Considering that early interest, I have to admit to knowing
little or nothing about Tommy James or any of the Shondells before reading this
book, other than some vague memories of seeing him be one of the pitch men on
one of those late-night Time Life album infomercials several years back during
my journalism/drinking days.
This is an interesting look at the 60s music scene through
the eyes of a guy that I guess probably fits on the second-tier of stars from
that era. It’s hard for me to judge that because I do have such fond nostalgia for
his music, and I sensed he might be overstating the success of his songs some
in the book. He’s not on the level of the Beatles, Stones, or Beach Boys. He’s
below that, but I am not sure where he fits in the lexicon of popular music.
Maybe Snake could assess that better.
Because Tommy was instrumental in almost all parts of his
career, you get a good peek into the business aspects of the music industry
during that era, and also the technical aspects of making a record. Looming
over the story is Roulette Record’s kingpin Morris Levy, who ran the label like
a crime family because, well, it was a crime family. It’s an interesting relationship
between Tommy and Morris. It’s almost father-son like in many aspects, just
that the father is skimming money from the son to the tune of about $40 million
over a five-year period and the father has a history of having people killed. Just
an FYI, Morris and other members of his “family” became the inspiration for key
characters in the Sopranos.
If you dig that musical era, I’d recommend this one. It’s filled
with interesting behind-the-scenes stories, and it has a very easy-to-read
style.
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