I did like the idea of entering a painting and interacting
with the people within. As usual, there were slight references to his other
books including the Dark Tower series
and Misery. It satisfies on the
surface level by punishing the bad guy, and rewards the good guy. It also
includes the usual King epilogue where it seems the good guy has lingering
issues and makes you wonder about the future, but that epilogue went on too
long. This was one where I was ready for it to be over when the bad guy was
vanquished.
I want to finish this off by taking a tangent. Lately I’ve
been thinking about coincidences and connections. The root of which probably starts
with the nonfiction piece I wrote “Simulating Success,” and continued with
Snake’s comments and my response. Anyways, I always find it interesting when a book I am
reading somehow connects to something I either just read or plan on reading. You know, like there's some magic in it speaking specifically to me. In
this book, there is a reference to the Tommy James and the Shondells song – Hanky Panky. Now, King almost always
includes popular music references in his stories, and more often than not, he
includes songs from the 50s and 60s, as those were the songs he most likely listened
to growing up. It’s coincidental here because I knew that I was going to read, Me,
the Mob, and the Music, next, which is the autobiography of Tommy James. Also
coincidentally, James mentions early in his book that his family goes to live
near his Aunt Gert (probably short for Gertrude) in Michigan. This was funny
because there is a character in Rose
Madder named Gertrude, who goes by the name of Gert. If the name had been Bill or Jenny, I probably wouldn't have made a connection, but Gert just isn't one you hear very often these days. Does any of this matter
or mean anything? No, probably not, but it’s an interesting idea – maybe one
for a story where someone discovers some sort of clues or solves some sort of problem
by connecting seemingly meaningless dots in random pieces of literature.
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