partners and reclaims a life for himself eventually set on revenge. The book points to a comedic edge and a clear affection for the Old West.


Ballad of a Solider (Ballada o soldate): 1959, USSR (War)

Set during WWII, a young Russian solider refuses a medal and sets off on leave to see his mother. This is noted as a change in Russian cinema and was the first film from the USSR to enter an American film festival that it even won.

Friday, August 20, 2010

501 Must-See Movies: 'All The President's Men' to 'Apocalypse Now'

The list picks up with a solid group this week, including at least 2 of my all time favorites.


All The President's Men:
1976, USA (Drama)

This classical replays the events of reporters from the Washington Post trying to uncover the Watergate scandal. Robert Redford & Dustin Hoffman are said to be at the top of their games in this one playing well off each other.


Amelie: 2001, France/Germany (Comedy)

This one gets alot of praise in the book. I remember seeing it on the racks of local movie stores for some reason. "A flawless film graced by flawless performances." That seems impossible to live up to.


American Beauty: 1999, USA (Drama)

I would rank this as one of my all time favorites. Kevin Spacey has never been better. I've noticed though through many discussions this seems to be more of a guy movie. It is because of the naked covered with rose pedals Mena Suvari, but that the sense of this so call happy life turned to crap seems to fit more into the male psyche. It is well pointed out in the book that while the 'point' of the movie is to find out who killed Lester, but the importance is in the road to his death and the people caught in this world.


An American in Paris: 1951, USA (Musical)

This musical is known for Gene Kelly's dancing including a closing 13 minute ballet sequence unlike anything seen before. It is noted that the ballet was the main reason the movie won six Oscars.


An American Werewolf in London: 1981, Great Britain (Horror)

This movie always confused me. It seemed like a scary movie, but they played it on Comedy Central. John Landis stepped out of his element a little bit with this movie but made something 'as scary as any horror and as satirical as any comedy'. I tend to agree with that statement. The special effects still look decent today, not as cheesy as most others.


Angel Heart: 1987, USA (Horror)

I was surprised to find that I had never heard of this movie. Mickey Rourke & Robert De Niro star in this psychological thriller. It sounds very interesting as it is set like a detective story and turns into something different. The book points to how the director, Alan Parker, peppers the story with obvious clues so you think you know what it happening until being caught off guard by a new gruesome revelation.


Animal House: 1978, USA (Comedy)

The book doesn't really have much to say about this comedy classic. The problem is I really don't either. I dunno what is left to be said about this one that hasn't already been said. A classic good time that made John Belushi an even bigger star. I just remember hearing once in an interview that John Landis wanted to challenge Belushi in the movie so he restricted his line and told him he had to act out mostly with his face. Thus we got some excellent expressions of comedic genius.


Annie Hall: 1977, USA (Romance)

All you ever hear about this movie was Diane Keaton's clothes and how they sparked a fashion movement. I've never been one for Woody Allen. This movie did invent the sub-genre of 'nervous romance'. Then again Woody Allen seems nervous in every movie he is in.


The Apartment: 1960, USA (Romance)

Jack Lemmon stars as a man who lends his apartment to his bosses for some extra activities. It turns into a tangled love web along the way. The book points to the skillful display of the movie's funny side before peeling the humor away layer by layer till all that is left is the bleakness underneath. This movie definitely sounds interesting and I have always been a fan of old school Jack Lemmon, so I will have to find this one someday.


Apocalypse Now: 1979, USA (War)

I could write several posts on this movie. There are so many classic scenes, lines and music. There is the opening sequence of Martin Sheen wasting away in his apartment to The End, the bombing raid on the village, the bridge battle and of course the climactic scene of the natives slaughtering the cow. I read that the crew was actually able to film a real native ritual, so that cow is really getting chopped in half at that time. If I need to complain about one thing, it is Brando's voice at the end. I had to turn on the subtitles the first couple times I watched it in order to understand what the heck he was saying. Again it wasn't so much the mission to 'remove Col Kurtz of his command' but the journey to get there. We see first hand the absurdity of war and the variety of characters it produces. Robert Duvall steals the show as Lt. Colonel Kilgore dealing the movie's most famous line, along with my favorite "Charlie don't surf!"

Thursday, August 19, 2010

The Dark Tower V: The missing key

Note: I didn’t have this book, so it took a little while to get, by then I had started in on some other books and some stupid house-building project. Check out the other installments to refresh you mind.

THE WOLVES OF THE CALLA

There’s a few main plot lines driving this book, which all add up to this becoming the transition to conclusion.

1. The battle for a little town of Calla Bryn Sturgis against the “Wolves” sent from Thunderclap to steal every other child only to return them “roont” or basically useless. Roland and his gang stumble upon the town on their journey to the tower, and like all good gunslingers, offer their “hard calibers” for the fight.

2. The protection of the rose (the embodiment of what is good, what is true in all worlds) that currently resides in a empty lot in New York circa 1977 (I think that’s the year, we have 4 characters from 4 different times in New York, easy to get them messed up.

3. The development of a new personality for Susannah, due to ill-fated pregnancy by a demon. Mia, daughter of none, is born within her head and determined to see the pregnancy through.

4. The introduction of Father Don Callahan, a character from King’s book Salem Lot, who has traveled through alcoholism and the “lost highways” to the Calla. His story introduces us more closely to some of the evil we will encounter in the final two books.

That’s the gist of it.

That being said, King slips something in here, something that slipped right past me the first time I read this book. The second time, admittedly I was looking for signs of things that come at the end of the last book, I was stunned when I read the passage below. In a dream that Roland has from his past, King alludes to a key to the entire journey. Then he moves on. The best readers probably caught this section and wondered why it was here. Like I said, I didn’t remember this at all. Anyways, here is a small sampling from Roland’s dream.

Cuthbert Allgood, who had once ridden into the Barony of Mejis with a rook’s skull mounted on the pommel of his saddle. “The lookout,” he had called it, and talked to it just as though it were alive, for such was his fancy and sometimes he drove Roland half-mad with his foolishness, and here he is under the burning sun, staggering toward him with a smoking revolver in one hand and Eld’s Horn in the other, blood-bolted and half-blinded and dying … but still laughing. Ah, dear gods, laughing and laughing.

“Roland!” he cries. “We’ve been betrayed! We’re outnumbered! Our backs are to the sea! We’ve got them right where we want em! Shall we carge?”

And Roland understands he is right. If their quest for the Dark Tower is really to end here on Jericho Hill – betrayed by one of their own and then overwhelmed by this barbaric remnant of John Farson’s army – then let it end splendidly.

“Aye!” he shouts. “Aye, very well. Ye of the castle, to me! Gunslingers, to me! To me, I say!”

“As for the gunslingers, Roland,” Cuthbert says, “I am here. And we are the last.”

Roland first looks at him, then embraces him under that hideous sky. He can feel Cuthbert’s burning body, its suicidal trembling thinness. And yet he’s laughing. Bert is still laughing.

“All right,” Roland says hoarsely, looking around at his few remaining men. “We’re going into them. And will accept no quarter.”

“Nope, no quarter, absolutely none,” Cuthbert says.

“We will not accept their surrender if offered.”

“Under no circumstances,” Cuthbert agrees, laughing harder than ever. “Not even should all two thousand lay down their arms.”

“Then blow that fucking horn.”

Cuthbert raises the horn to his bloody lips and blows a great blast – the final blast, for when it drops from his fingers a minute later (or perhaps it’s five, or ten; time has no meaning in that final battle), Roland will let it lie in the dust. In his grief and bloodlust he will forget all about Eld’s Horn.



Next up: The Song of Susannah. This one’s a little shorter and once I find it wherever it’s packed away, I get to reading through it.

Saturday, August 14, 2010

Sam & Alice

Note: I wrote this probably 6-8 months ago with a vague vision of where it might go. I justf left it as it appears below because I could feel flaws in my plot and idea. Thought I'd post it since I am a little stuck on what's next with the CD project. Enjoy.

Sam & Alice

Sam intertwined his fingers, which were cemented with dirt in the dry cracks, above the red-and-white checkered metal plate with a small pile of scrambled eggs with specks of brown interrupting the gold. Next to the eggs was a piece of wheat bread toasted nearly black. He had not got a hang of toasting bread on the oven burner yet. The fingernail on his thumb was a brilliant purple and throbbed anytime he bumped it. Alice had grown fond the last day or two of swatting at it and watching him fight back the pain. This whole ordeal had made Alice terribly sick.

“Our father, who art in heaven,” Sam began.

“Why the hell are you doing that?” Alice’s voice cackled.

“Please don’t interrupt me.”

Alice pushed her chair away from the table, the rubber stoppers at the bottom of the legs thudded against the linoleum.

“Hallowed be thy name. Thy kingdom come…”

“Yeah, we’ll see about that.”

“Alice.”

Standing, Alice picked up her plate of untouched food and flung it across the kitchen, hitting the bare wall on the opposite side and leaving a wide gouge in the blue paint. The plate crashed to the floor, eggs scattered in all directions. The toast landed as hard as the plate and seemed equally unharmed.

“I can’t stand this any more,” Alice said rubbing at the thickly wrapped gauze on her right wrist. He didn’t think she had any more tears inside her, but one found its way out of her bloodshot right eye and streaked down her dirty, pale face.

“I know. It won’t be long.”

“Hmmm.” She turned away, looking out the square window above the sink. Alice had a constant shake these days, a fidget that never stopped. Where was the strong woman he loved, Sam wondered?

Alice fumbled with the wood drawer next to the sink, the metal contents inside rattled. Opening the drawer was a fight due to the humidity swelling everything. She swore words that a month ago he would have thought she didn’t know. Finally it opened, and she pulled out a pack of cigarettes and a lighter.

“Please don’t smoke in here.”

Alice gave a throaty sound before walking out of the kitchen. Sam waited before starting again.

“Thy will be done on earth as it is in heaven…”

“Yeah, we’ll see about that too.” Alice mumbled from the front door. Her voice didn’t even sound the same anymore. All the joy, all the spring of it was replaced with a cold, raspy edge that bordered between cruel and desperate.

He heard Alice open the door allowing the sound of rain splattering on the porch to come in. It had been raining too long for him to tell if it had picked up or slowed down.